IMDb RATING
5.5/10
3.3K
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With his older brother off to war, fourteen-year-old telegram messenger Homer Macauley comes of age in the summer of 1942.With his older brother off to war, fourteen-year-old telegram messenger Homer Macauley comes of age in the summer of 1942.With his older brother off to war, fourteen-year-old telegram messenger Homer Macauley comes of age in the summer of 1942.
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It is a film deserving to be loved. This is the main certitude about it. It deserve be loved for the beautiful portrait of mister Grogan proposed by Sam Shepart. For lovely young Spencer Howell. For the hard ( and good ) work of Alex Neustaedter. And, obvious, for Meg Ryan . Yes, it is not the most convincing movie about war. No doubts, it is a sketch only. The mother, performed by Meg Ryan remains a silhouette, unfortunately. But, honest to be, it represents more, more than a good try. It is a film to remind small, fundamental things defining us. From the connections between siblings to the maturity of a 14 years old age boy. From friendship to the telegrams, death, war and change of everything just in a minute. Its sins - many, maybe. Its basic virtue - an admirable delicacy for I am profound grateful to Meg Ryan.
"I don't know what's ahead, but whatever it is I am humbly ready for it." Homer Macauley (Neustaedter) has just watched his brother go off to fight in WWII and wants to do anything he can to help. He decides the best way for him to help his family is to get a job. He decides to become a bicycle telegraph messenger, and sets out to be the best and fastest one anyone has ever seen. Soon after he begins he is given a message that changes everything, and his job becomes more important than he ever imagined. This is a movie that I am very torn about. On one hand the movie has tremendous heart and leaves you hoping the movie won't end the way you expect it to. The acting is great and this is a very good character study of how the war affected the relatives stateside. On the other hand, you have a prediction on how the movie will end and you are just waiting for it to come to fruition. The fact that you think this way distracts you from the movie and the emotion of every other aspect seems to be lost and glossed over. I didn't think the movie was that bad and it is worth seeing, but about a year ago a movie called Little Boy came out and that was far better than this one. Overall, a good movie that is worth seeing, but you spend the entire time waiting for one thing to happen and it ultimately distracts you from the rest of the movie. I give this a B-.
Meg Ryan did an awesome job directing this movie. I was pleasantly surprised by the characters, the cinematography, lighting and superb story line. So many movies are predictable with the same dramas, with the same cliches while this one had a fresh approach. The feeling of the small town with divisions, logistics of war, the telegraph business of the time, the youth becoming an adult in ways so different than most films was captured with beautiful motion. The actors had real approach, timing and freshness. All in all, a wonderful movie.
Greetings again from the darkness. The source material is the 1943 novel "The Human Comedy" from Pulitzer Prize winning writer William Saroyan; and it's the directorial debut of Meg Ryan, the one-time 'America's Sweetheart' who reunites with her Sleepless in Seattle co-star Tom Hanks (in a ghostly cameo). Due to these juicy ingredients, we can be excused if our expectations are a bit high.
As a viewer, it's easy to relate to the emotions of young Homer McCauley (Alex Neustaedter) as his messenger job expedites the disillusionment that often accompanies adulthood. While Homer becomes more disenchanted the more he learns, we feel let down with each successive sequence. The adapted screenplay from Eric Jendresen never picks a direction, and instead teases us with numerous pieces from the novel with little follow through on any.
Homer's dad (a very brief Tom Hanks apparition) has recently passed, and with his older brother Marcus (Jack Quaid, son of Meg Ryan and Dennis Quaid) off at war, Homer takes it upon himself to secure a job to help support his saintly and melancholy mother (Meg Ryan), his older sister Bess (Christine Nelson) and his little brother Ulysses (an energetic Spencer Howell). He pledges to be the best bicycle messenger ever when hired at the local telegraph company run by Tom Spangler (Hamish Linklater) and old-timer (grumpy and frequently inebriated) Willie (Sam Shepard).
Being that it's war time, some of the telegraphs Homer must deliver are the worst possible news for the parents on the receiving end. As the film progresses, we see the light slowly go out of Homer's once bright eyes. The accelerated coming-of-age aspect is at its best when his father-figure Willie brusquely tells him "You are 14 years old and you're a man! I don't know who made you that way." It's the most poignant moment of the film and the closest we get to a real theme.
