W1A

Not sure an American audience would get this show as it very definitely reflects British cultural and social situations.

I suspect that some of the reviews here have been made by people who are perhaps too close to the BBC, or are amongst a significant section of the British population who regard the licence fee as the wrong way to fund the Corporation.

I didn't see "Twenty Twelve" (but have just ordered the DVDs of Series 1 & 2), and in fact have only managed to see the first two episodes of "W1A". That clearly leaves me open to criticism for reviewing a series I haven't fully seen. On the other hand, it meant that I had no particular expectations before I viewed.

What I did see I found to be hugely funny - certainly one of the most wryly observed and succinctly written comedies of recent years.

Yes, I am sure that what it portrays is desperately close to reality! And indeed, that is what makes it all the funnier. The characters are, of course, caricatures with little depth, but in a light-hearted series of just four episodes, I doubt we would be expecting serious character development, especially when some of them speak the same (or similar) lines in every episode.

As a Brit who loves the BBC, despite its weaknesses and failings, and who thinks the licence fee is truly excellent value for money, I admire the organisation all the more for its willingness to have the mickey taken in this way.

Reading the other reviews, you might think that there was little to laugh at in this short series. Far from it. I very rarely laugh out loud, but this had me chortling more than most.

A hilarious skewering of both the BBC and the mindset of corporate lackeys everywhere. Absolutely crammed with great characters, many of whom, in the British manner, have their distinctive and increasingly wonderful catch-phrases. It seems impossible that this got made by the same organization that is portrayed in the show, but it is very pleasing that it was. It's just a shame that the number of episodes per season is small even by UK standards.

I suppose the natural career change for "2012"'s Olympics supremo Ian Fletcher was to an executive position at another of the great talking-shops, the BBC itself. Thus "W1A" continues very much in the footprints of its predecessor, with Fletcher at the centre of the middle of things at the Beeb, quickly becoming the spokesperson and whipping boy for a number of topical-at-the-time scandals at the corporation, involving regional discrimination and pay levels. Now with the Quango-esque title "Head Of Values" he's soon involved with a similar group of headless deadbeats talking lots but saying little in another amusing spoof comedy.

The problem for me was the too-similar format to "2012" right down to each episode starting with him turning up to work and attending morning meetings although this time there was much less emphasis on his private life. The supporting cast includes the excruciatingly on-point media guru Siobhan "Sure, great" from the show before and a bunch of colleagues not markedly different again to those before. Therein lies the problem, with the show somewhat lacking in freshness with not only the characters but some of the plot devices seeming a bit second hand. I also think more could have been done to make use of the real-life BBC talent available apart from the amusing spat between Clare Balding and Carol Vorderman to see who gets to partner Alan Titchmarsh in a new reality show "The Tastiest Village in Britain".

There are amusing moments for sure particularly when Siobhan attempts to rebrand the BBC for the Apps market and Bonneville leads a good cast who play their quirky characters to the hilt. Nice to see Olivia Colman in a cameo role too. All told though, the law of diminishing returns appears to be in action here although somehow it wouldn't surprise me to see Ian Fletcher in future park his fold-down bike at the biggest talking-shop of all the House of Commons in an as yet unwritten sequel to his latest misadventures.

I watched the first few episodes of the first season and giggled appropriately. Goodness knows the BBC makes a good target for this kind of satire and is a good proxy for many similar corporate settings. But after a while fatigue set in. Compared with Twenty Twelve which was consistently laugh-out-loud funny, too many characters in W1A share similar lines and "yes/no/cool" affectations. But what really fails is the mockumentary angle. It was tenuous in Twenty Twelve but just about kept within the lines as an unlikely but feasible documentary. W1A would have been better pitched as a straightforward satirical comedy rather than having a narration constantly remind the viewer that we are supposed to regard this as a reality programme.