Mardaani

Bollywood has always space to celebrate womanhood through their films. Mardaani is on that league. After watching the trailer recently I decided to watch this movie which deals the serious subject of sex trafficking in India. Based on some true events the story opens up with Rani as a brave lady officer who is bold and mannish. The dialogue was witty to portray a daring officer when she deals with a goon who messes with her. The way she asks them "anyone else wants to learn law" was fantastic. The story gets serious when Rani tangles herself into the case of a missing girl "Pyarri" who is known to her. Then she traces and reaches Walt the kingpin of the child sex trafficking and challenges him that she will save the girls within thirty days. The rest of the story travels with some raw reality about human trafficking and drug deals from Mumbai to Delhi to expose some hard truth about India. Whether Shivani Shivaji Roy was able to succeed her mission of saving the girls before they lose their innocence in prostitution is the rest of the plot featuring some investigations, chase etc., makes us stay engaged throughout the movie. As for as the performances the lead starting Rani Mukerji is promising as Shivani Shivaji Roy senior inspector of police crime branch Mumbai. May it be a blind girl in "Black" or an adulterous wife in "KANK" or a daring journalist in "No one killed Jessica" or the bubbly thief in "B&B" she has always justified her role. Yet again she proves again her versatility. Then comes Tahir Bhasin as Walt the antagonist succeeds in creating a feel of hatred towards him. Technically brilliant camera works and BGM helped the movie greatly. #Mardaani is a worth watch gripping tale but lags something to join the wagon of other woman hood films like "English Vinglish" "Kahaani" "Queen" "Fashion" "The Dirty Picture". Eagerly waiting to watch the next film on this league PC's avatar as "MaryKom". -Reviewed by Sivakumar Balachandran

With a sudden spate of cop-oriented films in Bollywood, the larger- than-life heroism has occupied our mind space ominously. We saw the maverick soldier Akshay Kumar combating the sleeper cells in Holiday and the tough cop Ajay Devgan decimating the corrupt politicians in Singham Returns. Having said that, the Pradeep Sarkar-directed Yash raj films' latest outing "Mardaani" is a departure from the archetypal escapist commercialism. The protagonist here is a lady - Shivani Shivaji Roy(Rani Mukherjee), a no-nonsense crime branch police officer wages a relentless fight to bust a human trafficking racket in Mumbai.

Giving one of the most low-key and unassuming introduction to the lady hero where her team tracks down a small-time criminal , the plot ticks off when a 12-year old street girl,almost like her family member, goes missing from an orphanage which in turn insinuates the operating of a deadly sex racket. Shivani pursues this case strongly as she senses a strong nexus behind this crime scene of terrifying magnitude until she comes in telephonic contact with the mastermind. What ensues is a cat and mouse game to hunt down the criminal and things take an ugly turn when it is taken to the personal level.

A taut thriller in all respects, Mardaani works because of the slick direction. The treatment stays faithful to the dark and grim subject. I admit that some scenes involving the facets of flesh trade appear voyeuristic due to which the film is certified with 'A' rating, but Sarkar redeems them with some engaging conversations between the cop and her nemesis. Equally entertaining is the banter between Shivani and her team and the liberal use of expletives which lends the film an authentic touch. The tussle here is interestingly cerebral for most parts , thanks to the clever writing (Gopi Guthram) until the climactic showdown which is quite formulaic.

Sarkar treads on a different trajectory altogether. With 2 hours running time devoid of naach-gaana , it is quite unusual for a YRF flick. But what makes Mardani consistently watchable is the spirited performances of the entire star-cast. Surely, its crafted as a come-back vehicle for Rani, and the actress does complete justice in terms of depicting strength and emotional heft. She is quite in ease with the lingo, the uniform and the attitude. Tahir Bhasin impresses as the ruthless kingpin of the sex racket, adding a despicable menace to his character. He is not a regular Bollywood baddie, but a college dropout who is tech-savvy, addicted to video game and smart with Bluetooth. Rani's on screen husband played by Jissu Sengupta is almost side-tracked except in one gut- wrenching sequence where he miserably becomes a pawn in the rivalry of the cop and antagonist.

I enjoyed each and every minute of Mardaani. It's not your regular run- off-the-mill stuff and more importantly pushes the envelope of serious cinema without making you feel bored.

Nowadays when the so-called superstars of bollywood (Salman, Akshay, SRK etc) make such mindless & nonsensical movies in the name of leave-your- brains-at-home comedies (like Kick & Ready & Dabang & Entertainment & what not), Mardaani is a refreshing change.

I am not saying that it's a gem or the best movie out there but it is good. It has a good (although not many twists or turns) story, powerful acting by Rani and the supporting cast, no out-of-context songs and very nice ending.

I see a trend that Bollywood heroines are trying to come up with good movies like Kangana in Queen, Revolver Rani; Priyanka in Mary Kom, Fashion; Vidya in Kahani, No one killed Jessica etc where as the 40+ year old "heroes" are still stuck in the 90s; churning out stupid movies where the girl is mainly for songs. I don't have a problem with those kind of movies too if they are decent; which many aren't. I love a good comedy or action movie as much as I enjoy a serious one. But the movies made by the male "superstars" are not even funny or entertaining; though surprisingly, those movies are in the 200 crore etc club.

I hope we as an audience start to appreciate some diversity that movies like Mardaani portray.

I first saw this in a theatre with my dad n son. Revisited it recently on a dvd. It is a solid crime thriller. Rani Mukherjee pulled of the job of a cop very well. The fight sequences r top notch n thank God ther ain't any songs in this film. People may find similarities with Trade (2007) n Taken (2008).

Mardaani is a movie that despite an unimaginative plot and predictable narrative engrosses you in its fabric. Rani Mukerji is pitch perfect in the role of a super-cop that is rightly hued, far from the floss and swagger of Chulbul Pandey and Singham. She is real, gritty and every bit brilliant. Though the film's climax loses itself in melodrama, this is a film that has its heart in the right place and tells a pertinent story at a time when it must be heard.

Rani Mukerji with no make up, stern face maintains her strong demeanor. The actress is non dramatic on purpose and that did the trick for me. She is far from the pomp and show of masala cop films and that subtlety blows your mind. I am ecstatic that the lady has returned in a role that does justice to her caliber.

Tahir Bhasin is a revelation and quite interestingly lives up to Rani's stature. The chase between him and Rani is built brilliantly mostly because of his conviction in rendering such brilliance to his character. His diction and twang both blend in well drawing one's attention even further.