Les temps changent

It's a fun film. Not groundbreaking, but it still manages to cause some excitement, laughs, and moments of thoughtfulness .

The cinematography is quite great, and there's a lot of effort behind this production. The sets and decoration are fantastic. The wardrobe very well crafted.

The acting is quite on par with the main actors abilities, Mexican icons in their own rights. And the rest of the talent does not fall behind.

The script is basic, don't expect a deep story. If you go in without much expectations, you'll get pleasantly surprised.

If you're looking for a fun watch with a message, this is it!

Lucero and Benny Ibarra are two familiar faces from national cinema, but this film is clearly their worst work and version to date. I saw it yesterday, and from the moment I started, I realized it was another TV soap opera turned into a movie.

Mexican cinema is going through its worst moment, and I think this type of film is proving it.

Repetitive plots, recycled characters, extreme feminism, bad scenes and, above all, bad acting make this film one of the worst I've seen this year.

The most complicated aspect was that they stole things from "Back to the Future," and I don't know why they made it seem so splendid or as if they were the greatest geniuses in this type of film. I think it could have been better, but they took the easy way out and went for the typical scenes of modern Mexican cinema.

Nora and her husband Hector are two physicists trying to build a time machine to study and even control time. It's 1966 and the times they live in, do not give Nora her due respect. When Nora eventually cracks the code for their machine to work, the duo travel to 2025 using the very machine. The new world, in a new era leads the duo towards Nora's relatives. The time jump helps Nora get accustomed to the more acceptable society, getting her due recognition while Hector starts to feel out of place. Their own invention starts to test their love for each other. How do they tackle this and will love triumph, forms rest of the story.

I always seek out time travel films as the concept hasn't ceased to excite me. This romantic time travel drama checks all the boxes of this genre and tries to base the story around Nora alone. What I did like about the film is it's portrayal of Hector and his predicament. He was not reduced to a caricature and his feelings were well addressed too. The character's decion in the end was also rightfully cheesy for a romantic drama and I appreciate that the writing allowed Hector and Nora to have a discussion even if it ended abruptly for the cheesy twist. The screenplay doesn't try anything new but succeeds in delivering a decent film that is worth watching once.

So it suckers you in with the "people from the past going to the future" theme, an it seems like an okay movie so far if you can get over the terrible acting, but then "the message" just like how Hollywood is constantly trying to cram down its audiences throat rears its ugly head once again.

The guy sees guys lose their power and the woman sees women gaining power. Now of course they never touch on the fact that divorce is rampant because of this power struggle, families are broke apart, population is declining, girls are abortion obsessed sluts with Only fans accounts in the name of "power", and that women in record numbers are becoming bitter, over stressed cat ladies who die alone. All for selfish pride and an extra gucci bag.

What should've been done is something more realistic: That he was the scientist who brought his loving and supportive wife to the future and they noticed how the West has declined, rebukes the status quo, then travels back to do everything in their power to change the future with success in the end. Hopefully The Daily Wire or Angel studios will do something of the sort so the movie can really sell.

This is a thought-provoking sci-fi romance that uses time travel and gender roles to highlight how the most impactful societal changes are not technological, but social. The film pushes some boundaries in this regard and encourages viewers to reflect on how the world has changed-and continues to change-and how those changes are experienced by different people.

Some viewers have pointed out plot holes, but this movie isn't meant to be taken too literally. While certain inconsistencies are hard to ignore, they don't significantly affect the narrative. For example, it's hardly essential to worry about how time travelers from the past managed to buy train tickets-we can simply assume they rode without one, if that's easier.

The acting is solid throughout and suits the characters well. These are scientists-not eccentric inventors like Doc Brown in Back to the Future-but more grounded portrayals of physicists. They're realistic people with personal lives beyond the lab, holding both liberal and conservative views in different areas. And yes, they have romantic relationships too.

Overall, I enjoyed this film. It never felt boring, and the story moved steadily forward, with twists that weren't exactly surprising, but felt inevitable in a satisfying way. Some viewers may feel uncomfortable, while others may feel seen-but in the end, the film delivers a powerful message and explores timely, relevant issues. It's hard to argue with the underlying truths, even when they're wrapped in fiction.