Bare

You can feel how the story portrays something real, unlike the superficial world we all pretend to play in. Although the people around her seem to be in control of their lives, thus knowing best; no one there is even close to noticing what is really going on right in front of them; yet the main character breaks these bounds. Judging anything, to include this movie one should be careful not to fall into the same trap as the majority of the people in script, because everything is valid, and we must look deep inside where we are not comfortable and see the real beauty in front of us.

Dianna Argon played her role in this movie wonderfully, always in tune with what I believe the director had intended. A promising career no doubt.

This is the worst movie I've ever been forced to sit through. Not sure how this even got made, luckily the general public will be spared as it won't ever be in a real movie theater.

Diana Agron and Paz De la Huerta are good actors but not in this film. It is pretty to look at, yet has absolutely no real direction or vision. There is no story, just fragments and half ideas thrown together. And despite being made by a woman director, it is full of the male gaze and old stereotypes. It's also extremely white and lacks diversity.

Plot synopsis: Poor young white woman in a small town who thinks her only way to escape is to become a stripper.

This is a very narrow-minded and contrived film with a formula we've seen a million times in bad 80s films. It's like the director just replaced the stereotypical bad-ass guy in a leather jacket with Paz De la Huerta.

Came across this one by chance and decided to give it a try. This is a nicely made coming of age story that takes place in a small dead- end town in Nevada. We have seen stories like that many times before but this one still stood out for me for its feel.

The pace is just right so the film never gets dull despite the fact that it's a slowburner. The camera work is absolutely wonderful and definitely elevates certain scenes. Another thing worth mentioning is the soundtrack. If you love indie/alternative type of music (Chromatics, Part Time) you will be very pleased. The songs perfectly match the scenes. The one that especially stands out in my opinion is the desert scene with the snake, everything comes together nicely there making it almost hypnotic.

The acting is solid. Dianna Agron (The Family, I Am Number Four) and Paz de la Huerta (Enter the Void, A Walk to Remember, Boardwalk Empire) work well together and it's nice to see Dianna Agron doing something different and daring from her previous roles. The stand- out performance would have to be Chris Zylka though (Kaboom, The Leftovers), an obvious scene stealer in this one.

If you are a fan of indie films then I would recommend Bare. Just let yourself slowly be immersed in it and it will take you away a little for those 90 minutes.

I should have taken notice of the "real" reviews! I didn't really feel in the mood for an action movie or something which would need my deep attention, so I thought I'd give this a go. This movie was just bad. I can't see the point of making it except that whoever wrote the story, whoever directed it, whoever it appeals to must have had, or know a couple of women in that situation! I doubt it would appeal to a wider audience. The only people, women, it may appeal to are those who either lead such a life, want such a relationship, have been in that business, use drugs, are Bi or Lesbian... Guys, don't even think of wasting time with this!

Greetings again from the darkness. The debut feature of writer/director Natalia Leite takes on the all-too-familiar territory of a disenchanted teenager being smothered by a claustrophobic small town, and twists it into a nocturnal awakening that changes some lives, while leaving others forever jogging in place.

Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.

Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.

Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.