Best of Enemies

A well-constructed must-see documentary for anyone who is the least bit interested in the politics of journalism. Don't worry that you won't recall/aren't aware of the background. The filmmakers do an excellent job of setting the stage, and an even more impressive job of avoiding the actual political issues in order to focus on the medium. If you want to know how we got where we are, start at the beginning. This is the genesis of punditry and personality-driven journalism. This is not to say that this little slice of evolution is necessarily bad. As the film points out, prior to 1968 the presentation of news was quite static, with little, if any, chance for anything out of the mainstream to make it out of the studio. Now the genie has been loosed from the bottle, and he has truly been feeling his oats for the past several years. It's up to us to rein him in, give him focus, and pray that we can find some common ground before the growing political mitosis reaches the point of no return.

"You have to have a mind of winter to see nothing that is not there and nothing that is"

• Wallace Stevens 'The Snowman'

When debates becomes diatribe, mudslinging .... Two men: one was the first modern conservative intellectual who saw the ideological debates as cultural debates. And the other was an iconoclast, liberal, an apostate, writer against the grain.. An intellectual thinker and an intellectual writer..Year 1968, the Vietcong, Bobby Kennedy's assassination, struggling ABC network, the hippi era, the counterculture age and more.. It was not about right fighting the far left but it was about right fighting the one who is not quite far enough right... the most infamous political debate aired live on ABC ...during the concluding debate,Gore Vidal labeled Bill Buckley as a crypto-Nazi and in response Buckley called Vidal, "You queer,"!!!! This resulted into further antipathy that continued with denigrating personal polemic attacks in a patrician, languid style and heralded the future discourse.. it is scintillating, unsettling balderdash that would put you off the strokes.. a great watch ..

"Best of Enemies" is incredibly effective at achieving multiple thematic ends without coming off as dense. Here's a few of things it managed to touch on.

It's a sound, but passive, attack on the current state of our discourse, giving us a history lesson on the genesis moment of television punditry.

It's a fascinating look inside network news in the time of American political convention "gavel- to-gavel" coverage. The last time that ever happened.

It's an exploration of how TV changes us, or at the very least, reveals us to ourselves, both as people who long to sit in front of its cameras, and as a nation who watches its images.

It's about how the two sides of the late 60's culture war found their primetime voices.

It's about class, and how where we come, or how we where we wish we had come from, affects how and what we think.

It's about the personal journeys of the intellectuals at the center of it - gay-left leaning best selling counter-culture author Vidal and establishment defending policy-affecting conservative Buckley - and how their confrontation never really left the center stage of their own minds.

But most spectacularly, it's about how the issues of a turbulent period (our republic caught in an ongoing war of attrition, race riots in the streets, the all too familiar rhetoric of income and racial inequality at the center of the political debate) never really ended.

And it does all of those things with a sense of real legitimacy, never once feeling like it's assigning more importance to the story than it deserves. A perennial fault in the doc genre. But it's not just a good story. It's a good story told well.

The whole thing is brilliantly structured, wonderfully cut together, incredibly funny and tragic, and far-reaching in its ambition. It's political positioning is measured, either because of or in spite of it's co-director being affiliated with the conservative think tank, The Heritage Foundation.

It features great talking heads, including political historian Sam Tanenhaus (who I sorely miss as the New York Times Book Review editor) and avowed socialist/Marxist/anti-leftist/cultural contrarian Christopher Hitchens, who manages to bloviate even from beyond the grave.

This is one of my favorite documentaries of the year. A perfect double feature with last year's excellent, "Last Days in Vietnam". Catch it if it interests you. It didn't do as well at the box office as it should've.

In 1968, eighty percent of American television viewers watched the national presidential nominating conventions. As we watched the Chicago Democratic Convention, we saw what a federal commission later called a "police riot"–a horrific skull-cracking rampage. The decade was a time of economic boom, civil rights struggle, assassinations, riots, disaffected youth, rock 'n' roll, changing sexual mores, escalating protests against an escalating yet undeclared war (the Democratic Party's finger prints were on the war more than the Republicans—hence the demonstrations in Chicago), new welfare programs, and dazzling technological changes. (The national conventions were broadcast, for the first time, entirely in color in 1968.) Even though I watched the conventions, I didn't watch much of ABC, which only covered the conventions during prime time, while NBC and CBS covered the conventions from gavel-to-gavel—unheard of today except maybe on C-SPAN. So I missed seeing the subject of this documentary, the epic ten-round debate between Gore Vidal and William F. Buckley, Jr., but I sure heard about it. After the round in which Vidal called Buckley a "crypto-Nazi" and Buckley called Vidal a "queer" and added "I'll sock you in the god-damned face," it was water-cooler conversation everywhere in America the next day. Even those like me who had not seen it, understood how shocking it was. According to this documentary, the network suits turned to each other after it happened and asked, "Can they say that on television?" And someone told them, "They just did—live." Maybe if ABC had not been the lowest-rated commercial network, it might not have been so eager to have Vidal and Buckley comment/debate at the conventions. That, of course, assumes that ABC realized that they would not do much commentary and that there would be no rules in their debate. The two men had a great deal in common in terms of background and intellect (both were masterful word-smiths), but they hated each other politically and personally with a burning passion that makes the title of this film so apt.

