IMDb RATING
4.9/10
5.5K
YOUR RATING
The final installment of the long-running Phantasm series.The final installment of the long-running Phantasm series.The final installment of the long-running Phantasm series.
- Awards
- 2 nominations total
Kathy Lester
- Lady in Lavender
- (as Kat Lester)
Joe Jefferson
- Man in Hall
- (as Joseph Jefferson)
Kenneth V. Jones
- Caretaker
- (archive footage)
- (as Ken Jones)
Tyler O. Super
- Grave Digger
- (as Tyler O. Soper)
Featured reviews
Reggie (Reggie Bannister) is wandering through the desert seeking out his friend Mike and the evil Tall Man (Angus Scrimm). Along his journey, he is hunted down by the dangerous spheres and stumbles upon the gorgeous Dawn.
I have to talk about the actors. Reggie and Angus were fine, of course, as they know exactly who their characters are. Dawn Cody is the worst part, with awful acting as Dawn (though she seems to be better as Jane, strangely enough). Daniel Roebuck is a nice addition, even if he seems out of place.
Joe Leydon and Marten Carlson both criticized the film's narrative cohesiveness. Leydon speculated that the film's troubled production may have cause this, and Carlson more directly blamed the film's origin as a series of shorts. This is a legitimate concern. The film is quite a mess, even in a series that has some bizarre continuity. Anyone going in to this without knowledge of the series will be completely confused. (But, of course, it seems obvious not to watch "part five" without seeing earlier chapters.)
I have to talk about the actors. Reggie and Angus were fine, of course, as they know exactly who their characters are. Dawn Cody is the worst part, with awful acting as Dawn (though she seems to be better as Jane, strangely enough). Daniel Roebuck is a nice addition, even if he seems out of place.
Joe Leydon and Marten Carlson both criticized the film's narrative cohesiveness. Leydon speculated that the film's troubled production may have cause this, and Carlson more directly blamed the film's origin as a series of shorts. This is a legitimate concern. The film is quite a mess, even in a series that has some bizarre continuity. Anyone going in to this without knowledge of the series will be completely confused. (But, of course, it seems obvious not to watch "part five" without seeing earlier chapters.)
I'm a fan of the series. I had hoped for more insight into the Tall Man, the orbs, their plan, etc. I'd hoped for a resolution to the "fight" or at least more of a progression and a better idea of what we're fighting against. Ultimately, this movie accomplishes nothing. It's not even funny or scary.
It doesn't add any new info to the series or progress any story arc in any way. Imagine if another series like say... Evil Dead had another movie added that did nothing new and had no real resolution. Ultimately boring. At least its predecessor, Phantasm IV, though flawed introduced new information about the villain.
I could (and likely will) dream up a more satisfying story line and adventure for the series than what was presented.
It doesn't add any new info to the series or progress any story arc in any way. Imagine if another series like say... Evil Dead had another movie added that did nothing new and had no real resolution. Ultimately boring. At least its predecessor, Phantasm IV, though flawed introduced new information about the villain.
I could (and likely will) dream up a more satisfying story line and adventure for the series than what was presented.
I'm happy to admit that I find the story lines to the Phantasm films a bit of a challenge to follow, their freewheeling, anything goes, dream-logic approach not being the easiest thing to grasp. But then that's all part of the series' charm, creator Don Coscarelli having forged an intriguing franchise that writes (and rewrites) its own rules and which constantly surprises.
Ravager, the first Phantasm film not to be directed by Coscarelli (David Hartman takes the reins), fits the mould perfectly with a bizarre narrative that sees its unlikely hero Reggie (Reggie Bannister) flip-flopping between several distinctly different realities, the film never letting on which of these, if any, is his genuine existence. In one reality, Reggie is wandering the desert searching for long lost friend Mike (A. Michael Baldwin) when he encounters a woman called Dawn (Dawn Cody); in another, he is in hospital suffering from early onset dementia, suggesting that the Tall Man and his minions are a figment of his deteriorating mental state; Reggie also finds himself in a version of Earth where the Tall Man and his spheres are in control and where Mike is leading a desperate band of freedom fighters.
Not a lot of this makes much sense, and little is really resolved by the end of the movie, but the fun is in seeing much-loved characters returning for one last adventure, in watching the silver spheres causing more bloody mayhem (in this chapter, a horse gets drilled, and an exploding spiky sphere blows someone's head apart!), and in seeing just how bonkers it all gets. Ravager has a gun-toting dwarf, sees Reggie out-driving some spheres while blasting at them with a hand cannon, and features spheres the height of skyscrapers, but it could have done with a bit more gore in the second half for my liking. Still, it's not a bad way to spend some time and should keep most avid Phans reasonably happy for the duration.
Ravager, the first Phantasm film not to be directed by Coscarelli (David Hartman takes the reins), fits the mould perfectly with a bizarre narrative that sees its unlikely hero Reggie (Reggie Bannister) flip-flopping between several distinctly different realities, the film never letting on which of these, if any, is his genuine existence. In one reality, Reggie is wandering the desert searching for long lost friend Mike (A. Michael Baldwin) when he encounters a woman called Dawn (Dawn Cody); in another, he is in hospital suffering from early onset dementia, suggesting that the Tall Man and his minions are a figment of his deteriorating mental state; Reggie also finds himself in a version of Earth where the Tall Man and his spheres are in control and where Mike is leading a desperate band of freedom fighters.
Not a lot of this makes much sense, and little is really resolved by the end of the movie, but the fun is in seeing much-loved characters returning for one last adventure, in watching the silver spheres causing more bloody mayhem (in this chapter, a horse gets drilled, and an exploding spiky sphere blows someone's head apart!), and in seeing just how bonkers it all gets. Ravager has a gun-toting dwarf, sees Reggie out-driving some spheres while blasting at them with a hand cannon, and features spheres the height of skyscrapers, but it could have done with a bit more gore in the second half for my liking. Still, it's not a bad way to spend some time and should keep most avid Phans reasonably happy for the duration.
