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Best of Enemies

  • 2015
  • R
  • 1h 27m
IMDb RATING
7.6/10
6.6K
YOUR RATING
Gore Vidal and William F. Buckley in Best of Enemies (2015)
Best of Enemies Trailer #1
Play trailer2:24
1 Video
63 Photos
BiographyDocumentaryHistory

A documentary on the series of televised debates in 1968 between liberal Gore Vidal and conservative William F. Buckley.A documentary on the series of televised debates in 1968 between liberal Gore Vidal and conservative William F. Buckley.A documentary on the series of televised debates in 1968 between liberal Gore Vidal and conservative William F. Buckley.

  • Directors
    • Robert Gordon
    • Morgan Neville
  • Writers
    • Robert Gordon
    • Tom Graves
    • Morgan Neville
  • Stars
    • Gore Vidal
    • William F. Buckley
    • Dick Cavett
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    6.6K
    YOUR RATING
    • Directors
      • Robert Gordon
      • Morgan Neville
    • Writers
      • Robert Gordon
      • Tom Graves
      • Morgan Neville
    • Stars
      • Gore Vidal
      • William F. Buckley
      • Dick Cavett
    • 37User reviews
    • 98Critic reviews
    • 77Metascore
  • See production info at IMDbPro
    • Awards
      • 6 wins & 27 nominations total

    Videos1

    Best of Enemies Trailer #1
    Trailer 2:24
    Best of Enemies Trailer #1

    Photos62

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    Top cast54

    Edit
    Gore Vidal
    Gore Vidal
    • Self - Debater
    • (archive footage)
    William F. Buckley
    William F. Buckley
    • Self - Debater
    • (archive footage)
    Dick Cavett
    Dick Cavett
    • Self - Talk Show Host
    Noam Chomsky
    Noam Chomsky
    • Self
    • (archive footage)
    Todd Gitlin
    Todd Gitlin
    • Self - Media Studies, Columbia University
    Brooke Gladstone
    Brooke Gladstone
    • Self - Host, NPR's On the Media
    Richard Wald
    • Self - Former President, NBC News
    William Sheehan
    • Self - Former President, ABC News
    Frank Rich
    Frank Rich
    • Self - Writer, New York Magazine
    Sam Tanenhaus
    • Self - Biographer, William F. Buckley Jr.
    Patricia Buckley
    • Self - Buckley's Wife
    • (archive footage)
    Lee Edwards
    • Self - Historian, The Heritage Foundation
    Reid Buckley
    • Self - Buckley's Brother
    Linda Bridges
    • Self - Buckley's Personal Assistant
    Fred Kaplan
    • Self - Author, Gore Vidal: A Biography
    Matt Tyrnauer
    Matt Tyrnauer
    • Self - Vidal's Editor & Friend
    Sam Donaldson
    Sam Donaldson
    • Self - Correspondent, ABC News
    • (archive footage)
    Howard K. Smith
    Howard K. Smith
    • Self - Anchor, ABC News
    • (archive footage)
    • Directors
      • Robert Gordon
      • Morgan Neville
    • Writers
      • Robert Gordon
      • Tom Graves
      • Morgan Neville
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews37

    7.66.6K
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    Featured reviews

