Sword of Vengeance

Sword of Vengeance is shot almost entirely in slow motion. Characters perceive time differently from us, as they feel the need to dramatically walk, talk and stare at each other while posing at the camera. Visual is all shades of gray, while this might be stylish at first, it overstays its welcome by the fifteen minutes mark, by then the main character probably have taken his fifth slow-mo steps. Story is thin at best, with average runtime and majority of it is painful slow-mo, the film barely has any substance to offer.

An outsider comes to a village, he beats up a few thugs, makes a speech and fights tyranny. This simple premise is flawed by the first couple of scenes. The outsider dispatches people easily at one point, only to be jumped by a random extra and got whooped in the next. Considering that everyone moves as though they are in fashion show, it's borderline comedy this near superhuman can be even wounded, his plot armor must have worn off.

Acting is equivalent of cardboard box, but at least one could draw smiley or sad faces at a box. To be fair, it's not the actors' fault, the script barely gives anyone personality aside from one-dimensional extra from Vikings or 300. Story is heavily predictable, and the title helps by giving it away. There could be some underlying message of vengeance here but it's buried by the piles of slow-mo spam.

The fight is mediocre, either it's slow or shaky cam. There's barely logic in this as well, people swing and charge recklessly. Soundtracks are mesh between electronic and techno. It's a strange style and could've worked better if the movie had ordinary pace. Cinematography is different shots of a forest, some with all trees, a few buildings and its interior. The film tries too hard on creating cool shots, it is literally nothing but slow motion.

Watching Sword of Vengeance is more like looking at slideshow of concept art, which may be edgy in modesty, but not for entire movie. Alternatively, one could watch Robin Hood in half speed or compilation of fights from 300, any of those should prove more interesting.

The basic problem - what you expect ?. You know the recipe and the ingredients. You know the basic lines of story and the characters. And you know that nothing is real high or memorable. The basic problem of this film- the desire to be more than gives its possibilities. The recipe is clear and nothing surprising can be. History as pretext, dark landscapes, dark hero, fights and fights, few drops of love story. Seems enough. But the desire to say all seems the not very inspired option.

In 1066, William the Conquerer defeated the Saxons at the Battle of Hastings. After the battle, a brutal campaign of subjugation descended upon the Saxon people known as The Harrowing. Earl Durant slaughters 100,000 Saxons and rules The North with his sons Lord Artus and Lord Romain. Shadow Walker (Stanley Weber) is an avenging warrior. He is joined by Anna (Annabelle Wallis) and her surviving people.

The brooding violence is interesting. The plot, such as there is one, is a slow muddle. Dialog is sparse. In the end, there is little more than the brooding style and a bit of violence. Even the action lacks kinetic intensity. It's a lower budget production in eastern Europe and it doesn't have the grand size. The moody atmosphere is not enough.

"Tell your father the Gods can no longer wait."

Don't you like slow-motion scenes during bloody fights with a sword such as in "300"? You thoroughly enjoy a colorful film? And you expect a masterful story with clever twists? Then "Sword of Vengeance" won't appeal to you. Firstly this medieval spectacle movie is painfully slow. And not because of the constant use of slow motion, but also because of the terribly slow dialogs. The first minutes you think it's a gimmick made up by one of the crew members because he's such a fervent fan of the movie "300". Until you notice that almost the entire movie is in slow motion, ad nauseam. Had they limited themselves in using that film technique and inserted less breaks throughout the dialogs, then this film would be finished after 30 minutes. In addition, the whole film is grayish and dreary. The entire film is soaked in mud with a desolate landscape in the background. Red is the only striking color in this generally gray film, and this by the frequent spilled blood.

The whole story is set in medieval England after the Battle of Hastings. Saxon England was defeated by William the Conqueror and is being suppressed by this merciless ruler in a rather barbaric way. In the north the English population is being exploited, murdered and humiliated by Earl Durant and his sons Lord Artus and Romain . As the introduction tells us there are mass killings, called The Harrowing, happening everyday and the locals are living in appalling conditions. Until one day a stranger appears and slaughters a few of Durant's men. This warrior, called Shadow Walker, is a sort of "Conan" but less muscular and proud owner of a for that time fashionable hairstyle. Eventually he appears to be on a personal quest and he manages to gather some villagers around him to take revenge on Durant.

The biggest flaw of this film is perhaps the simplistic and linear storyline. In terms of content there's nothing much to see and don't expect cunningly elaborated developments or characters. The emphasis is on the confrontation which means considerable swinging around with iron swords and other medieval weapons. It's a concatenation of splashing mud, blood and spit (in slow motion of course). One can safely compared it to a game like "Ryse: Son of Rome". Brutal, gray and bloody with saber-rattling as a central theme. A not so original film, probably appreciated by the fans of this sub-genre. It's therefore unnecessary to discuss about acting performance as this was elaborated to the barest minimum. Tough body language is mixed with sometimes rather idiotic sounding dialogs. Stanley Weber looks like an unshakable battering ram who rushes straight to his goal and mercilessly makes sure that every opponent bites the dust. A kind of conqueror in his own personal territory. Annabelle Wallis as Anna (recently acting in the movie Annabelle) is part of the tribe that captures Shadow Walker. Afterwards they choose to stand next to him. She tries to play a temperamental and stubborn woman, but still looks a little too soft for that. The rest of the cast is just side issue. No memorable performances there."Sword of Vengeance" is not a bad medieval action movie, but the end result is still a sort of go-for-it-without-thinking film.

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This is a perfect example of style over substance. Visually it's incredibly good, but the absence of a story, let alone a script is baffling. How the hell are we (the viewer) supposed to make head nor tail of it, when both the actors, and the director haven't got a scooby doo. Can we blame it on the editor!!! 🤔