The Presentation

This seasons final two episodes are a testament to the amazing talents of writers Rogen, Goldberg and Huyck. This is the closest you can get to the near-perfection of a Lubitsch comedy, with its witty dialogue, over-the-top slapstick, and clever twists .

The camera dances and acting is amazing throughout.

O'Hara could not have been casted more on spot. Zoë Kravitz most fearlessly performs her character's (alter-) ego death. Just when you think Rogen's Matt Remick will resort to lying on stage to keep up appearances he finds a wonderful moment of emotional and dramatic truth.

In only 23 minutes this episode delivers the absolut maximum of surprises from Dave Franco's to Bryan Cranston's appearance.

A wonderful finale!

I wonder how many Emmys this one episode will gather and I hope a lot.

As someone with a deep understanding of the inner workings of Hollywood, following "The Studio" week by week has been a thoroughly enjoyable experience. The series not only delivers sharp humor but also offers a biting satire of Hollywood's decision-making processes and the mechanics behind film production. In last week's episode, the characters find themselves in Las Vegas, and due to poor management by Matt, Griffin Mill's senses suffer, which becomes problematic as they have only a few hours before they are scheduled to appear at CinemaCon. This sets the stage for a finale that is both humorous and unexpectedly poignant, providing a fitting conclusion to the season.

It was only a matter of time before Seth Rogen incorporated drugs as a central element of an episode, and following the chaotic parties of the previous installment, this episode explores the aftermath. Although the plot is relatively sparse-primarily structured around the various presentations at CinemaCon-the stakes are undeniably high, and the importance of delivering a successful presentation is keenly felt. Do things go as planned? Not at all. However, through sharp writing and the strong performances of a dedicated cast, the episode manages to reach a satisfying conclusion, providing a rewarding payoff for a season's worth of missteps. The direction remains a standout, with Rogen and Evan Goldberg's skillful use of long, uninterrupted takes enhancing the engagement of the audience. This technique, particularly during the presentations, creates an immersive experience, as the actors seem to improvise, rather than adhere to a rigid script or staging, further amplifying the sense of chaos that is so fitting for the narrative. Additionally, Seth Rogen's consistent commitment to the show is commendable, as he refrains from making unnecessary jabs at the industry, instead approaching it with a playful spirit, embracing the absurdity of big studio filmmaking in a world that certainly seems primed for further exploration in future seasons. Here's hoping for its continued success.

"The Presentation" serves as a satisfying conclusion to a series defined by its chaotic nature, leaving everything on the stage in a final, powerful expression. While the show offers abundant satire and incisive commentary on the current state of Hollywood, it never loses sight of its central theme: a profound love for cinema.

The Studio's tenth and final episode, "The Presentation," showcases its ability to balance satire and soul, chaos and craft, and dysfunction and deep emotional truth. The episode begins with a projector malfunction, an intern deletes the keynote presentation, and the director, Mal, is revealed as a thinly veiled attempt at a pilot. The final pitch is devoid of any idealism, neither a colossal triumphant win nor a crashing failure. It is vernacular and unapologetically authentic. Will Sharpe plays Mal's gradual collapse in a way that does not go overboard or tip into cliché. Zoe Winters steals the show as Emma, the overlooked producer who emerges as the victor. Her pitch to the executives is cringeworthy in corporate language yet oddly poignant, embodying the complex blend of professional determination and personal desperation. The episode's focus on the ensemble cast is one of the weakest points. Jordan, the taciturn genius at the cutting desk, becomes underappreciated and ignored. A subplot about a competing pitch happening next door drags the story down. The ongoing joke about the missing thumb drive is tiresome by the time it wraps up. The last moments of the finale are the most impactful, with no motivational speeches or romanticized applause. What's remarkable and poignant is that this is restrained. The Studio has never focused on the product, but on the people trying to create it. The finale embodies that focus, beautifully rough around the edges and at times even aggravating. In an era where shows are released with sequels and spinoffs slated to infinity, aggrandized finales attached to the main storyline seem mandatory. "The Presentation" cements The Studio as one of the most emotionally intelligent comedies of the year, choosing to embrace overt mediocrity in a world that perceives it as failure or triumph. By delivering minimalistic resolutions devoid of conventional payoffs, The Studio manages to depict uncommonly encountered outcomes, such as the culmination of hard work being uncertain and success being ephemeral.

What a ride it was. Its simple funny fast. There are no moments there you feel bored or exhausted. Just a great watch. Havent laughed so hard in years. Best comedy in fast years -period. Seth rogan created his best project of his all life. He plays incredibly. Bryan Cranston - i need more of him in the second season. Should it win emmy - yes. Episode 2 and 10 are the best episodes of the series and have one of the best direction i have seen. All this long takes are just incredible. All cameos doesnt feel forced and doesnt feel like they take the spotlight of main plot. Otherall cannt wait for season 2.

I absolutely loved this show from the very first moments of the pilot. This is what every cinema lover has been waiting for. The story, the comedy, the acting, the cinematography and every thing in the show is at its best.

This was a really good ending for the season. I cannot decide which was better; the comedy or the acting. Besides the main cast, the recurring roles were phenomenal. Bryan Cranston, Zoey Kravitz and Dave Franco have guaranteed some awards for themselves.

The Studio is easily the best comedy of the year. I really hope they keep making this show until we are sick of it. I think this deserves at least four more seasons.