#Horror

This is a strange one, actually find it hard to classify it, is it a horror, a teen drama, still not sure, starts off slasher like, then changes to bitchy girls being horrible to each other, acting, not bad, I guess this is as real as possible, mean girls without the laughs, but its biggest fail, is the terrible glitches with the candy crush game, clearly the director loves Ewe boll ,house of the dead comes to mind, becomes nearly Un watchable at times, main actress is Chloe seveny ,had a small part in America physco ,in all honestly if you haven't turned off have 30 minutes, you've done well.

This film suffers from what can only be described as a surplus of ideas that don't really add to the final point very well. That the movie is a horror film is a given. The title makes it clear. The heavy atmosphere, the music, the ridiculous animations.. They all point to a horror film of some sort.

But unfortunately the rest of the substance in the film is something of a confusing mess.

I won't pick on the actors, because frankly I think they did an admirable job for such young actresses playing a part in such a disturbing movie. Granted, their acting wasn't flawless, it was actually rather forced. But after repeating some of their lines to myself and considering better ways to deliver them, I've decided that the forced acting is mostly the fault of the writing. The emotional context behind the words keeps shifting at a breakneck pace, and it's really hard to pull off on screen without feeling choppy.

So I can forgive the girls for that.

However, the lack of focus in this film is its biggest problem. I couldn't decide what idea the director was trying to get at in any given scene. We had cathartic confessions where the girls bond, only to be ripped apart again by petty elementary school level dialogue. We had the dysfunctional parents deeply neglecting their children, and then going haywire, the girls themselves suffering from all sorts of deeply personal problems, bullying, the concept of being "too rich to be happy", a local legend of a crazy slasher is inserted, and the idea that a person's imperfections make them good slasher bait (a popular idea in hundreds of slasher films, appropriate even for 12 year old girls it seems).

And the only thing tying it all together is the notion that being addicted to social media will cause you to disassociate yourself from reality while filming it all live for your followers to watch with interest. But honestly even that idea seems to fade away after a little while. It doesn't feel like it's as important a thing as it should be.

If you were confused at all by the last paragraphs then you understand what I'm trying to say. So many ideas, so jumbled.

The only justification for this level of thematic bombardment must be to confuse the viewer so that they don't guess what's really happening. But honestly, anyone who really watches the movie with even a little bit of attention can see what's really going on. The ending was not a surprise.

All in all I'm not sure what hook this movie is using to lure people to watch it. I think the fact that it features 12 year old girls and horror IS the hook. It's sort of morally decadent to submit girls that young to many of the things in this film.

I feel a little disgusting for having watched it, can't say I enjoyed it much. But it wasn't the worst movie I've ever seen by any means. If the director can clear up the mess of ideas a little, I feel like a second shot is in order. Maybe another movie along the same vein. Maybe a sequel. Ha. Maybe not.

Seriously one of the worst movies ever. Complete screen writing and directorial crap. Battlefield Earth and Roadhouse are SAG Award winners in comparison. Apparently based on a true story, the screenplay focuses for far too long on trying to establish the characters as spoiled, self-indulgent social media obsessed sociopaths without ever offering viewers a single reason to either empathize or despise any of them. If the attempt was to portray the main characters as the real horror of humanity, and their mean-girl personalities as delivering its own type of psychological carnage - the attempt was laughable. Seriously, if you've read this review, you've already wasted too much time and energy on this film.

A misguided, poorly directed film. The main message fails horribly, as it ignores obvious mental illness and bullying in a failed, shoehorned attempt to jab at social media and technology. The only redeeming features of this film are Timothy Hutton's forced overacting, and the unsettling amount of throbbing egg shots.

All hail the egg.

Sometimes a movie comes along with the best of intentions, but its execution is simply so bad that the message gets lost. "#Horror" (R, 1:41) is one of those. The film is basically about cyberbullying, which is a serious problem in the U.S., especially among teens. According to figures from bullyingstatistics.org and Wikipedia.com, about half of all American teenagers experience cyberbullying at some point, about 1/3 per year and about 10-20 percent on a regular basis. Cyberbullying affects girls and boys roughly equally and includes all races. Many victims are more likely to have low self-esteem and consider suicide – with some having tragically completed the act. Statistics, facts and stories can bring attention to the problem, but few methods can bring it to life more effectively than a movie – IF the movie in question is effective.

As six 12-year-old girls in Connecticut gather for a sleepover, the issue of cyberbullying is introduced in a pair of parent-child conversations and becomes a factor throughout the girls' day and evening together. As Sam (Sadie Seelert) is being driven to the party by her mom (Natasha Lyonne), Sam is clearly embarrassed by her family's low socioeconomic status as compared to the girls she is about to spend time with and she is desperate to fit in. Meanwhile, Cat (Haley Murphy) is being lectured by her father, Dr. White (Timothy Hutton). Cat has been the victim of cyberbullying and (as is often the case) has also become a perpetrator. By the time Sam and Cat each arrive at the home of their host, Sophia (Bridget McGarry), three other girls, Georgie (Emma Adler), Francesca (Mina Sundwall) and Ava (Blue Lindberg) are already in Sophia's basement speaking unkindly about Cat and Sam, which Sam overhears before she enters the room… but she goes in anyway. And this is only the beginning of the girls' meanness.

No one is spared hurt feelings in this movie. The sleepover activities – playing dress-up, swimming, dancing, talking, etc. – are infused with the girls picking on each other in a way that they may think is playful, but doesn't seem to feel that way to the girl(s) on the receiving end. These tweens mercilessly tease each other about things like lacking money, being fat, enduring family embarrassment (and even trauma) and generally not fitting in. They supplement their taunts by posting pictures of each other online along with cruel hashtags. Things occasionally get very heated between some of the girls and, at one point, Sophia throws Cat out of the house. Cat leaves a very emotional voice mail for her father, who tries to call her back, fails to reach her and shows up at the house to lecture, yell at and threaten the girls. Sophia's mother (Chloë Sevigny) has left the girls alone for a while to take care of some personal business, and Sophia's father (Balthazar Getty) isn't home either, so there's no one to defend the girls from Dr. White's erratic behavior or to help him look for Cat. Things go downhill for the girls to the point that the audience gets a decent final 10 minutes, but that's the only real horror in the movie.

Filmmakers who want to make a horror movie sometimes need to be reminded that horrifying and horrible are not the same thing. These performances range from barely passable to just plain bad, in spite of the presence of an Oscar nominee (Sevigny) and an Oscar winner (Hutton) in the cast, but the actors are done no favors by a script that has them doing and saying things that often make very little sense. The words of caution and life lessons that writer-director Tara Subkoff clearly wants to convey are randomly scattered through the script as one-liners or isolated incidents that are almost completely lacking in coherence. But even with criticisms like these, you'd expect a big-screen release to at least display a certain professional technical expertise, wouldn't you? The cinematography is inconsistent in its look and many of the camera shots are of poor quality. And don't get me started on the distracting flashes of barely understandable and essentially meaningless cartoonish graphics throughout the film.

The worst thing about this movie is the important themes it tries to explore and the vital points that it wants to make are all buried beneath amateurish filmmaking. Even though this story hits many of the right notes, few people who see the movie will benefit from them. Although it doesn't have as much to say as this film is trying to, 2015's "Unfriended" is a cautionary tale of cyberbullying that is at least semi-entertaining. Still, there's a void to be filled. A topic as important as cyberbullying deserves an equally important and well-made movie. Here's hoping that we get one soon, because "#Horror" ain't it. "D"