Destins croisés

This movie is a bit hard to explain, as it often jump back and forwards in time and tbh even after finishing it I think many (including myself) will struggle a bit to figure out what the movie was actually about.

But sometimes the destination is not what's important but the journey there is as they say, and the movie for the more-part entertains with mostly quirky abstract dialogue that could only exist in a movie (or a novel of which this movie is based on), often with a very dry sense of humor.

The first half is pretty stellar, the second half halters a bit gets a bit uneven and there are a lot of loose ties that remain untied even after the credits start rolling.

But it was still worth watching and it's nice to see Zoeey Deschanel in something new and the rest of the cast does fine as well.

A small human interest story in a small town in the geographic area in the title that involves, as a few others have already mentioned, questions and philosophies of life, death, fate, etc. I think the cast was great as is the cinematography and script.

From Canada - the land of great short subjects 'n documentaries but a few too many dismal features - what's in their psyche that produces some of these misguided movies - could it be the cold that numbs their senses?. The opening of this movie looked most intriguing. Photographically it's all class, it has good performances, the music maybe a bit loose but it fitted the story. Looking at the "story" - it seems too many writers and directors want to copy the Cohen Bros - problem is, now that the Cohen Bros have gone commercial and begun copying themselves, it's become tiresome and overdue for a face lift. Are there so few left out there who remember how to tell a strait-quality-story?. It doesn't need to be outlandish just interesting!.

Apart from D.O.P. Daniel Voldheim's quality cinematography (AKF: Into The White '12) the best thing about this film is the fine performance from interesting Russian born Anton Yelchin (Hearts In Atlantis" '01). What a great shame we lost this interesting young man in such a tragic accident - way before his time. Will look forward to seeing his final complete performance in "We Don't Belong Here" '16/17, hoping it may offer a better departure note for Anton. Farewell Chekov.

This story seemed to be heading down an OK path till it wanders off the trail, then ends up stumbling over itself. It's yet another stylish looking movie in search of better overall treatment and script. The cultists will excuse its sometimes pretentious pseudo "psychology" along with the usual bunch of foul-mouthed-bad-ass low lifers but, anyone looking for depth could find themselves being led into a dismal driftless bog.

This is one of those films that should be watched two or three times to catch everything that is happening in this story. I will not attempt to relate the plot line here. My advice is to listen to the philosophical statements many of the characters speak during the movie. That is key in understanding whats happening just above the obvious.

Anton Yelchin as 'Pierre' finds himself, on his return to his hometown, caught between the real world and the metaphysical world and a murder. Human desire and action - is it impulsive or predetermined? What controls our life - lust for material gain and if so what effect does that have on the next life? Maybe I'm reading way too much into this film but I found it entertaining and thoughtful. The murder for profit eventually comes to the surface and Pierre's fate hangs by a thread. There is mystery and action enough to keep the casual viewer entertained.

A really wonderful book by Tom Drury, converted into an aimless, confusing mess. Anton Yelchin's Pierre seems aimless and lost throughout, and Zooey Deschanel's character lacks the vigor of the book. The best character was Shane.