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6.7/10
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Korengal picks up where Restrepo, être soldats en Afghanistan (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the expe... Read allKorengal picks up where Restrepo, être soldats en Afghanistan (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.Korengal picks up where Restrepo, être soldats en Afghanistan (2010) left off--with the same men, in the same valley, with the same commanders--but presents a very different look at the experience of war.
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While many of the reviews were mediocre this time around Junger focused on the Combat Veterans out there. This really drove home many of the emotions and feeling soldiers experience. The boredom, adrenaline, and at times hopelessness and futility. For the general public who has never been in this situation I would recommend watching Restreppo and use that as a reference. For soldiers that have experienced this type of situation, this is the film for you. It was nice seeing many of the same soldiers I served with in this film.
The overall flow is very inconsistent and that is really also the way it feels while you are facing time in the suck. There are times when the soldiers are gun ho to the point of zealotry. This is an actual tactic many use to keep themselves moving each and every day. War is a wide plethora of emotions that can change in an instant. This is a real example of just that.
The overall flow is very inconsistent and that is really also the way it feels while you are facing time in the suck. There are times when the soldiers are gun ho to the point of zealotry. This is an actual tactic many use to keep themselves moving each and every day. War is a wide plethora of emotions that can change in an instant. This is a real example of just that.
2010's Restrepo brought the Afghanistan War in to peoples' homes, bearing visceral shots and the raw emotion of modern warfare. Photojournalist Tim Heatherington and Sebastian Junger spent ten months with Combat Outpost (COP) Restrepo's "Battle Company" reaping an inordinate amount of footage. More footage than they could place into the first documentary. A year later, Heatherington would be dead; killed by shrapnel whilst covering the 2011 Libyan Civil War. Junger felt that the copious amount of footage leftover from Restrepo lent itself to another film. Thusly, Korengal, a companion film, was born.
Where the prior of the pair seemed aimed to illustrate Chris Hedge's 2002 quote, "The rush of battle is a potent and often lethal addiction, for war is a drug, one I ingested for many years," the latter shoots to exploit a more poignant and familial sense from the footage and interviews. For those familiar with Restrepo, do not expect anything revolutionary here. What you will be seeing is footage shot during the same time period (2007-2008) using the same equipment. That said, this is in no way a strike against the film. Junger fares well in his organization of the footage and new interviews. This is an altogether new narrative.
As a piece of war journalism, it stands out as a worthy companion piece to the first film, not only elaborating on notions explored in Restrepo's 93 minute running time, but introducing new and arguably more meaningful elements. Junger succeeds in revisiting their footage, and bringing freshness to what could have become a dull supercut of Restrepo's outtakes in another man's hands. It's a damn shame Heatherington wasn't around to see this complete vision of the creation he and Junger set out upon in 2007. These two pictures have set the standard for war journalism, and will hopefully usher in a new era of the discipline.
Where the prior of the pair seemed aimed to illustrate Chris Hedge's 2002 quote, "The rush of battle is a potent and often lethal addiction, for war is a drug, one I ingested for many years," the latter shoots to exploit a more poignant and familial sense from the footage and interviews. For those familiar with Restrepo, do not expect anything revolutionary here. What you will be seeing is footage shot during the same time period (2007-2008) using the same equipment. That said, this is in no way a strike against the film. Junger fares well in his organization of the footage and new interviews. This is an altogether new narrative.
As a piece of war journalism, it stands out as a worthy companion piece to the first film, not only elaborating on notions explored in Restrepo's 93 minute running time, but introducing new and arguably more meaningful elements. Junger succeeds in revisiting their footage, and bringing freshness to what could have become a dull supercut of Restrepo's outtakes in another man's hands. It's a damn shame Heatherington wasn't around to see this complete vision of the creation he and Junger set out upon in 2007. These two pictures have set the standard for war journalism, and will hopefully usher in a new era of the discipline.
6FKDZ
Korengal is a follow up documentary to Restrepo that felt like a lesser continuation that it deserved to be. It wanders around too much with surface level subjects and does repeat some points we've heard or seen in Restrepo. Going back to Korengal valley still blows your mind with how intense and weird that position was. Shooting at distant targets almost everyday. Complete isolation. The mental games that are being played. It's a short fascinating look into a different world.
It makes you understand the guy that would jump back in right away. As we know from war, it's said to be incomparable to anything else in life. The constant fear of death, being surrounded by your brothers, seeing death, delivering it too. It's the most extreme thing you could do in this world.
That said, Korengal did less for me than Restrepo. And ended up feeling too surface level to care much about.
It makes you understand the guy that would jump back in right away. As we know from war, it's said to be incomparable to anything else in life. The constant fear of death, being surrounded by your brothers, seeing death, delivering it too. It's the most extreme thing you could do in this world.
That said, Korengal did less for me than Restrepo. And ended up feeling too surface level to care much about.
Strangely unengaging documentary.
Korengal follows the lives of a company of US Army soldiers stationed at an outpost in Afghanistan in 2007-8. It is the sequel to Restrepo, which was nominated for a Best Documentary Oscar in 2011.
Maybe it is because I haven't seen Restrepo (yet), but this documentary just doesn't work for me. It doesn't do much wrong - there is a good mix of interviews and live action footage and there is a degree of conclusiveness to it all. Yet I wasn't engaged. The whole thing just seemed to plod along and I didn't feel any real affinity towards the soldiers.
There is also a large degree of gung-ho-ness and bravado, which is a bit off-putting. The movie doesn't feel balanced enough. Maybe that's the problem.
Korengal follows the lives of a company of US Army soldiers stationed at an outpost in Afghanistan in 2007-8. It is the sequel to Restrepo, which was nominated for a Best Documentary Oscar in 2011.
Maybe it is because I haven't seen Restrepo (yet), but this documentary just doesn't work for me. It doesn't do much wrong - there is a good mix of interviews and live action footage and there is a degree of conclusiveness to it all. Yet I wasn't engaged. The whole thing just seemed to plod along and I didn't feel any real affinity towards the soldiers.
There is also a large degree of gung-ho-ness and bravado, which is a bit off-putting. The movie doesn't feel balanced enough. Maybe that's the problem.
Was shown made using a kick starter which makes it that more impressive for me with such a high caliber film. Its from the same prospective as Restrepo with the same Men and the same OP, but doesn't cover death and surviving, but more of dealing with boredom, how much they look forward to firefights, and how war effects you over a period of time to a point you begin to not care if you live or die. Its more physiological as Restrepo was emotional. At times it felt as a out takes of Restrepo but it really illustrates what war feels like from a theater seat. It places itself up there with Armadillo and Restrepo. Cant wait till its released on Netflix.
Did you know
- Quotes
LaMonta Caldwell: It's just a valley. It's a valley that is if you look from high above, it looks like a quiet valley.
- ConnectionsFollows Restrepo, être soldats en Afghanistan (2010)
- SoundtracksEnjoying Firefights
by Marty Beller
- How long is Korengal?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- レストレポ前哨基地 PART.2
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $101,310
- Opening weekend US & Canada
- $14,630
- Jun 1, 2014
- Gross worldwide
- $101,310
- Runtime
- 1h 24m(84 min)
- Color
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