The letters Homer receives from older brother Marcus contribute to his understanding of the world and the reading of the letters serves the purpose of story narration. The film is nostalgic and idealistic, but so unfocused that we are never able to fully connect with any of the characters. We are caught off guard when Homer proclaims his mother as the nicest person ever, although she has offered even less guidance than Forrest Gump's mom. Ithaca, Ulysses, and Homer we can't miss the mythology ties, as well as the importance of home, but it always feels like something is missing.
In 1943, six time Oscar nominee Clarence Brown made a movie based on this same novel, and the cast included Mickey Rooney, Frank Morgan, Donna Reid and Van Johnson. In this new version, John Mellencamp provides the musical score, and Ms. Ryan has stated that the novel helped her work through a difficult time in her personal life. She's likely to get more opportunities to direct; her first outing is easy enough to watch, but just as easy to forget.
As a viewer, it's easy to relate to the emotions of young Homer McCauley (Alex Neustaedter) as his messenger job expedites the disillusionment that often accompanies adulthood. While Homer becomes more disenchanted the more he learns, we feel let down with each successive sequence. The adapted screenplay from Eric Jendresen never picks a direction, and instead teases us with numerous pieces from the novel with little follow through on any.
Homer's dad (a very brief Tom Hanks apparition) has recently passed, and with his older brother Marcus (Jack Quaid, son of Meg Ryan and Dennis Quaid) off at war, Homer takes it upon himself to secure a job to help support his saintly and melancholy mother (Meg Ryan), his older sister Bess (Christine Nelson) and his little brother Ulysses (an energetic Spencer Howell). He pledges to be the best bicycle messenger ever when hired at the local telegraph company run by Tom Spangler (Hamish Linklater) and old-timer (grumpy and frequently inebriated) Willie (Sam Shepard).
Being that it's war time, some of the telegraphs Homer must deliver are the worst possible news for the parents on the receiving end. As the film progresses, we see the light slowly go out of Homer's once bright eyes. The accelerated coming-of-age aspect is at its best when his father-figure Willie brusquely tells him "You are 14 years old and you're a man! I don't know who made you that way." It's the most poignant moment of the film and the closest we get to a real theme.
The letters Homer receives from older brother Marcus contribute to his understanding of the world and the reading of the letters serves the purpose of story narration. The film is nostalgic and idealistic, but so unfocused that we are never able to fully connect with any of the characters. We are caught off guard when Homer proclaims his mother as the nicest person ever, although she has offered even less guidance than Forrest Gump's mom. Ithaca, Ulysses, and Homer we can't miss the mythology ties, as well as the importance of home, but it always feels like something is missing.
In 1943, six time Oscar nominee Clarence Brown made a movie based on this same novel, and the cast included Mickey Rooney, Frank Morgan, Donna Reid and Van Johnson. In this new version, John Mellencamp provides the musical score, and Ms. Ryan has stated that the novel helped her work through a difficult time in her personal life. She's likely to get more opportunities to direct; her first outing is easy enough to watch, but just as easy to forget.
It is good to see that there is movies made not for sale. Movies that bring some meaning and help to think. My English is poor so I cant good express myself, but I hope main point is clear. This movie will make you think,will leave something after to think about. And it is much deeper that it looks at the first time. War is big problem, and it is still actual , right now there is so many fights, pain, destroyed families, and people avoid to think about it. It is not fun, it is not comfortable, it is better pretend that its not exist. Thats why I think this kind of films will make word a bit better. Thanks to everyone who invested to this film.
Did you know
- GoofsWhen they are in the cinema watching the newsreel, there's a shot of a man carrying a wounded solider across a river. The commentary states "when this country was extending a helping hand."
That shot is actually of an Australian soldier helping a wounded Australian in the Kokoda campaign in New Guinea. The film is footage from Kokoda Front Line, by Damian Parer, who was an Australian combat camera man.
- Quotes
Mrs. Macauley: There will always be pain in this world, Homer. And a good man will seek to take the pain out of things.
- How long is Ithaca?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 2.35 : 1
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