L'idiot !

Durak is a gem of a movie. It showcases a rare combination of suspense and philosophical questioning, rendering it a very entertaining film that leaves you thinking about it way past the end credits.

The characters in Durak are well developed, even those that do not get a lot of screen time. We get to know them, see how they live, understand their priorities and their motives. Deeper than that though, where the movie really excels is in exposing the nature and mighty power of the highly entangled system of corruption and how each individual character is both its co-creator and its puppet.

In a city with a corrupt council, a 9-floor high building block is about to collapse. It needs to be urgently evacuated. The corrupt city officials face the prospect of criminal proceedings against them if hundreds of tenants die under the rubles. Will they be able to rise above the profitable network of kickbacks and favors that they have been milking for a long time? Or have they been diving too deep into the sweet scum of corruption to get into the surface on time to actually do something useful for their poor citizens?

What about the poor citizens themselves? Living for decades in a dilapidated building under miserable circumstances, one would guess that change is what they desperately need. But 30 years is a long time. It is time enough for people to get used to the situation, to get to know to hate it, but also to cling to it at the same time as the only tangible piece of reality that still belongs to them. Reality in the form of a derelict pile of bricks that nevertheless stands as a barrier between their life on the one hand and death lurking in the snowy streets on the other. A pile of bricks where corruption also thrives, with a thread made of vodka and violence menacing the residents but also structuring the network of reality around them. Will they be willing to forgo everything and start anew or are they also too entangled to a mighty system of their own, unable to leave it behind even in the prospect of imminent death?

The force that poses these questions and stirs things up is the protagonist, Durak. He sees reality as it is and is determined to do something about it. He has no other choice, letting things be and following the song of the Sirenes of corruption is just not like him. He is the Socratean fly that sends ripples through the system, that forces the system to face its own stink and atrocity. What does that make him? The Hero or the Fool?

Do not be mistaken and take a comfortable distance from this movie, classifying it as an interesting depiction of corruption in Russia. This is not about Russia, this movie is about you. In whatever place you might live, it's you that is also noticing the web of corruption around you and the injustice, the desperation and the misery that it causes. It's you that decides to silently take part in it, in little or greater measure, or at least let it be and try to make a living somehow. It's you that keeps thinking from time to time that someone needs to do something about it all, that you need to take action to help people, to help yourself. But what would that make you? The Hero or Durak, the Fool?

This movie could be a documentary on Russian society, it's hopes and fears, it's ideology, the eternal conflict between people and government officials, the dark and hopeless landscape of human minds where one can still choose to be human.

As a Russian myself, having lived in my homeland for 34 years already, I can say that there's nothing that will tell you more about Russians than this movie. It is not a heroic WW2 nonsense, not a dumb czar era pictures, but modern life as it is. The things you will see in the film are definitely depressing and hopeless, showing the state of decay in society «God created this kind of life and he made us live it.».

The 2 questions I came away with after watching this extraordinary movie were, does this kind of thing really happen in Russia, and is this really what Russia is like? I contacted my only Russian acquaintance about this, and he said the movie is an accurate, though exaggerated, depiction of small-town Russia. I was curious about his comment about the movie taking place in a small town; Russians live in massive apartment buildings in small towns? In fact not a whole lot about this film is small-townish, at least to this Canadian outsider. It feels like an urban nightmare, mostly taking place in or around this huge apartment building teeming with people, at a restaurant that's teeming with people as well - because the local government is throwing a big party for themselves - or along built-up streets. The most glaring indication that the setting is indeed a small town is when the government heads all get together in a small room to discuss an emergency situation, and we are introduced to an unsavoury ragtag assortment of drunken schemers who happen to have absolute control over the local population. There is nothing urbane about these people. It's made clear in The Fool, however, that this fiefdom's vulgarity is partly the result of trickle-down vulgarity from the federal level, and there's an underlying despondency among some of the local government officials as they seemingly have no other choice but to be corrupt. So you do get glimpses of decency and humanity within the fiefdom. But how can decency and humanity win amidst the corrupt, cutthroat, dog-eat-dog reality in modern Russia from the top down to the bottom. The Fool is a tale of a flower that attempts to grow in sewage, and what happens to it, and it is the tale of how people as individuals are affected when evil reigns. Some become evil themselves, some try to resist evil entirely, most take the middle road. Beyond that, The Fool is a story about people just trying to do the best they can for themselves and their families, and be happy despite overwhelming odds, and despite hopelessness all around them.

The Russian film Durak (2014/II) was shown in the U.S. with the title "The Fool." Yuriy Bykov was the writer and director. The overall theme is consistent with Dostoevsky's "The Idiot." In that novel, Prince Lyov Nikolayevich Myshkin is an honest, kind, helpful person. No once can believe that anyone could truly be this good, and that's why the call him an idiot.

In a small Russian city, Syn Dimy (played by Gordey Kobzev) is also an honest, kind, helpful person, and no one respects him for it. He's a low- ranking foreman of a municipal plumbing repair crew. Syn discovers that one of the municipal housing units is about to collapse. He reports this to the authorities, but no one wants to hear it.

In a previous film by Bykov--The Major--we learned that the police department was a cesspool of corruption. In The Fool, we learn that the entire municipal system is based on corruption. Everyone is on the take. No one really cares about the 820 people in the building. The only question is how to continue in positions of power and affluence after the building collapses.

This is a brilliant, but very grim film. There's no humor in it. We saw it in the excellent Dryden Theatre at The George Eastman Museum in Rochester, NY. It's primarily set indoors--in the night club where the mayor is celebrating her 50th birthday, or in the doomed building, which houses very poor, very angry people. It will work well on the small screen. It's a movie you don't want to miss. Find it an see it.

During a nightly emergency repair a plumber discovers that the appartment building is in a really bad shape and is about to collapse. He comes into action but the municipal administration and the real estate mafia (who turn out to be connected inseparably) let their own (financial) interests prevail.

"Durak" is of the same year as "Leviathan" (2014, Andret Zvyagintsev) and about the same subject (real estate corruption in Russia). "Durak" is a bit less philosophical but it has a thriller element in the form of the appartment building that can collapse every minute.

In Dutch "Doerak" means "rascal". In Russian "Durak" means "fool". The title of the film says something about the Russian society, because in Western eyes the main charachter of the film is not a fool but a hero. In Russia however, they look different at these things. Not only is the real estate maffia not amused with the actions of the pluber, so are his wife (you bring the family into danger) and the occupants of the appartment building (leave us alone).

The appartment building may be in danger of collapsing, the Russian society has already collapsed in the film, permeated as it is with cynism in all layers of society.

By the way, also in the Western world there are accidents attributable to deferred maintenance. Remember the 2017 fire in the Grenfelltower (England), an appartment building with mainly poor occupants and poor fire safety.