Sur le fil

I have never watched a movie in my life with this much music throughout it. It was one long continuous score! It was overly dramatic as well. It would be appropriate at an orchestra event, but not for this film. The whole story could have been told in 30 minutes. There was so much dead air and unnecessary montages.

On a positive note, the set decorator and production designer did a good job.

I am always pleased when I see a gay themed movie with good acting, an engaging story, and high production values. Chad Connell put in a very strong performance as an emotionally conflicted gay man as he goes through a major psychological crisis. The cinematography was excellent, and showcased the beautiful city of Winnipeg and the Manitoba countryside. The music by Vincent Ho was absolutely gorgeous. I was looking for the famous composer of the lovely classical piano and violin sonata, and surprised and pleased to discover it was an original score. I hope we see more of Vincent's compositions.

I think it's best to preface this movie by saying the dialogue is not very good and it starts kinda bad. But it gets much better and Chad Connell is hot enough that you could watch it with the sound off and it would still be worth watching. He is actually quite good with the little dialogue he is given. I kept feeling like there is no way this super hot guy with a model face and body is going to get into it with a dude. But he does and his body is as beautiful as his face. I am here to tell you, I have yet to see a more attractive (and masculine) male lead in any gay love story. Let's just say the film is a 6 or 7 but Chad is a 10. Or an 11? The music is way too loud and was mixed poorly, but it's pretty. There is not a gay man alive who won't be thinking about him long after the movie ends.

You really can tell a Canadian indie movie; there's always that overriding vernier of slow-pace coupled with extremely bad bed music. This writing and plot is very weak, and the entire story could have been told in 30 minutes; enough time to expose and resolve the lead character's entire background story, add in a few tawdry gratuitous sex scenes...and yeah, that's pretty much it. The long pan-outs of scenery and mugging for the camera are beyond superfluous. And without spoilers, I pretty much "got" who Alexander was after their third interaction (yes...it was that predictable). The one good thing I can say is the filmography is well done and ranges from the hand-held/shaky technique to give the air of tension to some very elaborate shots which must have required some expensive equipment. In fact, I seriously don't know how the producer got the money to create this movie with such polish (then again, this is a Canadian film, so I'm sure they got a public grant for their required quota of gay films per year). If you have an hour to kill, watch this movie with a remote control so you can fast-forward through the slow parts...you'll need it.

I will be short. I gave this an 8. The beginning was a bit shaky, I wasn't sure how serious the main actor was at first. But then it all changed.

The music was way beyond this level of cinema and at moments it was taking your attention away from the story but later on it kinda made sense, too (bravo!).

I truly think this deserves a bit more than 6.5 on IMDb (despite the very low viewership). Even though I figured out the twist from the very beginning, I enjoyed every second of it. Chad Connell's front nudity is a bonus. This is one of those gay films that I'll come back to and think about how it made me feel.