Aardvark

It's a surrealistic movie that seems to be about isolation for the most part as each charter seems to be dealing with the fact that they are alone in some form or matter.

It's a little too surrealistic for me to the point that I don't know what's going on, which would not be too bad if not for the fact that I found the characters very uninteresting. The characters are played by interesting actors which is the only reason why I was able to hold onto any interest but...

This film tells the story of a therapist who tries to help a client, but stumbles upon more problems than anticipated.

The story is not very interesting or captivating. I find it rather unconvincing and plain. Emotional crises or climaxes are absent in the film, making it rather uneventful. Frankly, I lost all interest in it half way through.

Josh (Zach Quinto) is seeing a therapist, and says and does in-appropriate things right from the start. A more serious role for him, after Star Trek. We keep seeing images of the aardvark, although at this point, we're not sure why. and Josh sees his brother's face here and there. and he rarely answers the question asked by Dr. Milburton (Jenny Slate). Jon Hamm from MadMen is in here as Josh's brother, and of course, his therapist is sleeping with his brother. SO inappropriate. kind of a mind stretcher. the whole time, we're not sure what's real and what is not. and more images of aardvarks. clearly Josh is delusional, and some questions do get answered. kinda freaky. interesting study in therapy. it's very okay. Writer/director Brian Shoaf seems to make relationship films.

I really enjoyed this film and you will too, if you like movies that are not spoon fed to you. For the most part, it follows a pretty simple linear narrative, with occasional 'imaginary' sequences. Unless you are drunk while watching, these will make total sense based on the overall narrative structure.

The acting and directing is very good, especially if you are fan of Jon Hamm and Zachary Quinto.

Overall, it is a refreshing and interesting examination of how mental illness effects a person and those around them. While some people might find the film's themes of loneliness and despair too depressing, this film always keeps things light and moving.

Greetings again from the darkness. The feature film debut from writer/director Brian Shoaf benefits from the talented cast he has assembled. I do wonder about his initial "pitch". The film opens with barely-there lighting as we watch a zoo-based aardvark borough through his tunnels. We can only assume prospective producers were not clued into such an oddball opening scene. Of course as the film progresses, the tie-in becomes obvious - maybe too much so.

Zachary Quinto stars as Josh, a young man who tries to take ownership of his issues by scheduling sessions with Emily, a therapist played by Jenny Slade. See, Josh has a bad haircut, some type of undiagnosed psychosis, and to top it off, his very successful older brother is back in town - an event causing much consternation for Josh (and soon for Emily as well).

We are never really sure of Josh's mental illness or affliction, but we do know he has visions and hallucinations. The most serious of these are when he imagines his brother has morphed into other beings/characters just to mess with him. Much of our time is spent trying to discern who is real and who Josh is imagining. When Craig, his polar opposite brother, actually appears, it turns out to be Jon Hamm. Emily then proves herself to be the world's worst therapist as she begins sleeping with her patient's brother - the source of his anxiety.

Emily admits to a history of man trouble and poor judgment in this area. It turns out she and Josh are both lonely souls, and charming actor-brother Craig may be the key for both of them. Along the way, Josh befriends Hannah (Sheila Vand from the terrific A GIRL WALKS HOME ALONE AT NIGHT) and they seem to bond (in spite of Josh being Josh). Of course, we are left to ponder if Hannah is real or not - at least until the film's final scene.

There is a running gag here that Emily is not a doctor, but rather a licensed practitioner. It appears to be the only real attempt at humor outside of having one of the Sonic commercial guys bump into Emily on her morning jog. Mental illness and loneliness are subjects that require a deft touch, and though director Shoaf seems to be striving for quirky, his film desperately needed to push the envelope much further. This one comes off just a bit too simple and clean. The best line in the movie, "I miss the things that weren't there", also sums up the feeling most of us will have after watching this one