Don Verdean

In this movie Sam Rockwell plays the titular character Don Verdean who is an amateur archaeologist hunting down religious artifacts. When Don is asked to retrieve the skull of Goliath things spiral out of control.

Although the jokes did not always work that well the writers did a great job at implementing them in the movie as most of the dialogue based jokes came very naturally and never really felt out of place. The story itself is where the movie falls apart though. Characters almost never really act out of character and it really felt as if they were living in that world instead of on a comedy set. However it quickly becomes very clear that the story is artificially set up. In fact the events that happen in the end of the movie seems so out of place and sudden that it's clear the screenwriters didn't really know where to go and just needed an ending.

The one redeeming factor about the movie is the acting. Although I think their acting qualities were severely underutilized Sam Rockwell, Jemaine Clement and Amy Ryan really put down a believable performance. The chemistry between the actors/characters does seem to be there but the director does not seem to be able to capitalize on that.

I do think that the recipe behind 'Don Verdean' could have provided a pretty fun comedy movie. With a better director and a better story the movie could have been a pretty good comedy, sadly as of right now it is just a well acted flick paired with a very mediocre story with some good laughs here and there.

My rating: 4/10

Leaving the theater, the general feeling was "meh". Possibly based on Yiddish origin, it's a general shrug of the shoulders meaning neither good nor bad.

The best way to describe this movie is to say it's not funny enough for a comedy, but not serious enough for a drama. Rather than combining words and calling it a dramedy, I'd suggest keeping the same words but flipping the order, calling it a coma. The movie just never seem to get going. If intended as a light- hearted story, the laughs were just too few and far between, even though the premise itself was humorous. Meanwhile, the basic story of a Biblical archaeologist down on his luck was just a bit too silly for a drama. I'm a big fan of Sam Rockwell, Jemaine Clement, and Danny McBride, but this wasn't a great vehicle for any of them.

It's a shame, because some aspects of the movie were very well done. The cinematography was fantastic, for example. Don't get me wrong, this wasn't a bad movie. It just didn't do much for me. Your mileage may vary.

I thoroughly enjoyed this film. It is uniquely funny, and even totally hilarious when Jemaine Clement lavishes his Hebrew brogue on the viewer. The movie is a universe in itself, and not just the story of one man Donald Verdean, a preacher turned conman. The whole Mid-West or Bible Belt is caricatured in such a way that you can only smile at the fondness contained in the implied criticism. It is never mean. Jared Hess rules! I'd been a fan since NAPOLEON DYNAMITE. I relish the sight of his little tribe, starting with Rockwell and Clement, and the way those guys make you believe in second degree, totally unbelievable tales. Way to go!

Most of the negative reviews you see for "Don Verdean" are the same as the negative reviews for "Gentleman Broncos." It all boils down to one basic idea: "This movie isn't enough like other movies I like." Professional reviewers and users alike miss the boat on these movies because they want them to fit in a neat little package. You'll hear a lot about how they didn't feel the movie worked as a straight comedy, or straight drama, or that mixing biblical jokes with more adolescent jokes doesn't work. They are missing the point. This is not meant to be a single genre, or even really a mix of genres, instead it is an examination of characters, ideas, and themes.

Unlike many other movies, "Don Verdean" (and "Gentleman Broncos," for that matter) is not looking to work as a whole, indeed these movies reject the idea of balance and chemistry as proscribed by mainstream films. Instead, DV is about about the details. Each moment of the movie has been engineered, largely without a thought for the other moments. In the Hess world, if something is interesting that's reason enough to include it, regardless of how it fits together with other pieces.

It's not inherently worse than other films (in fact, you'll see tremendous talent in the film-making, the acting, and the script); it's just a completely different approach. So see "Don Verdean," not because it's more of what you already like (and have) but because it isn't.

'Don Verdean' is the newest film from Jared Hess. Director of 'Napoleon Dynamite', 'Nacho Libre', and the upcoming 'Masterminds'. Needless to say, Hess is a wonder child of offbeat comedies that really don't have anything to do with anything. So, when I sat down to watch this film, the story came as a pleasant surprise. 'Don Verdean' seems to be Hess's first foray into legitimate, cinematic storytelling. Unlike his older films that are made to feel like a home video (in a sense) Verdean actually employs some surprisingly good cinematography to help tell its story. It's no Roger Deakins but this film actually looks like some effort was put into shot composition.

We follow Don Verdean (Rockwell) as he sides with a local church to try and hunt down religious artifacts. Artifacts that they believe, if found, will drive people to their church. As Verdean finds artifact after artifact the church he is employed by grows restless for a BIG discovery. Goliath's skull big. Feeling the pressure, Rockwell takes matters into his own hands. A robbed grave later, Don Verdean makes the "discovery" of a life time and his life spirals down from there.

The film still has that unmistakable quirkiness that Hess has built himself on but 'Verdean' proves that he is making strides into making noteworthy films. Aside from the films relatively impressive look the film is definitely a Hess movie. Its got the same unique comedy and ill timed character moments that make his other films classics.

But 'Verdean' has something his other films didn't. An ensemble cast. With Rockwell as the title character, Clement as his companion, and Forte as the films villain this should've been a knock out. But, unfortunately it isn't. It still has the offbeat comedy that many have come to love from Hess but it sacrifices a lot of it in the name of a story line.

There are multiple moments in the film where we get a deadly serious scene that are devoid of humor. Obviously you have to know when to let off the comedy gas pedal but for the first half hour of the film we barely get a laugh or two. It takes to long to actually get into the meat of the story. A story that, in fact, is pretty hilarious and ripe with religious commentary. But it makes the mistake that many first timers do, it takes to dang long to get off and going.

And, like many movies that are set up like this, 'Verdean' ends in a very contrived way. The film is moving a great pace and suddenly it's over. The conclusion comes out of no where and threw me straight out of the film. Like its rocky beginning, 'Verdean' can't seem to figure out how to end in a natural way. It makes the mistake of pushing its characters one way instead letting their personalities take them in a realistic way.

Yet, its story is surprisingly compelling. Living in a state where a church is literally on every corner, I may connect with this film more than others. That being said, I think 'Don Verdean' raises very valid points about what we as human beings believe in and how we jump between what's the most popular at that time. It displays how we seem to be so invested in theatrics that we forget to even think about what is being said. Without spoilers, there is a scene involving a press conference that is particularly effective.

It's nothing that hasn't already been said. But 'Don Verdean' approaches it in such a unique, monotone way that it just works. It makes use (more or less) of its great cast and delivers some hilarious commentary on religion. Its unfortunate that the film sacrifices its best quality in order to artificially build this film. It may not be the Hess film that many expect but it's an impressive stride forward in storytelling for him.