    8Miles-10

    Brings Back Memories of Two Iconic Men and a Turbulent Time

    In 1968, eighty percent of American television viewers watched the national presidential nominating conventions. As we watched the Chicago Democratic Convention, we saw what a federal commission later called a "police riot"–a horrific skull-cracking rampage. The decade was a time of economic boom, civil rights struggle, assassinations, riots, disaffected youth, rock 'n' roll, changing sexual mores, escalating protests against an escalating yet undeclared war (the Democratic Party's finger prints were on the war more than the Republicans—hence the demonstrations in Chicago), new welfare programs, and dazzling technological changes. (The national conventions were broadcast, for the first time, entirely in color in 1968.) Even though I watched the conventions, I didn't watch much of ABC, which only covered the conventions during prime time, while NBC and CBS covered the conventions from gavel-to-gavel—unheard of today except maybe on C-SPAN. So I missed seeing the subject of this documentary, the epic ten-round debate between Gore Vidal and William F. Buckley, Jr., but I sure heard about it. After the round in which Vidal called Buckley a "crypto-Nazi" and Buckley called Vidal a "queer" and added "I'll sock you in the god-damned face," it was water-cooler conversation everywhere in America the next day. Even those like me who had not seen it, understood how shocking it was. According to this documentary, the network suits turned to each other after it happened and asked, "Can they say that on television?" And someone told them, "They just did—live." Maybe if ABC had not been the lowest-rated commercial network, it might not have been so eager to have Vidal and Buckley comment/debate at the conventions. That, of course, assumes that ABC realized that they would not do much commentary and that there would be no rules in their debate. The two men had a great deal in common in terms of background and intellect (both were masterful word-smiths), but they hated each other politically and personally with a burning passion that makes the title of this film so apt.

    Their "debate" got personal fast as they ripped into each other mercilessly. It was only surprising that they lasted so long before the sharpest knives came out. At the heart was the battle between the liberal and conservative world views that each man represented. Vidal was an outspoken advocate of libertine-ism and central planning, the almost contradictory shibboleths of modern liberalism, and also a successful writer who wrote a number of good novels, plays and screenplays, but his most recent and provocative novel, in 1968, was "Myra Breckinridge," a satirical romp about trans-sexuality (very progressive, you might think) and also a celebration of homosexual rape (Yikes! You might think), but it was a different time, and both sexual liberation and rape were lumped together, according to Vidal's champions, as signs of forward thinking and, according to critics, as signs of moral decay. Buckley was the editor of "National Review", a conservative magazine that still thrives despite his passing. Both men were scions of social upstarts who became successful, Buckley's family in oil and Vidal's family in politics. Both had good educations, although, Vidal had not gone to college. They both spoke with patrician accents that, as one of the film's commentators, linguist John McWhorter, opines, would seem pompous and uncaring to listeners today. (Indeed, Kelsey Grammar, of "Frazier" fame, voices the writings of Buckley and John Lithgow, of "Third Rock from the Sun", voices those of Vidal in this film.) Vidal won the "debate" based purely on the fact that, though each man strove to get under the other's skin, it was Buckley who finally lost his cool. What got to him was the odious conceit that conservatives may be linked to fascism. Buckley had heard this slur his whole career, and was visibly infuriated by it, but pushing that button would have been a lower trick than it was if Vidal had not genuinely believed that there was truth in it. (The persistence of this myth explains the peculiar surprise of one of Buckley's liberal biographers when he learned that Buckley, otherwise unsurprisingly, had once fired a Nazi that he found to be part of his magazine's sales force.) Buckley was ashamed of his outburst in the debate for the rest of his life. Vidal gloated over it for the rest of his. I wonder if one is sadder than the other.

    The filmmakers, Robert Gordon and Morgan Neville, make some attempt to be fair to both sides but are, perhaps, unfair to both and to history as well. For example, they present a recounting of Vidal's frequent viewing of the debate tapes in his old age while showing us a scene from the movie "Sunset Boulevard" (about a forgotten movie star who pathetically watches herself in old movies night after night). If there is a flaw in the conclusion drawn for us by the film—that the vitriol of the Buckley-Vidal debate was not only a harbinger of, but may even have caused today's cable news and internet cat-fighting—it might be that the film overly sentimentalizes the homogeneous, middle-of-the-road political viewpoint shared by most network newsreaders and commentators during the sixties. This artificial sameness presided over and callously ignored a turbulent, ongoing cultural and political split in the country as if ignoring it—or at best reporting only the ripples on the surface that could not be ignored—would make it go away. For all any of us knew, we might have blown off some of our more destructive steam if there had been alternative media back then. The confrontation between Vidal and Buckley on national television in 1968 was set against what was going on in the streets at that time. They were expressing the frustrations of adherents of both of their ideologies, frustrations that were just under the surface but not being articulated on the nightly news.
    8paul-allaer

