Badlapur

I think it is Ugly, in the recent crop of Bollywood flicks, that matches the grimness of Badlapur. Whereas conventional Bollywood flicks are painted in colourful palette, Badlapur is done in shades of grey that is never afraid to go dark, but refuses to go white. Its darkness made me swoon on my seats. Its boldness enthralled me. This is the noir Bollywood has been waiting for. In Badlapur, the director has created two main characters that turn the very conventional ideas of protagonist and antagonist on its head and delivery a dark, comic, intense thriller that glued me to my seat in the first half, but falters in the second half where it tries to give intensity to the changing dynamics between the two main characters, but falters because the screenplay in the second half could not throw the same punch it did in the first half. The build up was definitely great and it showed itself in the stronger moments of second half, but as the story veered to its climax, it starts turning the whole revenge story upside down which is beautiful, but could not bring the same intensity and sharpness. Nawazuddin Siddiqui is the star of the movie. He is a phenomenon. Varun Dhawan comes second best. His acting is fine and his acting shows the intensity his character requires, but his voice does not live up to it. Overall, a must watch. Not for those who love the usual Bollywood fare.

Badlapur is a well-made and highly enjoyable thriller cum psychological drama. Sriram Raghavan has already proved time and again his knack for this kind of thing, and the results here are very good albeit, honestly, not his best. The director's unique style of symbolism along with a very matter-of-fact portrayal of the events and some superb camera work, works to great effect. The sex sequences, however, looked forced and not very credible and provided nothing but occasional shock value in what could have been bold but clean entertainment. Needless to say, technically the film is an absolute winner, and the dark narrative is aided by great music.

The film is gripping and tense, but it has meaning and works as an absorbing dramatic story which dives well into the psyche of the protagonist. Beneath the surface, it poses interesting philosophical questions on the nature of revenge and the point of its outcome. On the one hand, it gives the avenger a purpose and a possibility of psychological redemption as well as a feeling that justice was made. On the other, it is destructive, empty and doesn't let him go on with life. Both these facets of the concept of revenge are very well portrayed here through the journey of the protagonist, whose wife and child were killed by two criminals.

The film is led by a flawed yet competent performance from Varun Dhawan. Nawazuddin Siddiqui is excellent as the foe, and so is Vinay Pathak. Among the women, Huma Qureshi is very strong in a supporting role of an atypical prostitute, and Radhika Apte does very well later on. Even in the smallest of parts, Ashwini Kalsekar can be trusted to leave a mark (she was phenomenal in Andhadhun). This is generally true of Divya Dutta but she gets a preachy, wishy-washy role. Yami Gautam is luminous. The film ends on a slightly sugarcoated note but provides a long-needed catharsis to this intense story. Indian film noir, indeed.

From the first moment you set your eyes on the movie, you know that it's going to be highly stylish one. And it is! Not your Once Upon a Time in Mumbai sort of stylish. Rather stylish in truer and grittier sense.

The characters were just fabulous. You don't know whom to call the victim and whom the culprit. Just an unfortunate event that sets off a chain reaction transforming every one in the process for the good or worse.

The charms of the movie: Varun and Nawazuddin. The one I liked more was Varun for a very simple reason. Nawazuddin is an acclaimed actor though underrated. It's Varun who broke the stereotype chocolate boy image and got onto a new avatar. One that's disturbing and at the same time interesting. The only thing is, Varun's voice seemed childish in some scenes that demanded more impact. Other than that, Varun has my respect. Nawazuddin is Nawazuddin. I watch his every movie just to see him in action. Enough Said!

The twists and turns in this movie seemed natural. Never forced. Unlike other bollywood movies, where the twists are introduced out of nowhere, this one had twists that baffled me with it's sheer brilliance. The gore is limited to just few minutes but enough to make a huge impact.

The comedy is unintentional yet brilliant. The dialogues are not intended to make you laugh. But you laugh anyway. Even after the movie has ended. WOW! 2015 has been so good this far. Hope this continues for the rest of the year. Ugly, Baby, and now this.

I'll not urge you to watch this movie if you like masala movies Or, if you intend to watch a family movie. But, if you want a taste of the nastier grittier stuff bollywood has to offer, I can't think of a better movie right now than this one.

You'll either love this movie. Or, hate it. But this movie will definitely make an impact on you. That fer sure.

