The Messenger

Have to say that the acting in general was good. Unfortunately, even for a drama, it was too long winded. Some dialogs were ridiculously unreal. Even someone with a twisted mind wouldn't act like that. Too much attention seeking from someone with basically a burden.

Too much drama will kill a film. Again, I have to say its a British film. Like most British films they are produced for a market. The British market. Story's where the viewer is expected to go deep is actually a Spanish or South American specialty. Or even better, Asian country's.

The story itself is good. It doesn't matter if it is a "I see Dead People" film. There are thousands of films in all genres that have something from another film, or even the first in that genre.

Its just not my thing. As far as I am concerned you should leave these kind of films to Hollywood, or other specialists in drama.

How ever, if you like British drama's, just have a look at this one. For every genre there is a market.

I just happen to be on the wrong market with The Messenger.

The Messenger is a strange one, it may disappoint audience who want horror or thriller flick since this is exclusively a psychological drama. The entirety of the movie revolves around Jack, a psychic, as he tries to live his daily life being haunted by spirits of the dead. While the concept is not novel and the ride can be exhausting, it does present a few good perspectives on the mental agony he must go through.

There's a lot of wandering involved as Jack (Robert Sheehan) either runs away from his plague or searching for odd ways to find peace, both of which usually end up poorly. The cinematography works well to set the mood, often using dark palette almost like a cloud hovering around the main character. It gives plenty of fine landscape or urban shots, although these might get old towards latter half.

Robert Sheehan is good on the lead character, he may not warm up quickly since his depression can be discouraging. Often misunderstood, his good will doesn't always reward him with accolade, after all people hearing voices and talking randomly is utterly bizarre. His character can be sympathetic yet it's the nagging feeling that he's not all there which gives depth to his performance.

The movie cleverly portrays him as a man with supernatural gift or simply a mental trouble. Other characters such as his sister or the psychiatrist enhance the relationship even more by showcasing Jack's gradually deteriorating life. This is certainly not a movie that relies on scare or shock, it's a long psychological trudge, The problem with this set-up is the arduous atmosphere surrounding Jack. There's barely any five minutes where he's not yelling or nearly breaking down. This can get tiresome, the constant conflict can produce drama, and it does for a couple of instances, but it's also very heavy and might just deter some audience.

While the drama aspect can be peculiarly engaging at times, The Messenger's overly solemn tone might not relate well to viewer expecting more thrill or excitement.

Jack, played by Robert Sheehan, is a medium, of a scruffy, unkempt, variety. Jack's abilities have not made him rich or famous. Instead, Jack is marginalized by society and in an real sense, condemned by his talent. Jack leads a life of dispossession and isolation.

This film, in large part, takes place inside Jacks head. The plot builds ever so subtly and there are segues that make you question what exactly is taking place. The question of who and what Jack is, is as much a mystery as the unfolding story of a murdered journalist. Is Jack in fact in possession of supernatural abilities that let him talk to the murdered reporter or is he, more plausibly, mentally ill?

You know the type that uses dark (both lighting and attitude) scenes to be dramatic. That annoying piano tinkling constantly in the background. You cannot turn the sound off on the DVD because there are no subtitles.

Most of these stories follow the same scenarios and patterns. Sometimes there are a few twists. You just have to listen to that awful piano music and decide for yourself if you want to put up with it to see the acting and dialog.

Jack (Robert Sheehan) sees dead people. Now, where have we heard that one before? Yep, the dead people always have their agenda and Jack is the patsy. Of course, no one believes him. So, he is telling his life story to a psychiatrist (Joely Richardson.)

Now, in the end, is he unadjusted, or has the psychiatrist got it all figured out?

I watched The Messenger because I saw on IMDb that it was categorized in the thriller and horror section. That was the only reason I was interested in this movie. And again the movie is categorized in the wrong section. It has absolutely nothing to do with a horror movie nor a thriller. IMDb should check movies out for themselves before categorizing them. It's very annoying. The Messenger is just a drama, and not even a good one. It's one of those movies were the story has been done before and way better. The "I see dead people" is a nice idea for a story but unless you bring something new and better then seen before it is of no point making it. The Messenger is way too slow to be entertaining and the slow violin and piano music throughout the movie doesn't help a bit. The cast is okay but also nothing that you will remember about.