Decades ago at The Frontier, a diner with 3 motel rooms in the desert on old route 66, a young woman stops and gets work. She reads about a murder in Flagstaff and a $2M armored truck heist.... Read allDecades ago at The Frontier, a diner with 3 motel rooms in the desert on old route 66, a young woman stops and gets work. She reads about a murder in Flagstaff and a $2M armored truck heist. Is it connected to the people at The Frontier?Decades ago at The Frontier, a diner with 3 motel rooms in the desert on old route 66, a young woman stops and gets work. She reads about a murder in Flagstaff and a $2M armored truck heist. Is it connected to the people at The Frontier?
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10cocokixx
With its stylish cinematography and labyrinthine plot The Frontier is up there as one of the best of the bygone era of intentionally slow paced, suspenseful, well crafted film making. If you miss the films of yesteryear, the ones that had grit, character and an aesthetic sensibility, then you are going to want to see The Frontier. This film has all of that and then some.
Director Oren Shai takes you in to a dreamy, shadowy world that looks a lot like the covers of the hard-boiled pulp novels of the 50's and 60's. Every shot is gorgeously cinematic and my favorite thing about this movie is how much space Shai gives the viewer just to observe and revel in moments between the dialogue. The story is told as much through a frame on a characters face with a certain look in their eye, or a shot of landscape that portrays the remote emptiness they are surrounded by, as it is by its clever sharp-tongued dialogue. A haunting score adds to the richness of the visuals as well.
I won't give too much away about the plot, but the story centers around Laine (exquisitely played by Jocelin Donahue) who we don't know much about except that she's a girl on the run. Where she came from or where she's going nobody knows. All we know is that she stumbles upon a kooky set of misfit thieves, awaiting their loot in a dusty motel in the desert, and she seems to be trying to escape danger but has landed in to something that could be far worse. But the heroine is up to tricks of her own and soon we can't tell if she's the one in trouble or the one making it. The plot that starts off steady and cool, quickly becomes a roller coaster ride of twisty turns, girls with guns, double crossing, triple crossing and good guys gone bad, bad guys gone even worse. It's great fun to watch and just when you think you know what's happening, you're on to another jaw-dropping scenario.
All in all, it's very entertaining but also a great piece art. I'm very happy to have discovered this hidden gem and I highly recommend!
Director Oren Shai takes you in to a dreamy, shadowy world that looks a lot like the covers of the hard-boiled pulp novels of the 50's and 60's. Every shot is gorgeously cinematic and my favorite thing about this movie is how much space Shai gives the viewer just to observe and revel in moments between the dialogue. The story is told as much through a frame on a characters face with a certain look in their eye, or a shot of landscape that portrays the remote emptiness they are surrounded by, as it is by its clever sharp-tongued dialogue. A haunting score adds to the richness of the visuals as well.
I won't give too much away about the plot, but the story centers around Laine (exquisitely played by Jocelin Donahue) who we don't know much about except that she's a girl on the run. Where she came from or where she's going nobody knows. All we know is that she stumbles upon a kooky set of misfit thieves, awaiting their loot in a dusty motel in the desert, and she seems to be trying to escape danger but has landed in to something that could be far worse. But the heroine is up to tricks of her own and soon we can't tell if she's the one in trouble or the one making it. The plot that starts off steady and cool, quickly becomes a roller coaster ride of twisty turns, girls with guns, double crossing, triple crossing and good guys gone bad, bad guys gone even worse. It's great fun to watch and just when you think you know what's happening, you're on to another jaw-dropping scenario.
All in all, it's very entertaining but also a great piece art. I'm very happy to have discovered this hidden gem and I highly recommend!
I just finished watching this, I gave it a 7 due to the great way they filmed this, you swear it's a film made and set in the 70's, the grainy look, the set, the music, everything even down to the 70's kinda storyline, cars and clothing, extremely well done, even at the end the music score sounds if it's from the 70's.
Nothing new as yeah everything has been sort of done, but the cast is solid, simple but effective story line, but a rare sort of film that fools you thinking its years old.
7 out of 10
And here is some text so IMDb will publish my short review.
Nothing new as yeah everything has been sort of done, but the cast is solid, simple but effective story line, but a rare sort of film that fools you thinking its years old.
7 out of 10
And here is some text so IMDb will publish my short review.
A gritty American Southwest flick, The Frontier manages to capture a western outlaw atmosphere in a rustic wind blown environment.
