L'échappée belle

Films that try to earnestly, honestly explore and detail life experiences to hopefully illuminate and celebrate them--and maybe even help viewers deal with their own similar experiences--are films I always appreciate, even if I can't say I ended up enjoying watching them because the life experiences depicted are so difficult and inherently sad. I should also emphasize now, though, that "The Leisure Seeker" also tries to find the humor in this inherently sad situation, and succeeds at times: There are some very amusing moments. In an interview while promoting this film Helen Mirren said she took the role because the character she was playing was rushing into living and life rather than running away from it when it got difficult, and I agree. Interesting to find out in the closing credits that this is an Italian film production, with an Italian director (in fact, Mirren also said she always wanted to be in an Italian film because they were so inspiring to her when she was young, and it was also one of the reasons she took this role), so it is actually an Italian take on a very American story and road trip taking place in two distinctly different parts of America along the East Coast, from Massachusetts to Florida. I found it reflective and contemplative in a good way, and I was drawn in and glad I took the trip with them, even if I left the theater feeling melancholy and a bit afraid of what my later years may bring to me as well. Recommended, but be aware that your own life experiences may make this a darker or lighter film depending on what you've been through yourself.

I saw this film like a precious gift from two great actors. Their magnificent performances, the inspired script, the nuances of love, the powerful connection and the simple manner to be part from the other are more than beautiful. It is an useful film. This is its basic virtue and the heart of the emotion about it. A couple, a travel and the splendid chemistry between Hellen Mirren and Donald Sutherland. Enough for a form of stop time. For admire one of profound forms of romanticism.

I have been telling as many friends as possible about this movie. I am 85, a widow, and lots of my friends are my age or older. There were so many things that didn't quite ring true here....Mirren was wonderful but she isn't really able to sell a chatty woman with a Southern accent, less educated person than her husband. I've had several Alzheimers sufferers in my life and in many ways Sutherland didn't seem to fit the bill. For instance I wonder if he could really drive that house trailer. But, in spite of absolutely everything the total story rang true and had a strong effect on me.

Fugitive, 70-something grey nomads John (Sutherland) and Ella (Mirren) dust off their old Winnebago for one last trip, to visit the Florida Keys and the home of Ernest Hemingway. John is a retired literary professor and Ella has always wanted to take him there. Their disappearance scares the hell out of their grownup kids who, while pleading with them on the phone to come home, vacillate between respecting their wishes and calling the cops on their irresponsible parents.

THE LEISURE SEEKER is an at times funny, at times poignant, perhaps even confronting but also very real tale of what's waiting for us all as we near the end of our respective journeys. The film is a study of 'memento mori' and a pretty honest exploration of the gradually diminishing range of options as age and failing health catches up and overtakes even those not quite ready to call it a day.

Although it evoked a strong emotional response from the reviewing audience, it didn't feel either glib or particularly dark or depressing. Rather, it played as the celebration of a family's unembellished life and their enduring and at times conflicted love for one another.

Mirren and Sutherland are Ella and John, an ordinary, elderly American couple. Suffering from the inevitable ailments of the old, they are nevertheless full of life and embark on a RV journey to Key West, to visit Hemingway's house.

So far, it could be an ordinary feel-good story, but from the beginning we get (or should get) the point that things are not what they seem.

The couple's son is highly distressed by their disappearance. When he walks into their house, we see lots of medical equipment, a clear sign that one or both spouses are in bad health.

Following Ella and John in their journey, we discover that John probably suffers from mild dementia, or memory loss at the very least. John also seems a bit of a flirt, chatting up all young waitresses with his "elderly professor gentleman" charm. This should make some final revelations come as no surprise.

Ella is a chatterbox, determined to give John the time of his literary life, with the long programmed but never executed visit to Hemingway's house. Ella is oblivious to the fact that John is not in the condition to care or understand much about the visit. We also understand that Ella is probably very seriously sick. Her phone call to a crying daughter is another sign that things are not right.

In the evening, during their stopover on their way south, Ella and John watch old photos about their lives. John can hardly remember who most people in the photos are. These quiet moments of lack of remembrance are perhaps the most heartbreaking.

The inevitability of life's end is treated with delicacy and even some humour and the movie is never gloomy or depressing, despite the subject matter. Still, expect to reach for your Kleenex toward the end.