Sur le fil

I think it's best to preface this movie by saying the dialogue is not very good and it starts kinda bad. But it gets much better and Chad Connell is hot enough that you could watch it with the sound off and it would still be worth watching. He is actually quite good with the little dialogue he is given. I kept feeling like there is no way this super hot guy with a model face and body is going to get into it with a dude. But he does and his body is as beautiful as his face. I am here to tell you, I have yet to see a more attractive (and masculine) male lead in any gay love story. Let's just say the film is a 6 or 7 but Chad is a 10. Or an 11? The music is way too loud and was mixed poorly, but it's pretty. There is not a gay man alive who won't be thinking about him long after the movie ends.

Obvious , the purpoise is to be a different film. The embroidery of succes, self isolation, anxiety, panic crisis ,depression, shadows of past, new life are well placed but the work with them seems more complicated than necesary. The story is very simple and it is fair to be so. The contrast between Chad Connell and David Cameron is just brilliant and, in essence, the axis of the film, against the not well coherence. But the fear to not convince to audience of director transforms all in a Baroque construction, in not the most inspired manner. So, a nice film , more than decent.

I found the film to be somewhat of a psychological mystery, quite good and not what I expected. I had not read any reviews/story line synopsis beforehand, but only had watched the trailer. So, I was not aware of a major aspect of the story line which played out at the end as an unusual, but intriguing twist for me.

The main character Daniel, played by Chad Connell, appeared to be a damaged individual with heavy childhood guilt. He is attractive, has a successful career, but is emotionally stunted. A few of the scenes, whether directed as so, appeared a little awkward, but overall I was impressed with much of Chad Connell's portrayal. One other aspect of the film was that I thought some of the music reminded me of a bygone era and didn't sit right with me. I just thought different music might have been better.

If you are not seeking an action-oriented film, but more of a character study with eye candy, then I would recommend this film as most gay- themed films have vapid characters and unimaginative plots.

You really can tell a Canadian indie movie; there's always that overriding vernier of slow-pace coupled with extremely bad bed music. This writing and plot is very weak, and the entire story could have been told in 30 minutes; enough time to expose and resolve the lead character's entire background story, add in a few tawdry gratuitous sex scenes...and yeah, that's pretty much it. The long pan-outs of scenery and mugging for the camera are beyond superfluous. And without spoilers, I pretty much "got" who Alexander was after their third interaction (yes...it was that predictable). The one good thing I can say is the filmography is well done and ranges from the hand-held/shaky technique to give the air of tension to some very elaborate shots which must have required some expensive equipment. In fact, I seriously don't know how the producer got the money to create this movie with such polish (then again, this is a Canadian film, so I'm sure they got a public grant for their required quota of gay films per year). If you have an hour to kill, watch this movie with a remote control so you can fast-forward through the slow parts...you'll need it.

I believe this film is worthy of so much appreciation by many men struggling with their identity and truth. How informative, challenging, encouraging!