In 13th-century Ireland, a group of monks must escort a sacred relic across a landscape fraught with peril.In 13th-century Ireland, a group of monks must escort a sacred relic across a landscape fraught with peril.In 13th-century Ireland, a group of monks must escort a sacred relic across a landscape fraught with peril.
- Awards
- 1 win & 3 nominations total
Akilas Karazisis
- The Killer
- (as Akillas Karazisis)
Gaëtan Wenders
- Fournier
- (as Gaetan Wenders)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've gone for this movie with no expectations based on its rating ,, but I was really surprised .. This movie is really Powerful that after its end it would make you think for a while about your convictions or the principles of your beliefs . * maybe not going wrong with them but just questioning *
It discusses things not about religion but particularly the way of Religious speech and people who may control the message of religions in general ( Not Christianity in particular ) and how politics also may affect how things work ..
The acting is very good especially that of Jon Bernthal ( The Mute ) .. The music is well played as well as the picture ,, Great Atmosphere of that period of time ( 13th century ) with bloody violent action scenes which were really well performed
This is my first movie of the director Brendan Muldowney and I think it won't be the last .. Great Job
Overall I liked nearly everything about the movie . If you're interested in that period of time and historical movies , Just go for it ..
It discusses things not about religion but particularly the way of Religious speech and people who may control the message of religions in general ( Not Christianity in particular ) and how politics also may affect how things work ..
The acting is very good especially that of Jon Bernthal ( The Mute ) .. The music is well played as well as the picture ,, Great Atmosphere of that period of time ( 13th century ) with bloody violent action scenes which were really well performed
This is my first movie of the director Brendan Muldowney and I think it won't be the last .. Great Job
Overall I liked nearly everything about the movie . If you're interested in that period of time and historical movies , Just go for it ..
Well cast and acted. Visually pleasing and plenty of well performed action. If this is your genre you'll enjoy it
Yes this film is bloody. For some the scenes might even be shocking, but I really enjoyed this film. Acting was good, the suspense build up was very good. And at no point did it seem the violence was unnecessary. If you enjoy historical type films and don't mind seeing a head bashed in close up, you will enjoy this.
PILGRIMAGE (2017)
This is the new film from the Irish director of the excellent 2009 flick called SAVAGE about an assault on a news reporter in Dublin (and it's aftermath) and I gotta say, if Werner Herzog had made this film rather than one about an Amazonian trek he wudda been quite happy.
The film is set in the early 1200s in Ireland where superstition and the struggle for Christian domination of the country are rife and there, an envoy from Rome is sent to collect a supposedly sacred relic from some rural monks and bring it back to the holy city.
The movie is grim, and conveys the horrible conditions people existed/lived in back then perfectly (the bloody weather looks the same as Ireland has now though haha). It's highly atmospheric, with bleak Irish landscapes, and the acting is top notch with the film basically being a dangerous road trip carrying the relic to a ship that's waiting for them in Waterford (to sail across to France and onward to Rome).
The fact that the film is recorded in Irish, French, and English adds a brilliant realism to proceedings which echoes the situation at the time with Ireland being infringed upon from all sides, and along the way things get very messy and bloody (one death is particularly gruesome).
I'm sure there wasn't a huge Hollywood budget for PILGRIMAGE but they've kept things really concentrated and its certainly exceeds what you might expect to be straight to video cheese.
This is the third film I've seen by Brendan Muldowney and I think the guy has some talent. I will be looking out for his next film and if you haven't already caught SAVAGE Id check that out too.
This is the new film from the Irish director of the excellent 2009 flick called SAVAGE about an assault on a news reporter in Dublin (and it's aftermath) and I gotta say, if Werner Herzog had made this film rather than one about an Amazonian trek he wudda been quite happy.
The film is set in the early 1200s in Ireland where superstition and the struggle for Christian domination of the country are rife and there, an envoy from Rome is sent to collect a supposedly sacred relic from some rural monks and bring it back to the holy city.
The movie is grim, and conveys the horrible conditions people existed/lived in back then perfectly (the bloody weather looks the same as Ireland has now though haha). It's highly atmospheric, with bleak Irish landscapes, and the acting is top notch with the film basically being a dangerous road trip carrying the relic to a ship that's waiting for them in Waterford (to sail across to France and onward to Rome).
