Tu m'as tellement manqué

A simple and straightforward low-budget film like this one, made on location within a short time span, can excel on its own when a good script is backed up by accomplished actors whose talent shines through each and every scene. That talent is accentuated when main characters like the psychologist, the father, and the two leads in this film are effectively cast against type, managing to heighten dramatic impact over and above a modest narrative. Although there are moments that drag on a bit long, and flashbacks can be confusing, I find no fault with the overall production. Look for Harrison to be a smug reactionary, Wopat a downbeat parent, Green to be serious and deep, and Grant to show unexpected real musical ability. A big win all around.

Not a big budget movie (like most gay-themed movies), but what budget there was, was well employed. The narrative unfolds with internalized shame coming to terms with inexorable homosexual desire. It deals with the topical issue of conversion therapy, and the moral responsibility of a gay male to his own truth, and to a female who he might try to deny that truth with. It deals with the critical questions of duty to oneself, duty to family, and duty to tradition. Recommended

Fair Haven provides a moving account of a father and son coming to terms with a family loss, and the struggle of trying to reconnect after this tragedy. It offers an honest and moving account of the son's readjustment to rural life after having spent time away, and the challenge of the father in rebuilding a close and loving relationship with his son. Both the directing and writing of the film deserve specific praise. The audience is able to be taken along the emotional journey between father and son at a well thought out pace, with each chapter of their relationship unfolding without ever feeling rushed and portrayed by some strong performances from Michael Grant and Tom Wopat. The cinematography also deserves recognition, with the lush greenery of the Vermont farmland adding to the film's sense of 'real-life' authenticity. Fair Haven is a great example of all the best elements of indie film making,telling an important story of a topic that deserves more awareness and doing so with compassion without ever bordering into stereotypes.

For some reason, I had a hard time getting into this movie. I would watch a few minutes then stop and did this a couple of times before finally deciding to give it a chance a few weeks after my first trial. Obviously the subject matter doesn't make this an entertainment film and I guess I had to be in the proper mood to let it flow properly.

Once I started to care about the characters it made for an interesting journey although the story is not the strong point. I didn't particularly like the back and forth between the conversion therapy scenes with the lead boy and his return home and felt like the flashbacks were distracting. But the one thing that kept me going was the acting which is stronger than I anticipated.

Michael Grant (as James Grant ironically) is by far the best thing here and his acting is very strong and believable. The supporting actors are also good especially Josh Green as Charlie Green and I have to mention that the 2 boys having the same last name as their characters can't be just a coincidence but it doesn't add or detract from the plot.

I also found the ending satisfying which is why I gave this a strong 7 stars even though this is by no means a great movie but the subject matter is handled with sensitivity and efficiently enough to make this venture a film to recommend. Obviously, if you are looking for a feel good flick this is not for you but if you feel like diving into a difficult subject handled with care, you may actually enjoy it.

Really enjoyed this film, it was simple and uncomplicated, and showcased some of the real issues that face people in rural communities. Well done Tom Malloy. A special mention to Josh Green, whose expressions conveyed so much without dialog.