Bajirao Mastani

Okay, one can expect exactly that with a Sanjay Leela Bhansali. The man sure knows his stuff when it comes to photography and even when something is lacking in the storytelling department, this remains an almost inconsequential detail by the end of the show. This was true for previous Bhansali productions, including Devdas, which was actually a good film in and of itself, while my personal favourite in this regard is probably Saawariya, which was so overwhelmingly stunning I could watch it anytime just for how beautiful it is to look at. Bajirao Mastani is an epic romance, and it definitely works in both story and execution, but it's not a tremendous show as it never really manages to tug at the heartstrings despite its strong story. I wish I could allow myself to get more involved in the story and feel more for the characters and their travails, but it didn't really happen, also probably due to the fact that it's an epic, distant and larger-than-life style of execution, but more because it lacked some depth here and there.

But again, the visuals, oh the visuals - Bhansali is a true craftsman in this regard, and no one can take it from him. The amazing setting, the props, cinematography, the lighting, the extraordinary, impeccable attention to detail, the symmetry, make for a visual treat the kind of which you rarely see. What about the film itself, you ask? Well, it's interesting and captivating, and the music is phenomenal as well. The three leads are really good, particularly Chopra who gets the meatiest part of a woman driven by jealousy, ego, in spite of which she finds room in her heart for compassion and forgiveness. Deepika is stunning, and Ranveer Singh is a good lead whose every expression is clearly carefully thought out before. It also has a phenomenal Tanvi Azmi whose every turn over the past decade has been impressive. At the end of the day, Bajirao Mastani provides viewers with exactly what they want - entertainment and aesthetic delight, and in this regard, the film is a delightful cinematic experience. Pure delight.

Sanjay Leela Bhansali's Mangum-Opus 'Bajirao Mastani' finally arrives. Been in the news for more than a decade, this period piece, fortunately, is worth the wait. Its A Well-Made, Well-Acted Motion-Picture, that holds your attention at most times.

'Bajirao Mastani' narrates the story of the Maratha warrior Peshwa Bajirao I of the Maratha Empire (Ranveer Singh) and his second wife Mastani (Deepika Padukone).

'Bajirao Mastani' is epically mounted & Bhansali has Directed the film with enviable ambition. The scale of the film is something to watch! The visual appeal is tremendous. But, what makes 'Bajirao Mastani' further more memorable, is its human-conflict between its primary characters. The relationship of Bajirao & Mastani is sharp, and even the relationship between Bajirao & his first wife Kashibai (Priyanka Chopra), is compelling. Watching the warrior torn between love, politics & religion, often grabs your attention. I was involved in Bajirao's quest to give his women the respect they deserve, despite the evil-heads who intended to ruin it.

Having said that, 'Bajirao Mastani' isn't without its share of blemishes. While the first-hour is arresting, the second-hour takes a dip & the pace drops. Also, the film overstays its welcome by a good 20-minutes, that certainly needed some trimming. A crisper & sharper second-hour would've only enhanced the overall impact!

The Screenplay is fierce, but undeniably romantic & emotionally charged. The characters are nicely written out & so are their interactions. But, the second-hour needed a stronger punch. Bhansali's Direction is Grand. Its pure ambition, on celluloid. And the accomplished Filmmaker has handled the film with precision. Cinematography is Magnificent. Editing is mostly good, but it needed to be sharper. Art & Costume Design are flawlessly done. Action-Sequences are fabulously executed. Bhansali's Score is enchanting.

Performance-Wise: Ranveer Singh is extraordinary Bajirao. The terrific actor sinks his teeth into the part & delvers a phenomenal performance. Right from his flawless Marathi diction, to his correctly done body-language, Ranveer scores a home-run. Deepika Padukone is wonderful as Mastani, portraying her part with complete honesty & understanding. Priyanka Chopra shines as Kashibai. She's in great form here. Tanvi Azmi as Radhabai, Bajirao's widowed mother, is electrifying. Its a pleasure to watch the veteran cast in a role that offers her scope to show her brilliance!

On the whole, 'Bajirao Mastani' is definitely worth a watch.

Bajirao Mastani is sheer brilliance! An epic film that leaves you wanting for more.Realism as a word and theme remains obsolete in the exquisitely crafted world of Sanjay Leela Bhansali's fantasies.Visuals are elephantine.his characteristic style narrates his version of the story in a Mughal-e-azamesque scale of grandiosity, replete with breathtakingly beautiful sets (by Bhansali, Sujit Sriram and Saloni) elaborate and well thought of costumes and accessories (by Anju Modi) and dreamy cinematography. music, screenplay, acting, dialogues and the beautiful story of 3 complex characters - everything is magnificent and spectacular! This movie is poetry in motion, easily one of the most epic tales in Indian history being translated in such a classy yet relatable manner on screen! Each scene and each dialogue gets the viewers completely hooked! People were involved and taken back into the 18th century - such was the appeal of the movie! Ranveer is unbelievable & superlative as Bajirao. Priyanka chopra is amazing & Deepika padukone is just wow! This was your most nuanced performance till date !! Excellent .. !!

Seriously, I was expecting more from Deepika Padukone in Bajirao Mastani since she is one of the eponymous character in this movie and she can be called this generation's female Bollywood superstar no doubt after her brilliant outing in Piku and Tamasha. Sadly, Deepika failed to live up to my expectations. Her dialogue delivery is so weak in some scenes and her dance in the "rang do mohe lal" song just lacks the charm and grace. She seems like a complete misfit for the role of Mastani and looks too tall and modern to be able to carry off the royal look. Deepika just made me feel the need of the supremely talented Aishwarya Rai in many scenes. She just doesn't have varied expressions. Her last scene with her son where she tells him to go with the guards was supposed to melt our hearts. But sadly, it does not. Deepika just seems to be struggling with her emoting abilities. Also, her face when she gets out of a palanquin induces a laugh from audience. Wooden expression at its best! Surprisingly, it's Priyanka Chopra who stole the show from under Deepika's nose despite being a supporting (or is it?) character. Her confusion, anger and jealousy after learning of her husband and Mastani's (Deepika) love is really well etched. Priyanka seems to have developed a knack for stealing the show in every single movie of hers. With this movie, the stage is all set for Ranveer Singh to claim the throne of this generation's super star from the Khan trio. This guy is just something else. The way he masters the Marathi accent and the fight scenes is just wow! No one can be Bajirao other than Ranveer! He nails it like a pro. The only sore thumb of this movie is sadly Deepika Padukone! It's really sad how she ends up being overshadowed despite being the central character. Even Tanvi Azmi as Bajirao's mother gives a strong account of herself but Deepika simply fails to do so!

I went to see this film while my wife was at the ballet. I don't watch many Bollywood films, and usually the lighter kind, so I was coming to this film with almost no context. Also, to me, this was a foreign language, subtitled film so I missed any subtleties of language.

I really liked it. It was a true epic, wonderfully staged with seamless CGI and a consistent mellow look and feel to it. The leads (and lots of others) were really handsome/beautiful, and excellent actors. The dancing and singing was great and the story was well told. The costumes were sumptuous - Mughal miniatures come to life.

To an Australian this was of course an exotic film, so although it was slow there was always something to be looking at and wondering about. On the con side, the Hindu / Moslem theme was hammered home rather obviously, the Brahmin priests were one-dimensionally nasty, and (apart from one boatman) everything took place in a idyllic palace bubble - punctuated by a few battles.

However I would recommend this to anyone who wants to enjoy an epic cinematic experience Indian-style.