Knock Knock

Evan Webber (Keanu Reeves) is home alone after his happy family left for the weekend. He's trying to work when Genesis (Lorenza Izzo) and Bell (Ana de Armas) knock on his door. They're lost and soaking wet. He calls Uber for them but the aggressive flirts have sex with him. As he tries to make them leave the next morning, they turn out to be less than stable.

The idea of hot crazy chicks as horror villains could be fun. Reeves is playing a relative douche which is hard to root for. The girls are not scary. Their characters border on being comical. They keep threatening as underage but they don't look underage. The first time I took as a comedic hollow threat but it's annoying when it keeps coming back. Eli Roth seems to be going for a different kind of horror. I would be a lot happier if Evan punch out the girls and chop them into pieces. This way is a lazy, silly 'Fatal Attraction'. The part with Louis gets too annoying. Everything is too broad, and too obvious. This is not scary nor thrilling. One could almost see this as camp.

Evan is a great guy, with a lovely family (a puppy included), a beautiful house and a job that he loves. His wife and kids go on a weekend vacation without him and in the first night alone two girls knock on his door, pretending to be lost. He offers to help them by calling an Uber and drying their clothes (it was raining outside). After a little bit of awkwardness, they start to chat and of course the conversation becomes more and more sexual and tension starts to build in and Evan becomes more and more uncomfortable with them. When the Uber arrives the girls decide to take a shower and when Evan desperately tries to take them out of the bathroom they seduce him. They have a threesome and in the next morning the girls are not so funny anymore: their personalities are erratic and even a bit dangerous. After arguing, he takes them home and go back to his house to clean up the mess. But at night they come back wanting revenge because he betrayed his family by sleeping with them (!). About the movie: the acting was horrible, specially from the actors pretending to be Keanu's family. The wife and kids awful...and even Keanu seemed a little off as a loving parent. The two girls (Lorenza and Ana) were not so bad, the problem is that they had no back story and no point for being doing all of they did. I took that they were abuse victims, specially Ana's character, after that scene where she "rapes" Keanu because she starts calling him daddy and asking why did he did all that to her. They were mentally unstable that's for sure. The greatest scene is the one Keanu gives his great speech, justifying why he couldn't have said no to them, by saying that what they had offered him was like free pizza and nobody refuses free pizza (sometimes we must). The movie is over the top, it's nonsense, sometimes it's funny, the audience don't get their revenge (happens often in life), an innocent man dies and the motivation of the girls, to punish married man that don't respect their families gets lost in all of this. It's not that bad if you don't expect anything good from it. It's free pizza...

After the less than stellar box office return of Hostel Part II, Eli Roth blamed the internet and swore off making films for a long time. In fact, he hasn't directed another movie since then. He's produced, starred in and wrote a few, but never touched the camera again, except for the sniper film that plays in Inglorious Basterds and the Thanksgiving segment from Grindhouse. Almost ten years later and we have not one, but two feature films from Roth. The Green Inferno, which was actually completed in 2013, but held up until now, and the erotic horror thriller Knock Knock, which is a remake of 1977 film Death Game.

Did Roth coming back from "retirement" encourage me to see the film? Was it the deranged sexual element that would draw me in? No, it was Keanu Reeves my friend. Everything else didn't matter to me, I wanted to see Keanu Reeves in movies again. He did a kick ass job in John Wick, now I was going to see if he would be able to play a helpless cheat who is terrified for his life. A role that is really against type for him. Can Reeves pull it off? The man has been labeled emotionless in a lot of his film roles, so this would seem like it would require him to dig down and actually act. Now, he does manage to scream, freak out and indeed, act terrified at times, but there is always and I mean always, something off about his performances. Maybe it's his monotone voice or the deadness behind his eyes, but it doesn't always come off well. Don't get me wrong, I highly enjoy a lot of his work, but a great thespian the man is not. It looks like the man is trying here, I'm not too sure if he pulls it off too well.

Reeves plays Evan, an architect who has to stay at home for the long weekend and work, while his wife and two kids go to the beach house. One stormy night, he hears a knock at his door, two young beautiful women are stranded and need his help. While inside, they manage to seduce him, despite his constant resistance. The next morning he finds out that they won't leave, not without playing a game with him being an unwilling participant.

So the premise alone seems like a typical invasion torture horror flick, with the added element of sex and the intruders being young hot women. Once that is out of the way, the film offers nothing new or insightful. Roth, a man who knows a thing or two about the genre, tries to amp of the suspense a bit, but falls into the same generic traps all these films do. Knock Knock isn't sexy enough, nor terrifying enough. I guess it must just feel weird to direct your wife in a naked threesome with Keanu Reeves.

The question people will be asking themselves is, will Reeves live or die by the end of the film. I won't spoil how it ends, but the build up to that final situation is decent enough to make the film almost watchable. The denouement is completely wrong though and adds an unneeded comedic joke that is literally the very end of the film. You go through this long torturous journey with Reeves, only to have it end with a one liner? Really odd choice that left me scratching my head with disappointment. I wanted some kind of answer to what would happen next, but never got it. Roth leaves a little hint here or there, but I guess I wanted something a little more concrete.

What the film does accomplish is me, never opening my door to anyone. Not even two young, beautiful, wet women who beg me to let them inside so they can have sex with me. That's just for my dreams.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Architect Evan (Keanu Reeves) lives in a nice, swanky house with his wife Karen (Ignacia Allamand) and their two young boys. One weekend, Karen takes the boys away with her, leaving Evan on his own. He gets a surprise one night when two young women, Genesis (Lorenza Izzo) and Bell (Ana de Armas) knock on his door, claiming to have broken down and in need of a shower and a taxi. Initially pleasant, after luring Evan into a night of soaring passion, they then refuse to leave and subject him to a relentless, psychopathic barrage of violence and humiliation.

Playing like a variation on The Human Centipede set-up (and, by the end, astonishingly much more horrible than that film), despite not having much opening development between the main character and his loved ones, Knock Knock does manage to generate an interesting premise for the beginning. As soon as the girls arrive, knowing that things are going to take a sinister turn, it's intriguing to see just how this will play out and why. But after that, it just goes to pot and ends up leaving a really nasty taste in the mouth.

With elements of Phone Booth and Hard Candy chucked in to the plot, this skirts around the issue of young girls looking older than they are, and suckering older guys into going with them, an issue that's been playing in the media lately. But rather than using this as a plot device for some deep thought, it just degenerates into a relentlessly gratuitous and nasty piece of work, like a long winded, less grounded version of the superior British flick Cherry Tree Lane. Izzo and de Amis are a pair of seriously deranged, psychotic devil women, who just serve to distract from Reeves, who is as wooden as ever.

By the end, it's just started to become annoying and stupid, with only the theme from the end of Fight Club playing over the end credits to remind you of something better. You think of those two girls up the north of England who battered that woman to death in her house, and when you're expected to be entertained by something as dispiriting as this, it puts things in perspective. **

Why on God's green earth what an actor, A class actor, like Keanu Reeves take this role?

Does he have financial difficulty we don't know about?

I could understand if this was one of his first roles and he was desperate. This was just so bad. The only thing worse than the movie was the ending.

The only decent thing about the movie was Keanu Reeves. Just terrible.

I wanted the two girls in the movie to die a slow and horrible death.