Mad Love in New York

An early Safdie Brothers (Benny & Josh) film from 2014. Following on the heels of Larry Clarke's seminal 1995 film Kids, we follow the ups & mostly downs of a drug addict (played by Arielle Holmes whose novel this film is adapted from) as she tries to cop drugs, panhandle & find some sort of balance w/the love of her life, played by Caleb Landry Jones (Banshee from X-Men: First Class). After her man dares her to slash her wrists (which she does after we assume she promised to but never really sealed the deal) she gets bandaged up in a hospital & instead of taking that opportunity to clean up her act she just dumps herself back on the street where she hooks up w/a user/dealer & they spend time together where they do whatever they can to get themselves fixed up but once Jones comes back into the picture (at one point he throws a homemade ninja star at Holmes' new guy injuring him & in a later episode Holmes comes to his rescue when he nearly OD's in a public restroom). Not for the faint of heart or for those who may've been open minded about drug use or whatever when they were younger but seeing this documentary styled voyage into listlessness (many of the actors are shot from a distance giving the film an authentic feel to the proceedings) but as an exercise in filmmaking it can be equal parts exciting & depressing.

This film reminds me the Al Pacino's 'The Panic in Needle Park'. The independent filmmakers Safdie brothers directed it that inspired by the real life story of Arielle Holmes, who also starred in the lead role. This is definitely a depressing film, seeing those faces, eyes, makes sick. But a very realistic film, kind of aimless plot, till the final quarter and then with a small twist, the tale comes to an end.

I have seen it and if you ask me about the story, I say its hard to describe, but it can be only watched like a documentary film. Over ninety minutes, the film revealed the life of homeless people. Like from their day beginning to the nightfall, how they make it and their preferences. So it is not an inspiring film, though at least there's something you can learn about them.

After knowing the theme, I thought there would be lots of violence like rapes, stealing, cops and maybe killing. Surprisingly, it was none of those, not exactly, except drug addiction and sometimes stealing to buy drugs. Looks like from this film, the actress got a breakthrough, particularly in her life. I hope its turnover from hereon. I appreciate the directors for that who made a difference in someone's life. Don't think it is a film for entertainment, watch it if you are interested in the documentary film. So it's not for everybody, but some will find it good or maybe decent.

6/10

This is an incredible touching, intimate and stark film. You follow a young woman, who seems so fragile lost in a world we all fear filled with drugs, hopelessness and even more frightening: Love. We've all seen the passionate and outlandish arguments on the street between people that call it home, but we disregard it all as fleeting and inhuman. This film puts a human face to the people we turn away from so quickly. I commend the filmmakers for not making heroin sexy. It's a sad disease you contract that's taken three of my close friends. This film helps us better understand drug abuse and the people stuck in that cycle. It couldn't have felt more real.

Truly didn't expect anything out of this, which is why it was such a huge surprise. I don't think its flawless, but effective it surely is. I feel like its style is definitely going to out off a lot of people (quite a lot actually). I mean, even from the get-go it basically affirms the type of film it'll be and how it'll be presented, with its loud, throbbing score (which is both beautiful as an individual piece, but also really disturbing in the context of the film). The performances here are compelling, all of the main actors totally and fully committed. Arielle Holmes is a true talent though, what a fantastic performance. Raw and real and totally honest, no artifice or anything. This film is fully recommended.

There are few films as unforgiving as Heaven Knows What. With its blistering soundtrack and rough in-your-face photography, you're either captivated or eyeing the exit. The Safdie brothers fictionalised retelling of Arielle Holmes life on the street, as played impressively by herself, is relentlessly bleak. The only joy is securing a dose of heroin. It doesn't keep track of names or days, just showing how she survives moment-to-moment. That kind of loose narrative thread void of character backstories can work if it holds together thematically, but Heaven Knows What isn't clear what it's trying to say besides showing the life of an addict. It latches onto hints of a theme of unrequited love, as demonstrated by Holmes' toxic relationship with her easy-to-loathe on-off-again boyfriend Ilya. Not that he has to be likable - the devastating first act where he encourages her to commit suicide is the film's finest stretch - but he's so loathsome that he drag the film down with him. Holmes has her own moments of venom, though it's balanced with vulnerability. Perhaps his purpose thematically is that he represents her relationship with heroin, but that's too on-the-nose and flimsy to bolster the film's quality. Instead, the film hinges on that docu-style commitment from both the directors and the cast. Certainly an emotionally exhausting experience with the aesthetics, I just wish it was more thoroughly explored on paper first.

7/10