Their "debate" got personal fast as they ripped into each other mercilessly. It was only surprising that they lasted so long before the sharpest knives came out. At the heart was the battle between the liberal and conservative world views that each man represented. Vidal was an outspoken advocate of libertine-ism and central planning, the almost contradictory shibboleths of modern liberalism, and also a successful writer who wrote a number of good novels, plays and screenplays, but his most recent and provocative novel, in 1968, was "Myra Breckinridge," a satirical romp about trans-sexuality (very progressive, you might think) and also a celebration of homosexual rape (Yikes! You might think), but it was a different time, and both sexual liberation and rape were lumped together, according to Vidal's champions, as signs of forward thinking and, according to critics, as signs of moral decay. Buckley was the editor of "National Review", a conservative magazine that still thrives despite his passing. Both men were scions of social upstarts who became successful, Buckley's family in oil and Vidal's family in politics. Both had good educations, although, Vidal had not gone to college. They both spoke with patrician accents that, as one of the film's commentators, linguist John McWhorter, opines, would seem pompous and uncaring to listeners today. (Indeed, Kelsey Grammar, of "Frazier" fame, voices the writings of Buckley and John Lithgow, of "Third Rock from the Sun", voices those of Vidal in this film.) Vidal won the "debate" based purely on the fact that, though each man strove to get under the other's skin, it was Buckley who finally lost his cool. What got to him was the odious conceit that conservatives may be linked to fascism. Buckley had heard this slur his whole career, and was visibly infuriated by it, but pushing that button would have been a lower trick than it was if Vidal had not genuinely believed that there was truth in it. (The persistence of this myth explains the peculiar surprise of one of Buckley's liberal biographers when he learned that Buckley, otherwise unsurprisingly, had once fired a Nazi that he found to be part of his magazine's sales force.) Buckley was ashamed of his outburst in the debate for the rest of his life. Vidal gloated over it for the rest of his. I wonder if one is sadder than the other.

The filmmakers, Robert Gordon and Morgan Neville, make some attempt to be fair to both sides but are, perhaps, unfair to both and to history as well. For example, they present a recounting of Vidal's frequent viewing of the debate tapes in his old age while showing us a scene from the movie "Sunset Boulevard" (about a forgotten movie star who pathetically watches herself in old movies night after night). If there is a flaw in the conclusion drawn for us by the film—that the vitriol of the Buckley-Vidal debate was not only a harbinger of, but may even have caused today's cable news and internet cat-fighting—it might be that the film overly sentimentalizes the homogeneous, middle-of-the-road political viewpoint shared by most network newsreaders and commentators during the sixties. This artificial sameness presided over and callously ignored a turbulent, ongoing cultural and political split in the country as if ignoring it—or at best reporting only the ripples on the surface that could not be ignored—would make it go away. For all any of us knew, we might have blown off some of our more destructive steam if there had been alternative media back then. The confrontation between Vidal and Buckley on national television in 1968 was set against what was going on in the streets at that time. They were expressing the frustrations of adherents of both of their ideologies, frustrations that were just under the surface but not being articulated on the nightly news.

"Best of Enemies" (2015 release; 88 min.) is a documentary about the infamous 10 televised debates that took place during the 1968 Republican and Democratic Presidential Conventions (in Miami and Chicago, respectively), between conservative William Buckley Jr. and liberal Gore Vidal. As the documentary opens, Vidal is commentating about old pictures hanging up in his house and one of them is showing Buckley and Vidal at one of those debates. We then get some background as to who these 2 guys are, and why ABC veered away to bring the "unconventional Convention" coverage. And then we get to the first debate... To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this documentary is co-directed by Morgan "20 Feet From Stardom" Neville and Robert Gordon, who is affiliated with the Heritage Foundation, a conservative think-tank. If you think that means the documentary is kinder to Buckley that to Vidal, think again. The two men are pitted against each other, and vehemently disdain each other, even before these debates, and much more so afterwards. "It was a confrontation of life styles", as someone comments. Yes, it was, but as it turns out, these debates had another unexpected consequence: ABC's ratings went through the roof, and the other mainstream networks quickly realized they had to have their own versions of these "point-counterpoint" programs. In other words, the Buckley-Vidal debates set into motion what would eventually become the Fox's and MSNBC's news channels. Apart from the historical legacy created by these debates, the documentary also examines the long shadows cast be the debates over the personal lives of both Vidal and (even more so) Buckley. If you have any interest in politics and/or in TV history, you will not want to miss this documentary. It makes for completing viewing, period.

"Best of Enemies" made quite a splash at the Sundance film festival earlier this year. The movie's been out for months and I didn't think it would reach theaters here in Cincinnati, but then out of the blue t showed up this weekend at my local art-house theater here. I figured this would not be playing very long and went to see it right away, The matinée screening where I saw this at turned into a private screening, as in: I literally was the only person in the theater. A shame, as this is a riveting documentary. If you get the chance to see this, be it in the theater, on VOD or eventually on DVD/Blu-ray, do not mist it! "BEst of Enemies" is HIGHLY RECOMMENDED!