3.5/5 The last twenty minutes derail Badlapur and impede it from becoming one of the better thrillers of the "revenge-is-a-dish-best-served-cold" sub-genre. The first hundred minutes have many brutal, in your face moments. The first scene is in a master class of its own. It is immediately arresting and horrifying and dares you to turn your eyes from it. Shriram Raghavan's direction and his knack of storytelling were the primary drivers which kept me glued. He made me sympathize for even the worst of his characters. That says something about his Elmore Leonard like ability to create likable "bad" guys and repellent "good" guys. Varun Dhawan is a revelation. As the grieving husband and father, he pulls off the act with unexpected panache. His eyes glitter with hatred and the body language exudes barely suppressed menace. Nawazzudin Siddiqui's role is not that of a conventional villain. He does not froth or shout. With his white hair and frail physique, he demands sympathy. However, as usual he brings understated nuance to his character of an incarcerated bank robber. His anger barely broke the surface. But when it did, it left me chilled to the core. Radhika Apte steals the limelight. I did not know of her before viewing this. Amongst a cast which has, many other known female faces (Huma Quereshi, Yami Gautam and Divya Dutta), she clearly steals the cake with her portrayal of a wife who will go to any length for her husband. The build up to the climax and the denouement itself were anti- climactic, somewhat of a damp squib and took away a little something from what is likely to be remembered as one of the top movies of the year.

BADLAPUR - The movie starts with a African quote , 'THE AXE FORGET , BUT THE TREE NEVER' .

This quote almost describes the main theme of the movie. Its the Tree(Raghu played by Varun) who wants to take revenge from the Axe(Laik play by Siddique). But its not a typical revenge drama in which we have a perfect hero without any sins inside him , neither the villain is a total sinful person. Rather the characters are of Grey nature and have both goods and bads inside them. It almost feels like it has been made by Anurag Kashyap , it also have the typical awkward comic situations like of which we have seen in Gangs Of Wassypur , and its good to see that their exist another director (Sriram) who can make movies like Kashyap. But one thing that lacks in this film as compared to Kashyap's film is that the shocking element. Kashyap always keep some twists in the film to shock us which was absent in the film. In an interview Varun have said that this film will raise some debates , and i agree with that. Normally Bollywood movies show that there is a villain , who kills any person from Hero's family and our Hero take his revenge , its for his inner peace as well as for justice to some extent. But the real question is that , is revenge is a right solution to compensate the murder of your loved ones. Is killing back the murderer will give you peace , i don't think so , and the same thing has been proved by the climax which is too much unconventional as it shows the revenge didn't do anything good to our hero as he too is a sinful person and has done his part of sins for the sake of revenge . Also the villain shows the white side of his character shockingly. Which may not be liked by everyone. The film also ask a question that whether its needed to give a person who has done a tragic sin a second chance .

As i said the movie lacks the shocking element , because of that some scenes felt flat as our hero doesn't seems like he has a particular plan and is only doing random things. Also the revenge drama only starts in the 2nd half so in the first half the movie actually doesn't move much in the first half. Varun Dhawan has got a lot of complaints that he cant do different roles other that comic character as he is perfect for comedy. This will prove all those persons wrong (i am also one of them). Its not like he has nail it totally but for an actor just three film old (all the three films being too light on nature) he has done a pretty good job. And he will only get better from here. Now he is a threat for his generation of actors. To write about Siddique is being difficult now a days. He shows so much perfection to his character that leave no words to describe it. For me its actually too difficult for a hero to shine in a film in which Siddique plays a villain. Siddique has stolen the lime light from Salmaan in kick and now he has stolen all the praise from Varun(Luckily in Kahani & Talaash Siddique doesn't have a too much important role otherwise he should have stolen it from Vidya and Aamir too) . And his next will be with Srk in RAEES , be aware Shahrukh. Among female leads i would appreciate Radhika Apte who has done a good job specially in the scene where he has to create voices to show fake sex. Songs doesn't interrupt the movie at all as they appeared in background. Editing could have been better as i think revenge dramas if not directed by Kashyap like Gangs of Wassypur should not be more then 2hrs , and it is 20min long. I so much wanted this movie to be directed by Anurag Kashyap , he could have made this better. Never the less movie is dark , and by dark i mean too dark , there are dark cinematography , dark humor , strong sexual scenes(for which the movie has been given A certificate so family audience should stay away from it). Not for every type of audience , couldn't recommend it to every one , so watch it at your own risk. 7/10 By ANuP APu KuMaR