Destins croisés

From Canada - the land of great short subjects 'n documentaries but a few too many dismal features - what's in their psyche that produces some of these misguided movies - could it be the cold that numbs their senses?. The opening of this movie looked most intriguing. Photographically it's all class, it has good performances, the music maybe a bit loose but it fitted the story. Looking at the "story" - it seems too many writers and directors want to copy the Cohen Bros - problem is, now that the Cohen Bros have gone commercial and begun copying themselves, it's become tiresome and overdue for a face lift. Are there so few left out there who remember how to tell a strait-quality-story?. It doesn't need to be outlandish just interesting!.

Apart from D.O.P. Daniel Voldheim's quality cinematography (AKF: Into The White '12) the best thing about this film is the fine performance from interesting Russian born Anton Yelchin (Hearts In Atlantis" '01). What a great shame we lost this interesting young man in such a tragic accident - way before his time. Will look forward to seeing his final complete performance in "We Don't Belong Here" '16/17, hoping it may offer a better departure note for Anton. Farewell Chekov.

This story seemed to be heading down an OK path till it wanders off the trail, then ends up stumbling over itself. It's yet another stylish looking movie in search of better overall treatment and script. The cultists will excuse its sometimes pretentious pseudo "psychology" along with the usual bunch of foul-mouthed-bad-ass low lifers but, anyone looking for depth could find themselves being led into a dismal driftless bog.

This movie is a bit hard to explain, as it often jump back and forwards in time and tbh even after finishing it I think many (including myself) will struggle a bit to figure out what the movie was actually about.

But sometimes the destination is not what's important but the journey there is as they say, and the movie for the more-part entertains with mostly quirky abstract dialogue that could only exist in a movie (or a novel of which this movie is based on), often with a very dry sense of humor.

The first half is pretty stellar, the second half halters a bit gets a bit uneven and there are a lot of loose ties that remain untied even after the credits start rolling.

But it was still worth watching and it's nice to see Zoeey Deschanel in something new and the rest of the cast does fine as well.

Life after death? Or rather drifting around after it? Does the movie deliver answers to some questions it has or rather the viewer will have? Probably not might be the right answer. The performances are great all around. Especially with the weird dialog that takes place throughout the movie.

So if you are into weird, not easily explained (if at all) things happening and watching them unfold, dialog that either is on the nose or very subtle and not telling at all, you may have found the right movie for you. Towards the end there may a bit more action than some would like, but the true ending is "making up" for that ... if you don't like that though, than it will break the movie for you. You should see it coming though, not just because what I used as summary line ...

After watching this I really wanted to read the book, only because it was pretty decent, which means the book must be worth a read! It's a very dry melodic somber piece where characters are going through the motions of a placid existence, until the Universe creates a little chain of events that has a purpose to one's being. Yes, it's that kind of movie that keeps the mind ticking through the whole duration, and really does not give away too many answers, allowing the viewer to indulge in their own fantasy mindset and reasons.

Yeah, I know, another schmaltzy piece about life after death and the whole damn thing. But this one really downplays it. The tone and speed of this movie will not elate the majority, but then again, being amongst the majority can sometimes be bland and plain narrow-minded.

Yelchin is perfectly cast, toning it down a notch for his melancholy character. Zooey is literally angelic, and Langella adds another mystery level. Even the supporting cast played into the wry tone of this neat little production.

A really wonderful book by Tom Drury, converted into an aimless, confusing mess. Anton Yelchin's Pierre seems aimless and lost throughout, and Zooey Deschanel's character lacks the vigor of the book. The best character was Shane.