Nola Darling n'en fait qu'à sa tête

Spike Lee's style isn't for everyone. With multiple graphic sex scenes and extreme adult situations, I can understand why people don't care for this show. However, since the world of Nola is confusing and crazy, the style seems fitting. There are times when the editing sucks and the acting falls flat, but overall, you won't be bored.

The music gave it a 2 star rating... and I'll chuck an extra 1 star because they rip on Trump.

The statements are right. The script is quite tight. The women are beautiful. That last quality is not a merit of Spike.

The rest is crap. The lines are slogans. And the actors have a hard time saying them as dialogue. At times it's like they are reading headlines.

Also, given what has been published on NetFlix, Spike is dated. He can't integrate the new gadgets. Even the episode format is more like 1980s syndicated sitcom.

So for a newcomer that would be a very promising series. For Spike it's probably sign he's on his way out.

Unfortunately the best thing about this show is the soundtrack. The rest of movie seems like a self-indulgent exercise by the director and whoever wrote the horrible, leaden script. Someone said it in a earlier review but the dialogue could not have been any more unnatural. What were they thinking? While he does capture some beautiful images of Brooklyn, the characters are poorly developed and Spike was clearly trying to push a narrative at the cost of the story. The lead character is interesting but she was not given opportunities to shine within this vanity project. Please spare us a third season

Was turned off by the first episode but pressed on as I had heard good reviews. But in short, this show is garbage. And most upsetting is the fact that it has been characterized as "bold", "honest", and "fresh". Unfortunately, the show's "heroine" is a smug, narcissistic, irresponsible and confused mess. It's hard to watch, and disappointing to think that with this kind of material, Spike Lee fancies himself a voice for black Americans everywhere. The characters remain mostly undeveloped and the story, while it has its high points, is largely pointless and unresolved. And I guess the critics are too polite to call it "trash" so instead they praise Spike Lee's genius. Overall, I guess if you enjoy a show like Issa Rae's Insecure with its portrayal of confused, "sexually liberated", black women — along with a couple sassy "black girl-isms" thrown in (yaasss girl) — then you'll enjoy this too. But so as not to encourage more of this tripe content from Netflix, I'd suggest that you pass.