Recovery

But well done as far as production. I guess you just gotta run with it. Pretty good acting. Pretty unbelievable storyline. It's worth watching for a laugh.

NOTE: I was given a screener copy of this film for the Dark Discussions Podcast.

Reverse home invasion films seem to be a thing this year. Films like Intruders and Don't Breathe tell tales of people breaking into the homes only to find something horrible waiting for them. I am sure there is something significant in that.

Unlike those other films, in which our protagonists are criminals trapped by bigger threats, Jess (Kirby Bliss Blanton), Logan (James Landry Hebert) and Miles (Alex Shaffer) are relative innocents drawn into a spider's web spun by the suburban equivalent of TCM's sawyer family.

How effective you find the film will likely depend on how much empathy you have for the teenage characters (Jess is about to graduate High School), who mostly act like teenage characters; in search of a good time, they lie to their parents, experiment with drugs, cheat on each other, and spend too much time on their phones. It is telling that the characters spend much of the film looking for Jess's phone, with little concern over the fate of their new friend Kim, who vanished along with it. Still, in a genre that is still grappling with how to deal with new technology in old tropes, using the phone as bait to draw in victims is inspired.

The film is a slow burn - though only 82 minutes long, more than half of that is spent leading up to the confrontation between Jess's friends and their would-be abductors. Once they arrive at the death trap that is the antagonist's home, there is still much Scooby Doo style investigation that takes place before Daddy gets home. Much of the action in the house is confusing, and I never got a handle on it's layout, but I suspect that was the director's intent.

Once the action does take place, I found the violence to be more authentic than stylish, with a few moments of good practical gore, and I rather liked the Phantom of the Opera tension between Jess and Edward.

Not the greatest directing so that made the acting not so great and the dialogue was awful, the ending summed up my feelings after watching the movie which was really, that's just stupid. This is the type of movie you watch with a group of like minded people and basically you talk the the entire movie about how bad it is, it's not even B movie bad or a cult movie bad, it's just bad. And the actors looked to close in age to be the parents of the so called high school students they almost looked the same age. I still don't get the "we can't get out of the house" smh or the make sure the person that is trying to kill you is either dead or they can't walk etc,and take a weapon and oh yeah the keys so you can unlock the doors and get out of the extremely raggedy house you are in

Im just writing this as a warning to other viewers out there do not waste your time on this incredible piece of space waste. From the start the story line fails to be convincing and it just gets thinner as the movie stumbles forward. Sigh, the lousy generic inexpressive electronic dance music complete works as a great soundtrack to this preposterously boring movie. I'm glad i did not watch it sober anyway...when my girlfriend who had fallen asleep during this torture asked me how it ended when i woke up, my kind of good mood flew out the window, because i actually had forgotten about the whole 82 minutes and it just came back to me, the incredibly dumb and unrealistic ways the actors reacts to stuff happening in the movie, the lousy music, the boring setting, the missing logic everywhere. The actors should as soon as possible (if they have not already) quit their jobs and go beg to flip burgers or whatever. This was a catastrophe. face palm. Sigh. Please dear production company, don't make more movies, get a new start in your lives, start a cleaning company or something useful. Cause you actually don't know how to entertain, Have you ever watched movies at all? do you guys know what plots, storytelling, acting and logic means? Im so furious that people like you actually has enough time and money to fart out this nonsense, that is so damn hard to cope with...and the facts that you don't have an all awful review just breaks my heart and i have lost my faith in humanity decades ago but this is the dot over the i.

'Recovery' drew me into seeing it, with a cool poster/cover, an intriguing and quite creative premise and as someone with a general appreciation for horror. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there, made me though apprehensive.

It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws are here present in those films, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Recovery' is very weak, with a plethora of problems (fairly big ones too) and doesn't do enough with its potential, which was hardly small. There are however a couple of decent, even good, qualities in 'Recovery'.

Lets start with the positives. The scenery is atmospheric and spooky, despite the rather direct to video schlocky way it's shot and edited, it was very clear that the film was made in a rush with no care or enthusiasm.

Best thing about 'Recovery' is the opening, which was attention grabbing and kept me hooked. Which is why it is such a shame that 'Recovery' went downhill so drastically.

Going on further to the negatives, the story does feel over-stretched and some of it feels vague, under-explained in the last third where the film especially became duller, more predictable, more senseless and less scary. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their irritating and illogical decision making and behaviours frustrates.

Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and it's best not mentioning the lumbering acting.

Dialogue can be stilted and rambling while the pace goes to a standstill after the promising opening and drags on forever, never recovering. The second half is interminable. Found too many the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness and the lack of tension and suspense.

A lot of 'Recovery' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you jump or shocked are far from creative or scary and are pretty tame. The ending makes the film finish on an incomplete and confused whimper.

There is not enough threat here and what there is of it tends to be used poorly, while the psychological elements are unimaginative and are more odd than scary, completely failing to show the horror of the subject. Some badly sagging momentum too. The direction is pretty leaden, got the sense their heart was not in it, and the music doesn't really fit.

Concluding, very weak. 3/10 Bethany Cox