Holding the Man

I am a bit of a hard ash when it comes to rating and reviewing movies, and this movie hit all of the marks for me. It was sublime, and had me literally sobbing toward the end.

Being from America, I was not familiar with the book or the story, and in fact, only got the movie because of the cover art. I wasn't really looking for a movie that dealt with the early days of HIV/AIDS, and in fact, tend to steer clear of them because they are usually done so poorly, but HTM deals with it not only realistically, but with great humanity. In the end, the movie isn't about the disease, but the love these two men shared.

And what a love it must have been. Most of us could only ever hope for a love like that, and never actually find it. In that regard, it reminds me of Bridegroom. Both of those films leave you with the hope that fairy tale love really can exist in the real world.

...showing the story of two teenagers through to their early 30s. Both the book and movie were unknown to me, so I came at this without expectations. This movie succeeds with material that is very familiar--if not overly familiar--to gay men like myself. That in itself is quite an accomplishment.

What starts out as a simplistic story of high school romance becomes an epic tale spun out for 127 minutes. I was surprised by the honesty of the story, and surprised that the two lead actors could seamlessly--and convincingly--go from teenagers to adults. It is not easy to take everyday events and stitch them up into an epic. This movie does that, and it does it well.

If I had known the plot in advance, I probably wouldn't have gone near this film with a 10-foot pole. I'm glad I didn't know because I would have missed a really good movie.

If you're young and gay and want to get an accurate look at what life was like for us in the '70s and '80s, this is the movie to see. For Americans, that it's set in Australia is irrelevant; the story was the same.

I admit, I was rather apprehensive to watch this movie because I knew it would not be easy since the subject matter was quite obviously not about entertaining but rather tackling a difficult subject matter. And so I waited for a long time before getting the courage to sit down and experience the story which is very strong and absolutely touching.

I'm not particularly fond of flashbacks in movies because they tend to be used as gimmicks and we need as viewers a proper clue that what we are seeing is in a different time frame. But I shouldn't have worried since the movie was directed and edited by people who know their craft and they were able to construct a beautiful love story.

The 2 leads are absolutely amazing and the acting is very strong from the whole cast so it was a pleasure to get into the story which, although difficult and certainly very sad, was also uplifting and amazingly well crafted. I particularly enjoyed Ryan Corr portrayal of the conceited, arrogant yet loving Timothy Conigrave character and he is lifting the movie to a higher plane full of pathos and subtleties.

Craig Matthew Stott as Conigrave's lover John Caleo is also very good with a subtle performance and his chemistry with Timothy is really strong. The ending which is always a sore subject for me when not done right was actually satisfying even if I knew that it couldn't be anything but sad yet, there is a quality to the script that makes it uplifting and very touching.

A solid 8 stars from me is well deserved and I would totally recommend it to anyone who is interested in this subject matter yet, be aware that this is no picnic in the park but a difficult yet inspiring journey into the romantic bond between 2 men who we feel truly love each other until the end.

I was given the book by a friend from Australia in about '97,I have read it countless times through the years.

I never thought anyone would be able to bring the story to the screen, as Tim had written a remarkable story.

Finally seeing the movie, I can only say that it does indeed do the book justice. No movie can wholly compete with a brilliant and beautifully crafted book, the best it can hope to do is convey the story and the spirit of the book - this movie does just that.

I fell in love with John and Tim all over again, 19 years later. The love they shared, the pain they endured both John's physical and Tim's emotional came back to me as emotionally as it had in the book. (I wept through the end of the book) Was my emotional response a reaction to the movie on it's own, or in part to the memory of the book? I do not know. I do know that Craig Stott's portrayal of John was, for me, spot on, as was Ryan Corr's portrayal of Tim. The story, the spirit and the essence of these two beautiful men is definitely captured and resonate through this film.

Having seen a rather heavy-handed and pretentious play version of 'Holding the man' a few years ago, I had trepidations about seeing the film. I need not have worried as Neil Armfield's direction brings a truthful and touching reality to Timothy Conigrave's memoir. The slightly non-linear structure to the storytelling brings a cautious prescience to the audience that J.B. Priestley would be proud of, highlighting the sombre future awaiting our ill-fated protagonists. There are a few insightful parallels throughout the movie that deftly highlight the truths hidden between fact and fiction – there's a harrowing mirroring of grief portrayed in an audition to the agonising reality of death that will stay with you long after the credits have rolled. The cinematography and music are judiciously time-specific as we travel through three decades with the characters. Each time-frame is beautifully evoked by film styles of the period and there's an accompanying soundtrack that is gloriously nostalgic. Both of the lead actors, Ryan Corr and Craig Stott, are perfectly cast as Tim and John respectively – each bringing a depth to these characters that makes them feel like family. The supporting cast are also superb; particularly Anthony LaPaglia, Camilla Ah Kin, Kerry Fox and Guy Pearce as the boys' parents. Special mention to Sarah Snook as their friend Pepe who resides on the periphery faithfully and staunchly. Also, there's a superb cameo from Geoffrey Rush as Tim's drama teacher at NIDA. It's graphic in places as it holds a powerful light over the passion of love and the bleakness of illness but the film is all the better for that; it shies away from nothing. Many fans of the original memoir should not be disappointed with this long-awaited adaptation and I am sure that if Timothy Conigrave was alive today, he'd be proud of this achievement in prolonging the legacy of his much-loved book.