Maudie

There is quote by Kurt Vonnegut that comes to mind when I think of Maudie, the latest film based on the real life and times of an artist. "Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something." That may sound like a backhanded compliment but if Maud Lewis was portrayed accurately in the film, I doubt she'll mind. To her painting wasn't a source of ego or pride. It was something she just did - to make herself happy - and if it made others happy all the better.

The film picks up with Maudie, played with understated sensitivity by Sally Hawkins, as she struggles and fails to earn the respect of her family. Despite her severe arthritis, Maudie answers an advert for a live-in maid and runs away. She moves in with and eventually marries the crotchety Everett Lewis (Hawke), a fishmonger who manages to put on a grim smile but once over the film's 40+ year time span. After a time living in Everett's dimly lit squalor, Maudie relights her passion for painting using abandoned cork board and the walls of her new home to paint continuously.

The true-life Maudie was eventually considered Canada's most popular and prolific folk artist; though one could hardly tell given the solitude that follows Maudie throughout her life. In the film, she remains isolated, largely due to her debilitating arthritis and painful shyness around strangers. There's one awkward scene early on where Maud struggles to shuffle out of a doorway and stick her head out long enough to compliment a woman's shoes. In that moment we realize her deep desire to be both accepted and left alone.

The film aptly compliment's the artist's own frailties and unconventionality with a strikingly brittle and unconventional love story. Maud's warmth towards Everett is sincere and unconditional. She sees in him, a beautiful person - an outcast like her who has been made wild by the cruelties of life but nevertheless deserves her love. As open as Maudie is to the inner-beauties of a warm sunset, Everett remains as cold and brutal as a winter storm. Yet every time he "puts a foot down," he wordlessly capitulates. He grumbles and erupts in objectively despicable behavior but Maud always seems to convince him that he's capable of love and being loved.

The film continues down this path of bittersweet co-dependence and as the relationship develops, we see the results of Maud's patience and virtue. Thanks to the remarkably assured cinematography of Guy Godfree, the film crackles with natural beauty and warmth of a cozy hearth. There are some truly breathtaking natural vistas on display here, which despite their expanse manage to feel intimate and idyllic.

As a film Maudie is certainly within the ranks of Mr. Turner (2014), My Left Foot (1989) and Lust for Life (1956). Much like those films, Maudie centers on the life of a tortured artist whose personal story tells something truly meaningful about the human condition. It also has a truly award-worthy performance by Sally Hawkins who is at this point in a class of her own.

What a good film. And most impressive is that it is actually based on a true story (sorry, I haven't done my research before the film, so when the documentary bits came at the end, I was like No way, that was actually for real!). I am not sure it can really be called a "feel good" movie - life wasn't that easy for her. But it will certainly warm your heart with a big and powerful message that we don't really need much to be happy.

Sally Hawkins was absolutely great. With that shy but ready smile and wondering eyes. Although I felt kind of sorry for the way they portrayed her husband. Not sure if he was as brute in real life as they made him. Not that I know, of course, but it felt too much (and he looked smiley enough in the documentary bits). Also, I'd say the editing was not as smooth as it could have been so felt rather amateurish overall, but maybe that was intentional.

For me, this is the reason I go to the movies. Always in the expectation that when I walk out of the theater I simply will not be touching the ground. This does not happen frequently, but with "Maudie" the magic occurred. An amazing story eloquently told. Sally Hawkins is superb, touching and profoundly human. Ethan Hawke is at his best. There is a believable chemistry between these battered beings. When they do take flight, they soar over this crude grandiose landscape so beautifully captured on film.

It's early, but the award community have a sure bet in this unforgettable gem.

I think Sally Hawkins was great in this year's The Shape of Water. I understand why she's getting attention for it and I think she would be a fine nominee. But really, there's no question in my mind that it's her performance in Maudie that is the much more impressive overall. She gives a career-best turn here, a completely internal performance that could have been all showy, broad theatrics had a lesser actress gotten the part. She's absolutely amazing and in a fair world would be getting nominated (if not winning) for this work. Ethan Hawke is also fantastic, showing that he can really shine in character parts like this.

When you are compelled to write a review, and you realise this is your first ever review of a film, you then understand the impact that a true classic has.

Sally Hawkins, Ethan Hawke, well done! If you want to sit down to a less than fast, but utterly embracing film about life's journey, and how individuals are valued, how they react to outside pressures and put their whole world at risk, then this is the film for you .

Simply.. Brilliant.