La couleur de la victoire

You don't want to throw around the word epic and overuse it, but when you make a movie about the Olympics, it's usually a movie about one athlete taking on the world (sport depending). For Jesse Owens this concept is met with more difficulty. A black man barely welcomed in his own backyard gets the chance to run in the greatest competition of all time, in another country that does not accept him as well, and he does it and helps change the face of the world forever.

Stephen James did a fantastic job playing Jesse Owens. He gave a lot a heart to it, which was important. It's a great reflection of who Owens was.

Becoming a huge fan of the work of Jason Sudeikis who plays Jesse's Coach, Larry Snyder. The well known funny man takes the same position as Sylvester Stallone did in Creed with this dramatic supporting role, and it was a decent turn to see him do something a little different.

Also want to give credit to Jeremy Irons who plays Avery Brundage of the U.S Olympic committee. Race mostly focus on the life of Owens up to the 1936 games, but also has a great side story about America dealing with the Nazi Regime with the Olympics being held in their hometown. Irons is the center of this sub plot and does a good job making it interesting.

For what it is, I'm also fairly impressed with the CGI being used to built the 1930s in this movie. Race is a big movie and the visual effects help make it look better. I wish the budget was bigger so that the effects could be better, but it's very impressive for a 5 million dollar film.

The only odd thing that was distracting is that it looks like they used visual effects to replace stunt men in the movie. Instead of getting a stunt double who looked fast enough to play Owens, they have parts in Race that just look like the took footage of Stephen James and speed it up to make his running faster. Not sure about this method, and others were they used digital images for high jumps, or a least that's what it looks like.

But overall, Race impressed me. It's a good tear jerker that puts a a smile on your face. Truly an epic movie about overcoming the biggest obstacles to be the very best.

Attention younger generations:

Avery Brundage was an unapologetic and unbending racist Nazi sympathizer. To portray him as this farcical film does, as a hero fighting for Jesse Owens so perverts history that it should be a crime. And, Leni Reifenstal WAS a Nazi and supported Hitler and his actions throughout the war and its buildup without reservation.

The main underlying objective of this movie seems to be that Avery Brundage wasn't the renowned corrupt amoral Nazi sympathizer and racist anti-semite that history knows him to have been. For me, one of the most compelling stories in our history was totally ruined by the complete re-writing of history to vindicate the American racist anti-semitic Brundage, one of the most vile, despicable, destructive forces in the history of sport, not just for America but the world. Brundage was absolutely explicit in his contempt for Owens, Jews, and African-Americans, and never made ANY protests over the treatment of Owens or any other American.

Additionally, Leni Reifenstal supported the Nazis and Hitler without reservation throughout the regime, and if she indeed prevailed to film Owens, it was for the sake of the film, not because she rejected Hitler's racism and anti-semitism.

Why the history lesson and very little about the film? Because films like this which pervert history distort this and future generation's understanding of the times and the people. Everything but the fictional propaganda of a script, full of more lies than Trump and Clinton told all year, and ending with a totally fabricated meeting between Owens and Reifenstal, one last attempt to rescue her reputation and bastardize history.

This is appalling piece of film making. Beautifully told lies are still lies, and this film is one gigantic lie.

It's easy to get distracted by… well, life – even when you're doing something important (maybe, ESPECIALLY when you're doing something important). If you have a faithful "significant other" who is not around at the moment, you may be tempted to stray from "Miss Right" in favor of "Miss Right Now" (or "Mr.…" whichever the case may be). If you're determined to accomplish something big, you may be confronted with people who believe you will fail (and even want you to fail) – and openly express those feelings, whether out of pettiness, jealousy or even the color of your skin. If you're succeeding at something that draws a lot of attention, others will want to use you or your accomplishments to further their own personal, financial or political goals. These are just some of the distractions competing for the main character's attention in "Race" (PG-13, 2:14). Of course, I think we'd all agree that, in the end, what defines each of us is how we deal with our distractions. Jesse Owens learned that lesson well.

Stephan James plays the legendary runner from the ages of 20 to 23, the years that turned him from virtually unknown high school track star in Cleveland, Ohio to the man who defied Adolph Hitler's myth of "Aryan" racial superiority at the 1936 Summer Olympics in Berlin, Germany. Jesse (actually, "J.C.", notwithstanding his elementary school teacher's misunderstanding his name) is in a long-term relationship with Ruth Solomon (Shanice Banton), with whom he has a little girl, but he has to say goodbye to both of them (and his large family) to begin his higher education and college track and field career at The Ohio State University in Columbus. It is there that he meets track coach Larry Snyder (Jason Sudeikis), the man tasked with turning Owens' raw talent into even greater accomplishments.

Owens first struggles with, then learns to overcome the distractions of sexual temptation, racial prejudice and the competing interests of some pretty important people who are determined to make Owens a pawn in their games of politics and perception. Early on we see Owens' incredible performance at a 1935 Big Ten track meet in Ann Arbor, Michigan, where he put together what many people consider the most impressive 45 minutes in sports history. While at a meet in L.A., Owens' growing fame attracts the attention of the sexy, glamorous and wealthy Quincella, otherwise known as major distraction no. 1. Throughout his life, and even as a famous athlete, Owens has to endure the indignities of being forced to use "colored" entrances to buildings, being literally pushed aside by his white teammates and having racial epithets screamed at him while he's competing. (This is major distraction no. 2, but it also shows the illogic and hypocrisy of racism as his successes lead those who treat him horribly to cheer, embrace – and use him.) This brings us to major distraction no. 3 – the politics which swirled around Jesse Owens.

