Lost in the Sun

This is a well-acted film for sure. It's nice to see Josh Duhamel in a gritty, dramatic role (brown teeth for the part even). The actor who portrays the kid was excellent as well.

This is a road movie drama with suspense and intrigue. Slow-moving at at times, it's got a moody, eerie feel that just pulls you right in. Should you like Josh's character, should you not? Those answers are not all forthcoming immediately. It's interesting to watch the bond develop between his character and the boy, and at times, your perspective on that may change (true bond? Stockholm Syndrome?). In the extra features, Josh says this was a movie he was trying to make for a long time. It's a independent film definitely worth watching.

I watched this one tonight and was pleasantly surprised. As I had never heard of this movie, I didn't expect much . . . but I ended up being moved enough by the film to write a review on this Saturday night.

The movie is about a boy whose mother has just died. He is going to live with his grandparents in New Mexico and a mysterious stranger offers to give him a ride. Of course, he has no idea what he is in for by accepting the offer and a fascinating "road trip/coming of age" story ensues (with a few surprises toward the end).

I hate long reviews, so let's get to it: I grew up in Texas and the locations used by the director are lonesome and add great authenticity to the movie. The directing was above average by Trey Nelson (who appears to be primarily a TV guy until this film) and I thought the acting was excellent by Josh and especially Josh Wiggins as Louis.

This is a pretty good film if you are in the mood for a lonesome road movie. 7/10 cheers

Stumbled across this gem. Superbly crafted, fabulous cinematography, brilliant casting and great performances from everyone. Outstanding locations. The expansive angles capture the southern mid-west perfectly.

Characters are rich and absorbing, even those who only feature for a few moments.

The only thing that lets it down is the script, which is a little predictable, but does have the occasional surprise. But the excellent acting carries it off, and for me it's still 8 out of 10.

If you enjoy watching a truly well made film, you'll love this one.

Well, this is a really great movie, however, some will find it slow-moving. It is a sentimental story that has sort of expected twist in the end but nevertheless it was tip-top film, It definitely could've been better and all but we should not forget to praise the efforts made by Josh, I genuinely believe that he saved the movie, he is underrated actor; the film was substantially about one's pangs of remorse, the notion of being lost in life is the cornerstone of all the script writing of the movie, which was the birth of the movie's name; when your conscience starts eating on you due to all piled up past mistakes, it's basically about different human experience from a particular perspective.

Except for the gun propping up the story, good - very good - in a European film melancholy joie de vivre, Francois Truffaut, or "Paris, Texas," kind of way. I'm reviewing it because it's quite good. If I'm still remembering it the next day, it was noteworthy. That's in no small measure a credit to excellent photography by Robert Barocci. I'll just say, the story could easily have been written without a gun - 'cuz that's my soapbox. Guns in films are so prevalent, there should be an Oscar for the guns.

The character played by Josh Duhamel isn't very deep, and is kind of an unredeemable punk, but that's the way the character was supposed to be played. Josh Wiggens is excellent in his role as the orphaned boy. The pair are a credible duo. I never thought for a second that the characters were Hollywood contrivances. A lot of critics thought the characters and story were too thin to carry a full-length feature. I disagree. It's a wretched tendency that U.S. filmmakers have of tending toward clobbering audiences with action or sentiment. The characters unfold in a quiet way through their gestures and appearances, as in a Cormac McCarthy novel.

A great haunting score by Daniel Hart is appropriate for the film and plays an unmistakably powerful role in accenting the drama, but I have to admit I'm a bit weary of the rock strings Godspeed You Black Emperor/Explosions in the Sky copycat genre, not because I don't like it, but because it offends my sensibilities that it's been beaten from overuse into flattened roadkill at the edge of a highway. Nevertheless, it's essential to under-girding this drama.

The score's performers got dropped into the post-production credits, I hate to say, because they carried the film through the longer ponderous landscape moments - carried the film more than, say, the hair artists. I looked them up, 'cuz that's how I rolls: Shawna Hamilton (cello), Borak Loftipour (percussion), Veronica Gan (violin), Maria Demus (violin), Annika Donnen (violin). These all seem to be musicians trying to get their footing in the business - all in Texas, I think - maybe Denton.

http://www.imdb.com/title/tt3593046/