A talented but emotionally troubled dancer runs away to New York City and quickly finds herself immersed in the cutthroat world of professional ballet.A talented but emotionally troubled dancer runs away to New York City and quickly finds herself immersed in the cutthroat world of professional ballet.A talented but emotionally troubled dancer runs away to New York City and quickly finds herself immersed in the cutthroat world of professional ballet.
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This is so bad that it's literally laugh out loud funny. The dialogue of the Ballet director queen is predictably ridiculous and unreal. Every aspect of this show is predictable because all you have to do is just picture the dumbest direction the scene could possibly take and there it goes.
The year was 1995 and Joe Eszterhas, the top of writer of the day for mainstream exploitation films, released (unleashed) his most exploitative script of all time -- Showgirls.
At the time, it seemed like a slam dunk. It had something to push everyone's buttons. It was about strippers. It had dancing and sex. It had backstory. And just as additional insurance to guarantee greatness, the casting director deliberately picked the female star of a popular teen sitcom for the leading role -- guaranteeing a "shock" factor as the world watched a sweet teen icon go down the darkside.
It should have worked but it didn't. The mass audience, the gestalt, seemed to belatedly develop a conscience and punished the film, presumably, as payback for all the earlier works of of Eszterhas' they enjoyed but probably shouldn't have.
A major TV comic talking about the film (which was a flop within weeks of release) said "I haven't seen so many poles abused since WW2."
Ironically 20 years later, with TV in full-on stratification and everyone with a video camera offering a new series, the writers of Flesh and Bone have taken the ideas comprising Showgirls and fixed them and repaired them.
It is exploitative but does not make you feel guilty.
Pretty good TV.
At the time, it seemed like a slam dunk. It had something to push everyone's buttons. It was about strippers. It had dancing and sex. It had backstory. And just as additional insurance to guarantee greatness, the casting director deliberately picked the female star of a popular teen sitcom for the leading role -- guaranteeing a "shock" factor as the world watched a sweet teen icon go down the darkside.
It should have worked but it didn't. The mass audience, the gestalt, seemed to belatedly develop a conscience and punished the film, presumably, as payback for all the earlier works of of Eszterhas' they enjoyed but probably shouldn't have.
A major TV comic talking about the film (which was a flop within weeks of release) said "I haven't seen so many poles abused since WW2."
Ironically 20 years later, with TV in full-on stratification and everyone with a video camera offering a new series, the writers of Flesh and Bone have taken the ideas comprising Showgirls and fixed them and repaired them.
It is exploitative but does not make you feel guilty.
Pretty good TV.
10Tactrix
There are very few shows that do something so rare that to capture it on camera is dazzling. This is one such show. In most shows acting is enough, and of course it's an art all in itself but nothing like this. This is a true ballet show where they don't fake the dancing. It's breathtaking in its complexity and a beautiful masterpiece when it all comes together.
The thing that makes this such a fantastic show besides the dancing is the story behind it. They incorporate a level of darkness which you almost never see on the screen. And when you do it's almost instantly fleeting. Not in this show though, they made it perfect. It's got such a resounding Janus feel to it, that it can be best described as daunting. Hat's off truly 10/10.
The thing that makes this such a fantastic show besides the dancing is the story behind it. They incorporate a level of darkness which you almost never see on the screen. And when you do it's almost instantly fleeting. Not in this show though, they made it perfect. It's got such a resounding Janus feel to it, that it can be best described as daunting. Hat's off truly 10/10.
Ballet is like an obsession. If Black Swan did teach us one thing then it clearly was that. And the show that ran for a season on Starz is clear in its intentions to be a somewhat spiritual successor or at least in the same ballpark. Having one of the dancers from that movie playing the main role here is a start. And Sarah Hay learned Ballet as a young girl, something you can tell by watching her move (though I'm not sure if you can tell more as the teacher/director and some others seem to be able to).
So with a limited knowledge of the art itself, I can say that it is riveting and it looks phenomenal. But the show also dares to explore darker themes and backstories of the characters. You may be able to guess the connections between them (or rather their relationship), but there will be surprises along the way.
If you don't mind complex characters, blood (sweat) and nudity (including lewd acts as some might proclaim), this is really interesting. The character journey is really something and while you can guess to a certain extend where this is heading, the performances make it more than worthwhile
So with a limited knowledge of the art itself, I can say that it is riveting and it looks phenomenal. But the show also dares to explore darker themes and backstories of the characters. You may be able to guess the connections between them (or rather their relationship), but there will be surprises along the way.
If you don't mind complex characters, blood (sweat) and nudity (including lewd acts as some might proclaim), this is really interesting. The character journey is really something and while you can guess to a certain extend where this is heading, the performances make it more than worthwhile
Although this series is very dark and gritty, there's some interesting issues brought to life here. I felt like this never gave into stereotypes, featured some marvelous dancers, and gave the women in this show some really meaty parts.
I have seen some bitching about it not being feminist enough, which is baseless. The men in the company serve mostly to fill out the company. Which makes sense really, this is NOT a show about ballet - this is a show about our main character, Claire, and her messy and dark life.
I wouldn't recommend this for anyone under 18, mainly because of the deeply dark subjects that are explored in the show. The nudity and sex is part of life, as a former dancer I definitely relate to the dancers not being modest. But I guess many people are still very prudish in 2015.
I really enjoyed the show, from the beginning to the very end it kept me very entertained and dance shown is gorgeous - not surprising as it was choreographed by Ethan Stiefel!!!
Sadly, it seems there won't be a second series - so I guess I will have to re-watch the first series.
If you're ready to dive into the darkest secrets and ugliest parts of a character (this is no rom-com), then you'll be very satisfied with Flesh and Bone.
I have seen some bitching about it not being feminist enough, which is baseless. The men in the company serve mostly to fill out the company. Which makes sense really, this is NOT a show about ballet - this is a show about our main character, Claire, and her messy and dark life.
I wouldn't recommend this for anyone under 18, mainly because of the deeply dark subjects that are explored in the show. The nudity and sex is part of life, as a former dancer I definitely relate to the dancers not being modest. But I guess many people are still very prudish in 2015.
I really enjoyed the show, from the beginning to the very end it kept me very entertained and dance shown is gorgeous - not surprising as it was choreographed by Ethan Stiefel!!!
Sadly, it seems there won't be a second series - so I guess I will have to re-watch the first series.
If you're ready to dive into the darkest secrets and ugliest parts of a character (this is no rom-com), then you'll be very satisfied with Flesh and Bone.
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