Vue sur mer

When you see a man or a woman giving a single star out of ten to a movie, stay away from his or hers (or maybe its, you never know - some reviews could be written by bots) reviews: they are the "talibans" of IMDb. They hate or love a movie and never appreciate it with their minds for the real value it may have or not in itself. And mostly, do not trust people who use words like "turgid" in their reviews - they are pedants.

You need a soul to understand this movie and, more importantly, you have to understand how relations are (use to be): difficult, heart-consuming and, sometimes, even strange.

Brad and Angelina played well, the images from Malta were beautifully carved in stone, and yet the movie is not a memorable one. I gave it only 7 stars out of 10.

I won't say what everyone else has said about this film. What I will say is that it was a beautiful portrayal of some of the darker emotions in life.

Maybe others hate to see their own loneliness on screen, by two actors they've deemed unworthy before they've even watched it, or they have never experienced themselves the emotions portrayed in this film.

Melancholia is the last film I can remember portraying depression accurately. This film is the same, though it's not as simple as, she has depression or she is lonely. Her character was real to me and Angelina portrayed her well.

If you've ever met someone and loved them more than they love themselves and despite their own thoughts of themselves then maybe you will feel something when you watch this. If not, there are plenty more films out there for you that require a lot less emotional range.

In the 70's, writer Roland (Brad Pitt) and former dancer Vanessa (Angelina Jolie) are in a tired marriage. They hope to rekindle their relationship and his writing in a small seaside town in the south of France. She finds a peep hole and obsesses over their next door neighbor especially Léa (Mélanie Laurent).

Angelina Jolie continues to try to be a real filmmaker. She seems competent as a director. I don't see any outstanding style but her work is functional. The acting is tired although that's their characters. Her depression needs to be over-dramatized. When depression is depressed, it's depressing to watch. That's mostly in the writing and I don't think Jolie is a good writer. She may have fair concepts but her dialogue does not sing. The flow is stuck in mud. The plot could have gone somewhere compelling. She needs to collaborate with a better writer who could help her work. This has potential but Jolie lacks the skills to exploit.

"If you really love someone, you want more for them than you want for yourself. Do you understand?" Michel (Niels Arestrup)

By the Sea nobly tries to explicate the above quote by the wise bar keep, Michel. Vanessa (Angelina Jolie Pitt) and Roland (Brad Pitt) are visiting the central-casting beautiful Malta to work on their marriage, albeit through the media of drink and voyeurism. It's the '70's and they're celebrities, he an unproductive writer and she a retired dancer.

They're not Burton and Taylor, and the film lacks the passion for any imitation of that famous duo. What it does have are a stunning production design and incomparably romantic location. The first half of the film labors over the small parts of their life—he places her large frame glasses upright because she puts them glass-side down; she digs him about his lack of writing and constant drinking.

However, once the newly-married couple, Lea (Melanie Laurent) and Francois (Melvil Poupaud) arrives, the story gets energy and more eye candy as Brangelina look through a peep hole at the couple's sexual antics. Apparently, this is all that is needed to rekindle the marriage of the older couple.

Well, more action is to come with the big reveal, not much of a revelation I must say. The disconcerting part of that not-so-mysterious surprise is the straight-forward explanation, hardly elegant, a bit too prosaic for a film that regularly intercuts with symbols, e.g., a fisherman in his boat, forcing you to think of the figurative implications and then unnecessarily explicating it.

Although Vanessa is a beauty whom the camera loves and who seems to preen for every shot, I can't help but think Angelina as writer and director has framed a character much like herself. That narcissism gets boring quickly. The prominence of Jane Birkin and Serge Gainsbourg's Jane B. on the soundtrack reinforces Jolie Pitt's infatuation with herself.

Like me you'll be booking passage to Malta soon, but you're unlikely to take away from this film any hints about saving your marriage or finding places in the Oscar nominations for this mediocre work(except, of course, for cinematography!).

My wife and I opted to watch this film, despite the many negative reviews, as we had just returned from a wonderful holiday in Gozo, Malta, where this "French set" film was actually filmed and thought it would be nice to see familiar scenery and locations.

We were both surprised at how much we ended up enjoying the film and the narrative. It is beautifully shot with great attention to detail, especially regarding the interiors and the fashion.

It plays like a subtle, engaging, independent French movie, that, for better or worse, has two Hollywood stars in lead roles. Had it not, I am convinced it would have earned much more positive attention. Angelina Jolie and Brad Pitt play their roles well, but if you dislike either, it may cloud your judgement and you will not like this film.

Watch with a positive mind :)