The fact that the film is recorded in Irish, French, and English adds a brilliant realism to proceedings which echoes the situation at the time with Ireland being infringed upon from all sides, and along the way things get very messy and bloody (one death is particularly gruesome).
I'm sure there wasn't a huge Hollywood budget for PILGRIMAGE but they've kept things really concentrated and its certainly exceeds what you might expect to be straight to video cheese.
This is the third film I've seen by Brendan Muldowney and I think the guy has some talent. I will be looking out for his next film and if you haven't already caught SAVAGE Id check that out too.
This strong, atmospheric, and beautifully-made little film did not disappoint based on reviews that either put it in the trash for "gratuitous violence" or gave it a firm pat on the head for a good attempt.
I see the value in the latter assessment - working on a budget, this film does a lot with what it has, providing hauntingly beautiful vistas of an ancient Ireland and making its story stretch beyond its small shooting framework. The actors, too, make so much of the script they've been given, with great performances throughout. Although this does lead me onto the main drawback of the film: the characters are largely undeveloped, especially that of Diarmuid - who is the protagonist no less - and his Brothers. We can see that he cares about them a lot - after all, "the monastery is all he's ever known" - but more development would have been crucial to making me really care about whether they lived or died, failed or succeeded. The most interesting characters for me were Geraldus and the Mute, "grey" characters whose backstories are hinted at if never fully disclosed, and with sublime subtlety in the case of Bernthal's character. The characters we do get to truly see are rewarding, albeit darkly, and were one of the film's greatest triumphs - it just would have been great to see the same treatment given to the lead protagonist and primary villain.
In the other camp, I don't think the story could have worked without the levels of violence, savagery, and loss that we see, which the viewer must witness with the same unblinking acceptance that the characters do. In this, there is a hidden depth to Pilgrimage, a story about Ireland, the land where "there was never peace". One review focused around the particular Irishness of the film rang true in some places - that the colour shown here is multiple shades of grey, and little green - if not in others. This is not a deconstruction of the "Irish" mythos, but it does touch, tenderly and reverentially, upon the idea of an unattainable relic: to know peace, both within and without, a dream not limited to this country but echoed in Jerusalem and beyond. Though it does not present its findings in a wholly satisfying parcel, the film did provoke thought about where that quest for peace could lead us next - to what bloody ends or watery graves? To what loss and to what triumphs?
"Where to now?"
I see the value in the latter assessment - working on a budget, this film does a lot with what it has, providing hauntingly beautiful vistas of an ancient Ireland and making its story stretch beyond its small shooting framework. The actors, too, make so much of the script they've been given, with great performances throughout. Although this does lead me onto the main drawback of the film: the characters are largely undeveloped, especially that of Diarmuid - who is the protagonist no less - and his Brothers. We can see that he cares about them a lot - after all, "the monastery is all he's ever known" - but more development would have been crucial to making me really care about whether they lived or died, failed or succeeded. The most interesting characters for me were Geraldus and the Mute, "grey" characters whose backstories are hinted at if never fully disclosed, and with sublime subtlety in the case of Bernthal's character. The characters we do get to truly see are rewarding, albeit darkly, and were one of the film's greatest triumphs - it just would have been great to see the same treatment given to the lead protagonist and primary villain.
In the other camp, I don't think the story could have worked without the levels of violence, savagery, and loss that we see, which the viewer must witness with the same unblinking acceptance that the characters do. In this, there is a hidden depth to Pilgrimage, a story about Ireland, the land where "there was never peace". One review focused around the particular Irishness of the film rang true in some places - that the colour shown here is multiple shades of grey, and little green - if not in others. This is not a deconstruction of the "Irish" mythos, but it does touch, tenderly and reverentially, upon the idea of an unattainable relic: to know peace, both within and without, a dream not limited to this country but echoed in Jerusalem and beyond. Though it does not present its findings in a wholly satisfying parcel, the film did provoke thought about where that quest for peace could lead us next - to what bloody ends or watery graves? To what loss and to what triumphs?
"Where to now?"
Did you know
- TriviaTo prepare for his role, Jon Bernthal spent the first few weeks of shooting completely silent, even when he's not on set.
- GoofsAll entries contain spoilers
- How long is Pilgrimage?Powered by Alexa
Details
Box office
- Budget
- €4,749,500 (estimated)
- Gross worldwide
- $23,689
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content