A pretty, mysterious girl named Laine driving across the Arizona desert becomes temporarily employed at a diner to make up for food & lodging. The residents and customers therein are a motley lot, each with their own disturbing secrets, and each sharing a collective one as well. There's Eddie the rebel {a brash leather-clad young man reminiscent of Jim Stark/James Dean}; couple Gloria & Flynn are a British gentleman & a Jayne Mansfield-type girlfriend; Luanne, an eccentric former showgirl {diner owner, glamorous yet quite neurotic}; Lee is a stony bearded professor-like gentleman; & Officer Gault comes and goes, reminding one of a William Shatner character*, who takes a shine to Laine, especially evident in the end. Incidentally, despite a very close call with The Reaper, Laine merges with the unlikely crew of malfeasants awaiting their ill- gotten reward, utilizing venomous trickery to gain her own deadly remuneration.
With various unexpected twists and turns, the dangerous path throughout The Frontier leads to surprise lethal treasures awaiting those with a ruthlessly lawless disposition, where few survive. ∞
_____________
* i.e., Mark Preston of The Devil's Rain, Rack Hansen of Kingdom of The Spiders.
A pretty, mysterious girl named Laine driving across the Arizona desert becomes temporarily employed at a diner to make up for food & lodging. The residents and customers therein are a motley lot, each with their own disturbing secrets, and each sharing a collective one as well. There's Eddie the rebel {a brash leather-clad young man reminiscent of Jim Stark/James Dean}; couple Gloria & Flynn are a British gentleman & a Jayne Mansfield-type girlfriend; Luanne, an eccentric former showgirl {diner owner, glamorous yet quite neurotic}; Lee is a stony bearded professor-like gentleman; & Officer Gault comes and goes, reminding one of a William Shatner character*, who takes a shine to Laine, especially evident in the end. Incidentally, despite a very close call with The Reaper, Laine merges with the unlikely crew of malfeasants awaiting their ill- gotten reward, utilizing venomous trickery to gain her own deadly remuneration.
With various unexpected twists and turns, the dangerous path throughout The Frontier leads to surprise lethal treasures awaiting those with a ruthlessly lawless disposition, where few survive. ∞
_____________
* i.e., Mark Preston of The Devil's Rain, Rack Hansen of Kingdom of The Spiders.
I don't get the it looks.....like it was made in the 70's, well people.. it's obviously set in that period, judging by all the 70's clothing style and cars, and like a lot of great 70's movies, for example Vanishing Point, The French Connection, Bullitt, to name but three, it is all the better for it.
I just do not understand the negative 70's comments, they are clearly made by sub age 40's film watchers, more in tune with todays bang... bang and Fast 'n' Boring style movies, with fake cgi, that you don't have to think to hard when you watch them.
Ok so this movie is a little B movie in it's style, but for all that I actually enjoyed it way more than I was expecting, the acting and plot is very good, and if you like some substance in your movie plots then give it a watch, I don't think you will be disappointed.
I just do not understand the negative 70's comments, they are clearly made by sub age 40's film watchers, more in tune with todays bang... bang and Fast 'n' Boring style movies, with fake cgi, that you don't have to think to hard when you watch them.
Ok so this movie is a little B movie in it's style, but for all that I actually enjoyed it way more than I was expecting, the acting and plot is very good, and if you like some substance in your movie plots then give it a watch, I don't think you will be disappointed.
The Plot.
Laine, a young woman on the run from the law, turns up at the Frontier, an isolated desert diner and motel.
She is offered a job by Luanne, the owner, and, hoping to lose herself in the obscurity of the place, accepts the job. But soon Laine realizes she has stumbled into an even bigger and more dangerous situation.
Firstly, i like the Twin Peaks look of the film. But it's very slow and the female lead is not a particularly good actress. She brings the movie down.
The dialog is second rate. It's hard to emulate Lynch because he's genuinely quirky and knows how to make it work. In fact, the more I watched this film, the more I felt it was just a Lynch rip off thank anything else.
Laine, a young woman on the run from the law, turns up at the Frontier, an isolated desert diner and motel.
She is offered a job by Luanne, the owner, and, hoping to lose herself in the obscurity of the place, accepts the job. But soon Laine realizes she has stumbled into an even bigger and more dangerous situation.
Firstly, i like the Twin Peaks look of the film. But it's very slow and the female lead is not a particularly good actress. She brings the movie down.
The dialog is second rate. It's hard to emulate Lynch because he's genuinely quirky and knows how to make it work. In fact, the more I watched this film, the more I felt it was just a Lynch rip off thank anything else.
Did you know
- TriviaThis is the second time that Jamie Harris and Liam Aiken work together.
- GoofsWhen the Sheriff stabs the sidewall of the car tire near the top, the air escapes from near the bottom of the tire.
- ConnectionsFeatured in The Stranger with Jocelin Donahue (2016)
- SoundtracksTake My Heart
Written by Peter Sivo
Performed by Peter Sivo Band
Published by Vintage Masters Music
Courtesy of Fervor Records Vintage Masters
- How long is The Frontier?Powered by Alexa
Details
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 1.85 : 1
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