Sword of Vengeance

It starts off slow and moves on at the same pace throughout. After 10 minutes, I realized that it wasn't going to speed up.

But that's OK, because this movie is about the hero. He is, quite literally, all that matters. The hero is right out of feudal Japan, with his honor-bound "only vengeance matters" ethics, and his short clipped way of speaking with an accent that doesn't belong in Scotland. His fighting style is completely out of place and would be laughably ineffective in real life. Good thing he learned to hold his sword backwards, otherwise he'd have killed all the baddies twice as fast and the movie might have been tempted to run at a normal pace..

No other characters matter. There is a "love interest" that doesn't really make any deep connection and only exists to give the hero exactly ONE dynamic character lesson, a trio of bad guys that have exactly ONE motive each, and a plethora of other characters that might as well be nameless as they don't do much else except perform all the basic necessary menial tasks involved in making a hero look heroic without trying too hard.

There is no accuracy in terms of dress, speech, military action, governmental oversight, etc. These things don't matter, only the hero matters. He looks cool and is a total awesome dude. The movie has to rock because the hero does. Right?

In addition, it was filmed in the "bleak style" that is so prevalent among stylized films. This means they removed most of the color. I have never understood this particular method of filming. Can the world not be bleak in its own right?

And lastly, the soundtrack spends most of its time being out of place. Sometimes it sounds like something out of a sci-fi film (mostly when the hero is spinning his sword around, complete with whirly sound effects), sometimes it sounds like moody atmospheric mush (mostly when the hero is looking stoic and heroic), and usually moves itself into the typical drum-heavy orchestral epic sounding stuff (mostly when the hero is killing lots of people while holding his sword backwards). There is no reference, or even an implied reference, to any sort of traditional gaelic or celtic musical form, melody or instrument.

This is getting long, so I'll cut it off here with a final comment:

This movie is so empty of substance that it's like a skeleton of ideas that are designed to be easily fit into any genre. Take this hero and stick him into a sci-fi feature battling the evil space barons that killed his family. You don't even have to change the soundtrack. Next throw it all into a pirate feature. It will work just fine, just need to tweak the costumes a little bit.

This movie is bland and devoid of any real character. Very forgettable.

The basic problem - what you expect ?. You know the recipe and the ingredients. You know the basic lines of story and the characters. And you know that nothing is real high or memorable. The basic problem of this film- the desire to be more than gives its possibilities. The recipe is clear and nothing surprising can be. History as pretext, dark landscapes, dark hero, fights and fights, few drops of love story. Seems enough. But the desire to say all seems the not very inspired option.

I remember watching Hammer of the Gods and liking the beginning, then getting disappointed by the ending, so I started watching Sword of Vengeance with apprehension. It was a good idea, because it is kind of the same.

The bleak and desolate landscape, the silent warrior, the tyranny of the Normans over the Saxons, I bought it all. It again gave hope of something really good. Unfortunately the plot was a mess. I am not going to explain it here, but let me just say that warrior should have remained silent.

I also researched the characters and I couldn't find anything historical related to the story. The only real thing is the Harrying of the North where a single source describes the death of 100000 Saxons at the hand of William the Conqueror, but it is unclear how he could have achieved this with the resources he had.

Bottom line: they got the feel right, but they should have worked a lot more on the story and character development. It is a better done movie than Hammer of the Gods, I think, but that movie may have been better overall just because I remember it and this film I will forget after writing this review.

From the creator of "Hammer of the Gods", starring Stanley Weber ("Borgia") and Annabelle Wallis ("Annabelle"), the subjects of a ruthless tyrant's oppression discover an unlikely freedom fighter whose code of honor demands bloody retribution.

WellGoUSA has made a name for themselves bringing some of today's best martial arts movies to American audiences. This time they took a slightly different approach and are releasing a story of early England.

And in it, we have a great use of color, making the battlefield look hazy and depressing. The film as a whole is heavy on style, has great production design and some impressive sets. Some of the style is conveyed through slow-motion walking we probably did not need, and which may add a few minutes to the run time.

There is an interesting score, very electronic and not at all what you might expect from a film set one thousand years ago. Those women warriors? Not sure that is remotely accurate in a historical sense. And, as much as equality is a good thing, it does not trump reality...

And then, sadly, there is not much of a plot or character development, meaning it has very little that will be memorable. The film still deserves a slightly better than average rating simple because it looks so darn good, but it has little of real meat to offer people. Audiences will likely consider this a dud: all gunpowder and no bang.

In 1066, William the Conquerer defeated the Saxons at the Battle of Hastings. After the battle, a brutal campaign of subjugation descended upon the Saxon people known as The Harrowing. Earl Durant slaughters 100,000 Saxons and rules The North with his sons Lord Artus and Lord Romain. Shadow Walker (Stanley Weber) is an avenging warrior. He is joined by Anna (Annabelle Wallis) and her surviving people.

The brooding violence is interesting. The plot, such as there is one, is a slow muddle. Dialog is sparse. In the end, there is little more than the brooding style and a bit of violence. Even the action lacks kinetic intensity. It's a lower budget production in eastern Europe and it doesn't have the grand size. The moody atmosphere is not enough.