In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire's ultimate weapon of destruction.
- Nominated for 2 Oscars
- 24 wins & 85 nominations total
Featured reviews
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
Rogue One is the movie we didn't asked for - but what we got was beyond any expectation. Excellent pacing of the movie. As the movie progresses it gets better and better. Culminates in one of the best finales seen in any of the Star Wars movies.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
CGI on the past main character seemed odd. But worked well on pilots and scoundrels. Many Easter eggs trough the whole movie are appreciated. Humor from Alan Tudyk's K-2SO was spot on.
Empire Strikes Back is still king of the hill as the best SW movie till date. But Rogue One comes damn close near it.
Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
A Star Wars movie that hit hard before, but after seeing Andor, it hits even harder.
Rogue One is a masterpiece of cinematography, acting, visual effects, and writing (even though it takes a while to get going at first).
This movie is about the story of how ordinary people risk everything to get the plans to the Death Star, and they must endure hardships, even if it costs them their lives.
Jyn Erso is the main character, the daughter of a Death Star engineer who was against the Empire and designed a weak spot in the Death Star. The movie is about her being recruited by the rebels, and they must get the plans to the star, along with Andor and other characters.
The movie takes a while to get going, with all those points of view and jumps from character to character, planet to planet.
It's only halfway through the film, when they leave Jedha and go looking for Galen Erso (The Engineer), that the film really takes off. And what more can we say about the ending? It's a masterpiece. It's tragic and realistic because it shows that rebellions aren't easy and cost lives, and it doesn't reveal all the suffering the characters must endure.
The script is well-crafted; it could have been refined to remove some minor inconsistencies, but it was still quite good.
After watching the Andor series, this film definitely hits harder, especially seeing everything Andor suffered, what he had to abandon to reach this point to serve with the rebels. Some of his lines carry more weight after what we saw in the series, and his connection with Jyn Erso makes it even more tragic because he has someone who understands him, someone who also lost everything, and until the end, they are connected in their purpose. The final shot of them embracing as the planet is destroyed definitely hits home after Andor.
Rogue One is definitely an intense, emotional, and phenomenally constructed film, especially after seeing Andor. It has its minor script flaws, but otherwise, I can say it's a masterpiece.
9.0 Stars.
Rogue One is a masterpiece of cinematography, acting, visual effects, and writing (even though it takes a while to get going at first).
This movie is about the story of how ordinary people risk everything to get the plans to the Death Star, and they must endure hardships, even if it costs them their lives.
Jyn Erso is the main character, the daughter of a Death Star engineer who was against the Empire and designed a weak spot in the Death Star. The movie is about her being recruited by the rebels, and they must get the plans to the star, along with Andor and other characters.
The movie takes a while to get going, with all those points of view and jumps from character to character, planet to planet.
It's only halfway through the film, when they leave Jedha and go looking for Galen Erso (The Engineer), that the film really takes off. And what more can we say about the ending? It's a masterpiece. It's tragic and realistic because it shows that rebellions aren't easy and cost lives, and it doesn't reveal all the suffering the characters must endure.
The script is well-crafted; it could have been refined to remove some minor inconsistencies, but it was still quite good.
After watching the Andor series, this film definitely hits harder, especially seeing everything Andor suffered, what he had to abandon to reach this point to serve with the rebels. Some of his lines carry more weight after what we saw in the series, and his connection with Jyn Erso makes it even more tragic because he has someone who understands him, someone who also lost everything, and until the end, they are connected in their purpose. The final shot of them embracing as the planet is destroyed definitely hits home after Andor.
Rogue One is definitely an intense, emotional, and phenomenally constructed film, especially after seeing Andor. It has its minor script flaws, but otherwise, I can say it's a masterpiece.
9.0 Stars.
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
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Did you know
- TriviaGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Star Wars: Épisode IV - Un nouvel espoir (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- GoofsDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Star Wars: Épisode IV - Un nouvel espoir (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Quotes
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Crazy creditsHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- ConnectionsEdited into If Star Wars Wasn't Serious (2014)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Rogue One: Una historia de Star Wars
- Filming locations
- Reynisfjara, Iceland(Planet Lah'mu - opening scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $533,539,991
- Opening weekend US & Canada
- $155,081,681
- Dec 18, 2016
- Gross worldwide
- $1,058,684,742
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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