    "Confrontation of life styles"... dawn of a new TV era

    "Best of Enemies" (2015 release; 88 min.) is a documentary about the infamous 10 televised debates that took place during the 1968 Republican and Democratic Presidential Conventions (in Miami and Chicago, respectively), between conservative William Buckley Jr. and liberal Gore Vidal. As the documentary opens, Vidal is commentating about old pictures hanging up in his house and one of them is showing Buckley and Vidal at one of those debates. We then get some background as to who these 2 guys are, and why ABC veered away to bring the "unconventional Convention" coverage. And then we get to the first debate... To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this documentary is co-directed by Morgan "20 Feet From Stardom" Neville and Robert Gordon, who is affiliated with the Heritage Foundation, a conservative think-tank. If you think that means the documentary is kinder to Buckley that to Vidal, think again. The two men are pitted against each other, and vehemently disdain each other, even before these debates, and much more so afterwards. "It was a confrontation of life styles", as someone comments. Yes, it was, but as it turns out, these debates had another unexpected consequence: ABC's ratings went through the roof, and the other mainstream networks quickly realized they had to have their own versions of these "point-counterpoint" programs. In other words, the Buckley-Vidal debates set into motion what would eventually become the Fox's and MSNBC's news channels. Apart from the historical legacy created by these debates, the documentary also examines the long shadows cast be the debates over the personal lives of both Vidal and (even more so) Buckley. If you have any interest in politics and/or in TV history, you will not want to miss this documentary. It makes for completing viewing, period.

    "Best of Enemies" made quite a splash at the Sundance film festival earlier this year. The movie's been out for months and I didn't think it would reach theaters here in Cincinnati, but then out of the blue t showed up this weekend at my local art-house theater here. I figured this would not be playing very long and went to see it right away, The matinée screening where I saw this at turned into a private screening, as in: I literally was the only person in the theater. A shame, as this is a riveting documentary. If you get the chance to see this, be it in the theater, on VOD or eventually on DVD/Blu-ray, do not mist it! "BEst of Enemies" is HIGHLY RECOMMENDED!
    8valleyjohn

    Fascinating viewing

    Best of Enemies is a fascinating documentary film about a series of nationally televised debates in 1968 between two public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. If that doesn't sound very interesting you couldn't be more wrong. This is a film about two men who absolutely hated each other. Two extremely clever men who fought each other live on television by debating with each that eventually led to personal insults being thrown at each other and it's mesmerising viewing. I have to admit I had never heard of these men before and that's probably because these debates happened a couple of months before I was born but I do know now and I feel much better off for it.
    9Quinoa1984

    imagine these people on TV today!

    Most people who come to Best of Enemies knows what the state of news media coverage is, especially in the realm of cable news. It's been bad for a long time (there's a very brief excerpt of the time when Jon Stewart called out Crossfire for the very problems that can be seem sprouting up in the film in the end credits). But what's so great about Best of Enemies is how you see that the groundwork laid at the beginning for what's been twisted into the barking (less talking) heads in coverage of the daily events (let alone political conventions) is seen as relatively cordial and sophisticated. Sure, William F. Buckley Jr and Gore Vidal might not be everyone's idea of a good time with a glass of beer (though that depends on what class system rank you're in), but, perhaps except for one major outburst from Buckley - which haunted him for years (or he just became obsessed with it like a cry-baby, you decide) - they were so evenly matched as far as their scope of intellectual prowess that it boggles the mind.