The people who watch this film are the hard core fans who were entranced by the disorientating chilling imaginative world of the First Phantasm Movie. Most likely viewed multiple times at late night triple features in actual cinemas, like me. So when the franchise lays this confusing mess in your lap it is with sadness we view the results rather than dismissively as consumers of media. This was the last chance Angus Scrimm got to play his iconic Tall Man roll, and he totally delivered on his lines yet again, creepy, with a plan we can't understand, everything we could ever want from him. But how those nuggets fitted into an overlaying story, well, really they don't. There was nothing there for them to slot into, for them to make sense in. Granted, part of the original movies charm was how sense was tossed out the window; but everything in the original movie fitted within the universe of Phantasm; everything had a point, and a result to that point.
In this 5th installment most things that happened went nowhere; were smoke and mirrors; a collection of disconnected setups; some with style; many executed with cringe-worthy cheesiness; naff effects, and an edge of unintended sadness, as they chipped away at the legacy of the original.
What was it all about? I don't really know and it gives the feeling that no one, particularly the director did. It didn't make any sense, and not in a good way, just looping round some vague concept of "is Reggie dreaming, or is it real"?, but it's done so poorly the end result is a wasted opportunity to do something solid with an all-original-cast back together to pay tribute to a legendary movie franchise.
Reggie was OK as a disposable side man, but it was the 2 brothers that were the interest factor in the original. To be honest, it was kind of boring,....
.... of note, the music was a reasonably decent reworking of the original catchy score orchestrated excellently, although the original did use non classic orchestra sounds and rock instruments well, so it deviated from that innovation. The only jarring thorn in an otherwise stellar soundtrack was the cringe-worthy Ravenger rap over the score as the credits rolled. Utterly awful.
Either the director has no understanding of what was good about the original , or Coscarelli totally 'George Lucas'd' his own series, and also didn't understand what he got right in the original.
Farewell Phantasm. I wish you could have had a better send off than this. Thanks for the original though. A true iconic milestone in disorientating creepy cinema.
In this 5th installment most things that happened went nowhere; were smoke and mirrors; a collection of disconnected setups; some with style; many executed with cringe-worthy cheesiness; naff effects, and an edge of unintended sadness, as they chipped away at the legacy of the original.
What was it all about? I don't really know and it gives the feeling that no one, particularly the director did. It didn't make any sense, and not in a good way, just looping round some vague concept of "is Reggie dreaming, or is it real"?, but it's done so poorly the end result is a wasted opportunity to do something solid with an all-original-cast back together to pay tribute to a legendary movie franchise.
Reggie was OK as a disposable side man, but it was the 2 brothers that were the interest factor in the original. To be honest, it was kind of boring,....
.... of note, the music was a reasonably decent reworking of the original catchy score orchestrated excellently, although the original did use non classic orchestra sounds and rock instruments well, so it deviated from that innovation. The only jarring thorn in an otherwise stellar soundtrack was the cringe-worthy Ravenger rap over the score as the credits rolled. Utterly awful.
Either the director has no understanding of what was good about the original , or Coscarelli totally 'George Lucas'd' his own series, and also didn't understand what he got right in the original.
Farewell Phantasm. I wish you could have had a better send off than this. Thanks for the original though. A true iconic milestone in disorientating creepy cinema.
With so much time between movies, I hardly remember anything from Phantasm, but I do recall I liked some of the films enough to watch this fifth and probably final part of the series. But it was completely disappointing.
The movie is more like a collection of shorts that blend into each other as Reggie is either in a mental asylum, or a on his death bed or in a house trying to score with a redhead or in a hellish world taken over by Tall Man. Since it retains that dream quality of the previous movies, you never know what is real, especially since some of the scenes seem to be previously recorded but unreleased footage. Some extras are brought for no good reason and Angus has just a few scenes. The actor died this year, so RIP for him and probably for the series.
The problem laid with the lack of emotional impact for any of these scenes with disjointed action and characters that never develop and one barely remembers from previous films. Frankly, a waste of time for everyone involved.
The movie is more like a collection of shorts that blend into each other as Reggie is either in a mental asylum, or a on his death bed or in a house trying to score with a redhead or in a hellish world taken over by Tall Man. Since it retains that dream quality of the previous movies, you never know what is real, especially since some of the scenes seem to be previously recorded but unreleased footage. Some extras are brought for no good reason and Angus has just a few scenes. The actor died this year, so RIP for him and probably for the series.
The problem laid with the lack of emotional impact for any of these scenes with disjointed action and characters that never develop and one barely remembers from previous films. Frankly, a waste of time for everyone involved.
Did you know
- Trivia(at around 21 mins) The hospital bed scene alongside Reggie Bannister was the last scene Angus Scrimm filmed as the character The Tall Man.
- GoofsNear the halfway mark, when Reggie transports to the mausoleum corridor, every time they show him from the front, he is shown in what looks like a tight space, able to touch both sides at once with his arms, but when he is shown from the back, the sides seem much further apart, and he would be unable to do this.
- Crazy creditsCopyright notice: "This motion picture photoplay is protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or any other use of any kind may result in civil liability, and/or criminal prosecution and the enduring wrath of the Tall Man."
- ConnectionsEdited into Phantasm V: Ravager - Deleted Scenes (2016)
- SoundtracksIn a Mountain Cabin
Music and Lyrics by Reggie Bannister
Performed by Reggie Bannister
Courtesy of Ya Doggie Music (BMI)
- How long is Phantasm: Ravager?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Phantasm 5: Ravager
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content