Pay the Ghost

Having enjoyed 'vintage Cage' in The Rock, Con Air, Face-Off, Captain Correli etc, frankly, I was hoping for a comeback, but, I didn't find it. Scripting at times is woefully simple, used to stitch the scenes, 'we need to discover xyz', 'how will we do that' and into the next scene! It feels predictable, it doesn't go deep, on the plus side, there were a couple of goose-bump scares, so I was submerged well enough at points and certainly the pace picks up during the final third. If there was a blackout power cut during the film, I wouldn't even consider to go back to finish it, it is not a good film, but, its not a bad one. Sunday evening B grade fodder.

Pay the Ghost is pretty much as mediocre or average as they come. It's not bad, it's not good. It's just there in the middle. Right in the middle.

(In Norway we have a saying that directly translates to "in the middle of the tree", that expression describes this movie perfectly. I don't know what word in English is most suitable though)

Pay the Ghost had one jump scare that definitely did the job for me. I jumped, and got that cold chill inside my chest. But that was also the only time the movie was remotely scary. Not that it is much horror anyway. It's way more thriller/drama than horror, really.

Nick Cage is usually entertaining to watch, and also here. Sara Tancredi (you know, Prison Break) does an alright job, her character is a little annoying, but that's the scripts fault. The kid, well, he's.. OK. he has a couple of lines that sound out of place, but hey.

The effects are mostly good, except a couple of small problems here and there. The story is just interesting enough for me to wanna watch it through. But like I said, the main keyword here is mediocre. Meh. Commonplace. Average. Call it what you will. There are a couple of problems with the script, doesn't seem like a whole lot of thought went into it, at least not into all of it. But that was as I expected, really.

The movie looks pretty good. I don't know the budget, but it doesn't have that low budget-feel to it. I like it when movies look, you know, at least a little expensive.

This is one of those horror movies you can watch in the evening on a Sunday or whatever, not the kind you build a movie night around, see what I mean? It's right there smack-dab in the middle.

I strongly suspect that, around 2009-2010 or so, Nicolas Cage participated in a secret scientific experiment to have himself cloned, and that since then there are at least three of four Nicks walking around in Hollywood! How else would you explain the large number of Nick Cage vehicles that is getting released each year? I seems that, every time I blink my eyes, two or three titles are added to Cage's filmography here on IMDb. I don't mind, though, and it's even quite clever because I (and surely many others with me) will pretty much watch everything that Nicolas Cage stars in, regardless of the quality. And, granted, a lot of the B-type action/horror movies that he starred in lately are bad. Take "Pay the Ghost", for instance. I probably never would have bothered to continue watching if it weren't for Cage's name prominently decorating the opening credits, as it looks like just another derivative and predictable ghost story with a weak plot and an overload of fake scares. Make no mistake, "Pay the Ghost" IS a forgettable and weak supernatural horror entry, but hey, maybe I was in an exceptionally good mood because I nevertheless enjoyed it. The script is obviously trying to cash in on "Insidious", "Sinister" and every other recently released thrillers featuring ghost children, and Cage strictly acts on automatic pilot, but I was still interested in the plot of his missing son. Charlie mysteriously vanished during last year's Halloween parade and, nearly one year later, his father discovers that several children go missing every year on All Hallows Eve without ever getting found. Mike reunites with his estranged wife and together they stumble upon a harrowing tragedy that occurred nearly three centuries ago. Being a sucker for folklore/urban legend stories involving witchery and burning at the stake, I really dug the tale of Annie Sawquin, and director Uli Edel ("Christiane F.") did his best to insert a creepy atmosphere, decent special effects and eerie scenery. Certain scenes are quite brutal, like the fade of the spiritual medium, and the happy ending doesn't feel too forced. But, like I said, I was in a good mood and Cage himself probably already doesn't remember "Pay the Ghost" anymore.

"What if all these children, missing on Halloween, in New York City are connected. What if there's something behind it?" What starts off as a fun trip with his kid to a Halloween carnival becomes a nightmare when the child goes missing. Now Mike (Cage) will stop at nothing to find him. When the one year anniversary comes and still no sign of his son he starts to experience strange things. He hopes these clues will help him, but the more he looks the more eerie things become. There seems to be some actors that seem to be in everything you see. Nicolas Cage is one of those actors. There is a new movie with him coming out constantly, and for people like me who don't like him it seems that it happens more than it should. His last movie, The Runner, wasn't bad and I did like it. Much like that movie this is actually a pretty interesting movie that was fun to watch and did have a little Poltergeist feel to it. As far as Cage goes, much like in The Runner he didn't do anything to distract from the movie and it was good in spite of him. Overall, one of the better horror as well as Cage movies in a while. I surprisingly liked this. I give it a B.

With its low rating on IMDb and some poor reviews I read, I wasn't expecting much from this ghost/horror flick. However, I found it to be better than I anticipated. It's presented well, and although it probably won't please the die-hard horror fans, it had just enough chills and surprises for me.

Nicolas Cage stars as Professor Mike Lawford, who takes his 7-year-old son Charlie (Jack Fulton), on Halloween night, to a local carnival in New York City. However, while buying some ice cream, Charlie goes missing, and Mike frantically tries to find him to no avail.

Fast forward one year, and Mike has found his marriage, his career, and his own psyche in a tailspin, with no definitive word on Charlie. Mike, though, gets the sense that his son is trying somehow to communicate with him, while his wife Kristen (Sarah Wayne Callies) begins to get the same type of messages from the spirit realm.

With help from a fellow professor (Veronica Ferres) and an Irish celebrant at a traditional Celtic Halloween service, Mike and Kristen begin to finally realize what might have happened to Charlie and what they can do about it.

All in all, this movie directed by Uli Edel and written by Dan Kay, based on a novella by Tim Lebbon, is not going to win any awards for plot originality, as this theme has been used numerous times in other movies. However, it kept me engaged and offered up just enough chills for me to like it.