    Over the course of Best of Enemies we get to see what these two men were like, before the debates in 1968 and then after, and there's this monumental point of view (probably totally correct) that the directors give which is that TV changed things for the public so much that two people arguing about this or that could change things, like concretely in people's minds. But past it being of interest in a sociological or political science interest is the emphasis that these two men *really* did not like one another. Perhaps there was some unspoken level of respect, that sort of look of 'hey, let's give them a show' (and apparently after one of the tenser debates, Buckley leaned over and almost paid a compliment that that's what they did). But watching the scenes here I can't imagine anyone walking away thinking it was just an act, and yet at the same time I think there was an element of the theatrical; one of the revelations is that Vidal tested some of his retorts to Buckley on staffers or crew before filming.

    The documentary may be borderline on too much context in a way - the talking heads from (the late) Christopher Hitchens and Dick Cavett and Buckley's biographer shine some light on certain aspects of their personalities (how personally Buckley took things, and how Vidal kept things under lock and key what he showed on his face). It can even be said there isn't quite enough of the debates in the film, and that's the one thing keeping it from being a 10 out of 10. But sometimes the best movies are never long enough, and this is a case where I could watch another 30 to 60 minutes of this story, especially as it's set in the tumultuous time of 1968 at Republican and Democratic conventions (the latter being when Chicago went into a series of riots). As long as the filmmakers keep the focus on these two men looking at each other and sniping in sardonic and totally dead-serious ways, the film works wonders. And you also get thrown into the mood of the period through music that almost has the buzz of technology, of TV electronic-waves and such.

    If the medium is/was the message, then having two men argue at a time when there were only three channels with ABC hosting it had to do something different to compete with Cronkite and the like (and as one person says in the doc, argument is sugar ans we are the flies) made the message clear: conflict and drama makes for much more enticing (and perhaps simply easier) viewing than watching straight, down-the-middle factual news reporting. Who needs the facts when you got the paragon of the Conservative right (Buckley, by the way, has that sort of smile and grin that is both charming and kind of creepy) and of the intellectual, hardcore left (Vidal, with his books making him like an unofficial if sometimes controversial arbiter of history). Check it out - and ponder if either of these men could last a minute on Fox news or even CNN.
    8samabc-31952

    Scintillating, unsettling balderdash that would put you off the stroke..

    "You have to have a mind of winter to see nothing that is not there and nothing that is"
    • Wallace Stevens 'The Snowman'
    When debates becomes diatribe, mudslinging .... Two men: one was the first modern conservative intellectual who saw the ideological debates as cultural debates. And the other was an iconoclast, liberal, an apostate, writer against the grain.. An intellectual thinker and an intellectual writer..Year 1968, the Vietcong, Bobby Kennedy's assassination, struggling ABC network, the hippi era, the counterculture age and more.. It was not about right fighting the far left but it was about right fighting the one who is not quite far enough right... the most infamous political debate aired live on ABC ...during the concluding debate,Gore Vidal labeled Bill Buckley as a crypto-Nazi and in response Buckley called Vidal, "You queer,"!!!! This resulted into further antipathy that continued with denigrating personal polemic attacks in a patrician, languid style and heralded the future discourse.. it is scintillating, unsettling balderdash that would put you off the strokes.. a great watch ..

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    Storyline

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    Did you know

    Edit
    • Trivia
      The film-makers shot an interview with Gore Vidal, but ultimately decided not to use it, so he only appears in archive footage.
    • Quotes

      Richard Wald: ABC was the third of the three networks. It would've been fourth, but there were only three.

    • Crazy credits
      There is a short scene after the credits showing footage of an interview with Buckley.
    • Connections
      Edited into Independent Lens: Best of Enemies (2016)

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    FAQ

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    Details

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    • Release date
      • July 31, 2015 (United States)
    • Country of origin
      • United States
    • Official site
      • Tremolo Productions (United States)
    • Language
      • English
    • Also known as
      • Best of Enemies: Buckley vs. Vidal
    • Production companies
      • Media Ranch
      • Motto Pictures
      • Tremolo Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    • Gross US & Canada
      • $892,802
    • Opening weekend US & Canada
      • $50,378
      • Aug 2, 2015
    • Gross worldwide
      • $892,802
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 27 minutes
    • Color
      • Color

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