Ronja fille de brigand

While this may be fine for kids, artistically it is so far short of the original Swedish film treatment as to be essentially unwatchable. The crude animation and awkward pacing of the story do no credit to the studio, animators and director. The music is so generic as to be superfluous, competing and clashing with the dialogue. This lamentable effort sells short the intellect of anyone over age 5.

If you can, I strongly recommend enjoying the original Swedish film treatment of this wonderful tale. A wonderful cast, fabulous scenery, seamless integration of live acting and animation provide an engaging and entertaining experience for all ages. The "robbers chorus" is epic enough to compete with the finest opera and not to be missed.

I recommend the story for families with children, but please consider the far better original if you have access.

I think this deserves far more praise than it seems to have received.

I'm from Sweden, born in the early 80s. I grew up with Astrid Lindgrens books and the TV-series and movies based on them. They are widely considered great stories, and I agree. But I cannot say that any of them really have deeply moved or affected me, including Ronja Rövardotter. Up until now. The fact that it took a Japanese animation studio for me to realize just how good this tale is says something about this series.

I was a bit skeptical to the visual style first, and it took a few episodes before I gave in, but after that, I just loved it. The cell-shaded style reminds me of The Legend of Zelda: Breath of the Wild, another Japanese masterpiece, and there is something beautiful to behold in almost every scene.

Studio Ghibli have treated this story with utmost respect and it shows that they really have understood it, which may sound trivial, but I think it isn't. The central characters feel very lifelike, with all their strengths, flaws, vulnerabilities, prides, fears and hopes. I can't imagine anyone doing a better work, and the attention to detail is just incredible. Just one in a myriad of examples: when Ronja goes skiing in the winter, it shows that they must have studied exactly how a person moves on skis.

Another thing I admire with studio Ghibli's work is that they have the courage to stay in a moment, and portray beautiful things, even small things like raindrops falling on leaves. Their love for nature really shines through, and it makes you want to also be in that beautiful forest - hadn't it been for the horrible harpies.

I watched this in Japanese with English subtitles, which I strongly recommend over the English dubbed version, if possible. I like how they have kept all the original names and to hear them pronounced in Japanese. Many of them sound strange also in Swedish even for a Swedish person; Astrid Lindgren apparently got most of them from a map of northern Sweden.

Thank you, studio Ghibli, for this. I'm very grateful. Domo arigato gozaimasu.

The computer generated 3D animation used in Ronja does take getting used to. My husband and I, both aged 70, and huge Ghibli fans over the years, felt that this would definitely have been a best seller had Goro Miyasaki made it as a film rather than a TV series involving Polygon Pictures. The scenery and the attention to detail are brilliant and the main characters very well depicted. However, it is the mythical creatures that steal the show, particularly the Harpies, worth looking out for every appearance they make. Goro Miyasaki's other films, 'Tales From Earthsea' and 'From Up on Poppy Hill' showed a very different style from his father, Haiao Miyasaki, and it took us a while to really appreciate how good they were. We are experiencing the same with Ronja. Having got to about episode four the pace picks up and we watched the whole series before reading Astrid Lindgren's book on which it is based. Unlike other reviewers, we actually felt that Miyasaki had stuck pretty close to the original; which prompted us to view the series again…and we were not disappointed.

Only 4 episodes in and I want it to end. The computer animation is not Ghibli! It's awful and doesn't move properly. This blu-ray only contains the english dub.....and it's horrific! The voice actors do not suit the characters one bit. They don't suit Ghibli. The voices of Ronja and her mother are particularly bad. It's such a shame. I love Ghibli and rewatch their movies often, this is one I'll never watch again.

The not so good:

Some of the voice talent seems a bit miscast. That said, the performances do grow on you The 3D animation takes a bit of getting used to. The character of Mattis is somewhat irritating and feels a little bit too melodramatic.

The good?

In watching the initial episodes, the animation was decent and the story seemed a bit slow at times. Stick with it. It's touching, fun, sad poignant, perilous and magical with some genuinely scary characters added to the mix. For the most part it is gentle, touching on friendship, relationships and a love of the outdoors. Much to my surprise, I've fallen in love with it, and the characters (mostly).

The backgrounds are sumptuous, and despite my previous comments the 3D, while occasionally a bit clunky, really grows on you, and in fact is really quite good. There are some very special moments that are worth waiting for, you'll know them when you see them, which take this way beyond just a childish cartoon into something with quite a powerful message that is of use to us all.

There are a few scenes that just blew me away, that were totally unexpected and unusual (?) in a "kids" production. A result of the ethos of not talking down to children at Ghibli?

This isn't just a collection of independent episodes either, with is a clear story arc running through the whole series.

A slow burner that will eventually melt your heart. It really is enchanting.

Edited to add:

I'd never read any of Astrid Lindgren's books and after watching the series, out of sheer curiosity, I've read the book. What is most surprising is that the series reflects the book perfectly. It is unusual in that it is a complete and true adaptation, to the extent that most of the (English Language version) dialogue is taken straight from the book. Much credit should go to the producers at Ghibli for having the courage to make it this way!