Durant's Never Closes

DURANT'S NEVER CLOSES is an ambitious step forward for prolific director Travis Mills. The film is wholly unapologetic about its nonlinear narrative and doesn't hold its viewers hand through difficult terrain. It is no small feat that (despite a few amateur performances and at least one extended take that tries the viewer's patience something fierce) I have found the film more rewarding through each subsequent viewing.

I'm often skeptical of films we're told demand revisitation. Experience has shown me they often are bloated with self-importance, tout style over substance, and try to be the smartest kid in the room. Despite its unconventional biopic, DURANT'S NEVER CLOSES is never guilty of these sins. It is a psychologically character- driven piece reminiscent of the classical Hollywood style both technically and visually (part of the reason, I'd like to imagine, Peter Bogdanovich chose to be involved). If its narrative feels opaque at times, it is a product of a young director's overreach—one who admirably errs on the side of concision rather than artifice.

It's a delight to watch trainwreck and all-around pain-in-the-ass Tom Sizemore chew the scenery here. He dominates nearly every shot of the picture with largely-improvised, curse-laden rants which help establish the film's tight pace. Michelle Stafford delivers a performance of effecting gravitas in the film's best sequence and Jon Gries's melancholic humor makes the most of his limited screen time.

DURANT'S NEVER CLOSES personifies Mills's auteur thesis of creating Arizona-based films by an Arizona-based company. The Hollywood talent elevates the product, but the vision is unsullied. Mills may just be the Joseph H. Lewis of Phoenix and DURANT'S NEVER CLOSES boosts his brand.

I promise to keep my review short for you the reader. I am not writing this as an audition for a film critic position or to somehow show off my writing skills. I am writing this to let the audience know that I enjoyed "Durant's Never Closes," an Independent film starring Tom Sizemore shot by Travis Mills & Running Wild Films.

Yes, I am a Tom Sizemore fan, and if you are as well, you will not be disappointed. I have also seen other projects of Mr. Mills, and as usual, he always does great work.

The film takes you into a part of Jack Durant's life as owner of the famous Phoenix restaurant Durant's. And while you cannot fit everything into a feature film, this film does a great job of bringing the human quality to Jack Durant, letting you not only see his tough guy bravado, but his weaknesses as well.

I would highly recommend this film to film fans. Hats off to Tom Sizemore, Travis Mills & the whole Running Wild Films team!!

I was waiting for this one. And it didn't disappoint. Growing up in Phoenix in later part of the 70's and early 80's. It felt right. You can really feel this moment in time. Some will find it confusing. If you are just a summer block buster type. More of thought provoking tear jerker. 9 out of 10. More studio crispness and it would be a honest 10!

This movie is a combination of a good theatre 🎭 + cinema 🎥. The director has combined both in one.

Durant's takes a complicated man and makes an adventure of a film. A prolific graduate of Arizona State University's film school, Travis Mills has brought a piece of Arizona history to the screen with daring independent filmmaking. It's not always easy to tell where/when we are, but the film manages to find pivotal scenes of this man's life. It turns out that Jack Durant was an Arizona legend for good reason. As we move from moment to moment around his life, Tom Sizemore shows us the good, the bad and the ugly of Jack Durant, a figure bigger than life, but Michelle Stafford's performance is the one to watch. Peter Bogdonavich also makes an appearance. Definitely worth a look!