As Owens works hard to become a better runner – and a better man – the pattern of ethnic and racial discrimination in the Olympics' designated host country overshadows (and even threatens to derail) Owens' growing list of successes and his potential future accomplishments. The U.S. Olympic Committee (with Oscar winners Jeremy Irons and William Hurt representing conflicting positions) debate whether it's more important for the U.S. to boycott the Berlin games to make a statement about Germany's human rights abuses or for the American athletes (including the black and Jewish ones) to have the hard-won opportunity to compete – and maybe even to beat the Nazis at their own… games. Eventually, the debate literally arrives at Owens' doorstep as a representative of the relatively new NAACP puts significant pressure on Owens to refuse to attend the games as a way of striking a blow against discrimination. Owens now has the same debate within himself as the U.S. Olympic Committee had on behalf of all the athletes. It's no great mystery which decisions are made, but it's still interesting to see these stories play out on the national and international levels – and on a very, very personal level.

"Race" is solid entertainment and very inspirational, but not as impactful as it could have been. James makes Owens' struggle suitably personal, but his portrayal lacks the emotional depth that would have really driven the movie's messages home. SNL's Sudeikis is effective at playing it straight, but is a little shallow as Owens' coach-mentor-friend. The screenplay, by Joe Shrapnel and Anna Waterhouse, does a great job at balancing Owens' story with the surrounding historical drama and spares us the full ugliness of the Nazis' treatment of their own people and Americans' treatment of Owens, but fails to go far enough into the story's most important issues. Stephen Hopkins' direction is even-handed, but antiseptic. "Race" is appropriate for families, but should have explored the parallels between the racial issues of the 1930s and those of the 2010s. While we do see a reflection of the ongoing argument over whether it's more important to take a stand than to overcome adversity through accomplishment, the theme isn't sufficiently played out. Overall, the film effectively tells the dual stories implied by its title, while it educates and inspires, and it has its thrilling moments, but it runs past issues that would have been better served by a deep dive (if you'll excuse the mixed sports metaphor). "B+"

'Race' is an overall entertaining movie hampered by some fairly predictable flaws. It features pretty standard sports movie clichés, e.g., hard-ass coach with heart of gold, rival who becomes best friend, etc. The personal (melo)drama seems pretty mundane, and, as to be expected in historical dramas, certain liberties are taken with the facts for dramatic purposes. But there is interesting dramatic tension in the scenes in which the US Olympics commission debates boycotting the '36 games, and in Owens' personal struggle over whether to compete in the face of certain factions of the black community entreating him not to. The actual scenes of competition are presented in an exciting fashion. My favorite scene captures Owens' P.O.V. as he enters Berlin Stadium at the height of pre-War Nazi pageantry, Hindenburg flying overhead, Hitler waving in the stands to a thunderous chorus of "Sieg Heils." It must have been overwhelming. Carice van Houten plays Leni Refienstahl as a sympathetic character, defying Goebbel's orders to tell the true story of the 1936 Olympics, and Stephan James as Owens provides an enjoyable leading performance.

Review: I really enjoyed this Jesse Owens biopic, which shows how he won his many Gold medals at the 1936 Olympics, under heavy racial tension from the Germans but I was hoping to see more about the man himself, who was truly an amazing athlete. Jesse Owens is played by Stephan James, who leaves the streets of Cleveland Ohio, and goes Ohio State to pursue his dreams to become a track and field star, with his close friend Dave Albritton (Eli Goree). Meanwhile Larry Snyder (Jason Sudeikis) is having problems as the coach at Ohio State, because he hasn't had an national win since he has arrived, so his job is on the line and he isn't impressed with the daily candidates, who lead to nothing. After watching Owens train, and being very impressed with his times, he decides to take Owen under his wing and he shows him the ropes of becoming a star. Behind the scenes, Avery Brundage (Jeremy Irons) is fighting to allow Black and Jewish competitors at the Olympics but with the racist political views from Hitler and his assistants, it takes some time for Avery to convince the Germans that it would make a better games if they are allowed to compete. Anyway, once the games eventually get going, Jesse Owens smashes loads of records and wins numerous gold medals for his country. Its a truly great achievement for a black man, in that day and age, and the relationship between Owens and Snyder was quite emotional. I would have liked to have seen some more depth to the characters but apart from that, it's an entertaining movie which portrays a time in sports, which changed the game forever. Enjoyable!

Round-Up: Personally, I think that this movie needed a top director to bring the intense emotion across to the big screen but Jamaican born Stephen Hopkins done a decent job. His previous titles include A Nightmare on Elm Street 5, Predator 2, which wasn't close to the first movie, Judgement Night, Blown Away, The Ghost in the Darkness, Lost In Space, Tube Tales, Under Suspicion, The Life and Death of Peter Sellers and The Reaping in 2007, starring Hilary Swank. He has also worked on numerous TV series like, 24, House of Lies, Californication, Shameless and the Unusuals, so he has quite a decent portfolio to date. With so much information available about Jesse Owens achievements, this movie seemed a bit safe, but with that aside, it's great that he brought this amazing story to light. I would have liked to have seen a top actor play the main role, like Will Smith did with Ali but that's not to say that Stephan James didn't do a good job. Although this film made a decent profit, it would be good to see a BIG budget version of Jesse Owens life, because it's truly an inspiring story that a lot of people can learn from.

Budget: $5million Worldwide Gross: $25million

I recommend this movie to people who are into their biography/history/dramas, starring Stephan James, Jason Sudeikis, Eli Goree, Jeremy Irons, William Hurt, Carice van Houten, David Kross, Shanice Banton, Tim McInnerny and Glynn Turman. 5/10