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Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
- Awards
- 8 wins & 14 nominations total
Helena Bonham Carter
- Narrator
- (voice)
Leonard Berney
- Self - Royal Artillery
- (as Maj. Leonard Berney)
Josef Kramer
- Self - Commandant, Bergen-Belsen Concentration Camp
- (archive footage)
Mike Lewis
- Self - Army Cameraman, 1981
- (archive footage)
- (as Sgt. Mike Lewis)
Bill Lawrie
- Self - British Army Photographer
- (archive sound)
- (as William Lawrie)
Richard Dimbleby
- Self
- (archive sound)
Toby Haggith
- Self - Imperial War Museums
- (as Dr. Toby Haggith)
James William Illingworth
- Self - British Army Gunner
- (archive footage)
Alexander Vorontsov
- Self - Soviet Cameraman, 1986
- (archive footage)
- (as Alexander Voronstov)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
A fascinating film. A horrifying film. To be clear this is not the documentary about SS concentration camps that was left unfinished, and suppressed after the war. That film can be seen elsewhere. To be clear, having seen that film, this documentary does leave out just a few key elements. The original film goes out of it's way to say these camps were not only for Jews and lists all the nationalities and religions that came to be killed here. So to say that film is about the Holocaust is not entirely true and is specifically not the point of the original film.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
Storyline
Did you know
- TriviaOliver Keers' documentary research debut.
- Quotes
Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.
- ConnectionsFeatures Die Todesmühlen (1945)
- How long is Night Will Fall?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Images de la libération des camps
- Filming locations
- Berlin, Germany(Archive footage)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.78 : 1
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