Chaos d'anthologie: Le festival Astroworld

This is a well done documentary do not get me wrong but it is very intense. There were times when I felt I was at the concert. Very Strange.

The victims testimonies teared me up a bit so be prepared for those. The negative reviews mentioned the tone was to sway our opinions towards Travis but we really did not have to, the proof was in this documentary of what happened. Total neglect from involved.

The documentary did what it was supposed to do and that is bring the art in motion to the viewer and that is what the director did here. Towards the end did feel rushed but all in all id definitely recommend watching this.

This documentary does a solid job capturing individual experiences at Astroworld, but it lacks a deeper investigation into why the tragedy happened in the first place. There's a clear absence of critical reflection on the organizational failures, especially from Live Nation's side.

As someone who has attended many hip-hop shows over the years, I've seen firsthand how dominant Live Nation is in the live music scene-and how little seems to have changed since Astroworld. I went to Rolling Loud last year, also produced by Live Nation, and it honestly didn't feel like any lessons had been learned. Security staff seemed untrained, and crucial aspects like venue selection, crowd flow, and transportation were clearly not well thought out.

Given the intensity of hip-hop crowds, the rise of rage culture, and the continued lack of proper organization, it's not hard to imagine something like this happening again (though I hope it never does). I really hope this documentary sparks serious conversations among concert organizers and show producers about safety, logistics, and accountability in live event production.

This was really heartbreaking and scary to watch. Most people go to a concert and never think this could or would happen. I'm shocked that the planning was so poor, considering Live Nation is the biggest concert organizer in the world.

The lack of safety and planning is absolutely atrocious. My heart goes out to the victims and their families. This was just awful and devastating, but something everyone needs to watch. Large crowds are not safe. You really never know what will transpire attending something like this.

If you find yourself in this position, please get out ASAP if you're able to.

As "Trainwreck: The AstroWorld Tragedy" (2025 release; 80 min.) opens, it is "November 5, 2021" and Travis Scott headlines Live Nation's AstroWorld festival that he started in 2018. It's the first big event in Houston after COVID, and people are ready to party, and party hard. The venue is massive so what in the world could go wrong? Turns out, plenty... At this point we are 10 minutes into the documentary.

Couple of comments: I remember these events vaguely but had not seen any footage or further analysis of it, until now. This documentary lays it all out in a clear and concise manner, including plenty of interviews with people that were there: festival goers, but also a Live Nation photographer, a professional event planner, and even 2security guards who, believe it or not, were hired the day before the festival started and seemingly without any prior experience in security services. It soon becomes very clear that things are going terribly wrong, with tragic results. Surely someone is going to be held accountable, right? How about Travis Scott, who has a prior record of inciting crowds (we see footage of a prior Lollapalooza show where he incites the crowd to rush the stage, and then, SHOKCER (not), the crowd does exactly that). We see details of the horrendous layout of the site, essentially turning the space into several inescapable death traps. We see texts from Live Nation officials as the concert is starting that they fear the worst, including death. Watching this documentary is not easy and certainly is not a lot of fun. In fact, I felt incensed and angry, as this tragedy did not have to happen, but instead, as one talking head puts it, they "ignored blaring warning signs". For shame.

"Trainwreck: The AstroWorld Tragedy" started airing on Netflix last week. If you wonder how a large music festival botches so much in so little time, I'd readily suggest you check this out, and draw your own conclusion.

I just finished watching this documentary, and I must say, I'm both impressed and massively devastated. It's hard to comment on the filmmaking when the subject matter is so reprehensible, but I need to give props to the documentarians for weaving together an emotionally engaging, yet fair and balanced narrative drawn from numerous first-hand accounts. I particularly liked the input from the gentleman working for the company that performed the investigation, calling the concert promoters and artists to task by revealing the many blatant planning and safety transgressions leading to all those pointless deaths. Shame be upon them and their misguided greed. I hope they've learned from their grievous humanitarian error, thus enabling them to put their shame in the rearview.