Yorkshire-based crime drama centering on the personal and professional life of Police Sergeant Catherine Cawood.Yorkshire-based crime drama centering on the personal and professional life of Police Sergeant Catherine Cawood.Yorkshire-based crime drama centering on the personal and professional life of Police Sergeant Catherine Cawood.
- Won 6 BAFTA Awards
- 36 wins & 35 nominations total
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Summary
Reviewers say 'Happy Valley' delves into grief, loss, and redemption, highlighting the blurred lines between good and evil. The series examines trauma's impact on characters, showcasing their complexities. Sarah Lancashire's resilient police sergeant, Catherine Cawood, and James Norton's sinister criminal, Tommy Lee Royce, create intense tension. Supporting characters enrich the narrative. The show's gritty realism and authentic portrayal of human nature receive frequent praise, though some find the dark tone challenging.
Featured reviews
The most intense, well written, well acted crime series I've ever seen on television. For six weeks I've been hooked on a story that uses a police drama as a framework for the human emotions that are at the core of this fantastic series. Steve Pemberton (The League of Gentlemen, Inside No 9) as the self-interested accountant out of his depth when a kidnapping plot goes horribly wrong was brilliant and James Norton was easily one of the best psychopaths I've ever seen in a television drama. There was real depth to his character and I expect he was hated by viewers as much as Joffre in Game of Thrones nonsense police officer. But it was Sarah Lancashire's show all the way as the tough, no-nonsense, but damaged police officer. At first I thought this was going to go the way of the film Fargo, with it's kidnapping-gone-wrong scenario, but by the start of the second episode it was clear that it was going to take a different path. Be warned though, it's dark and unsettling with moments of sudden shocking violence, especially at the end of the fourth episode, where I was left shaking at the sheer intensity of it all. Better than anything American crime dramas have had to offer us over the past year, it was brilliant. Absolutely bloody brilliant!
I expected something slow paced, in the vein of The Killing. Not at all, but it's absorbing and tense from the start, very mainstream-accessible, and always intriguing. The acting from all involved is pretty excellent, especially Sarah Lancashire. An amazing performance, one that I hope gets serious awards recognition next year. I ultimately liked this more than I expected to, it's easy to get caught up in its plot and I also think that it does a great job moving it along at a surprisingly fast pace while also having some fantastic character moments. At times it gets a bit too over-the-top in its melodrama, but it never actually fails to emotionally hit home. I'm super ecstatic that it's coming back for a second season.
I've been thoroughly enjoying this dark gritty drama. All the leads are excellent, but Sarah Lancashire as the main police officer with a tragic family history, is outstanding. It started well then just got better and better with each episode and twist of the plot (and screw) having me on the edge of my seat. I've just watched what must be the penultimate episode and it has left me physically shaking - it was that convincing and shocking. It's hard to credit the complaint of mumbling by one reviewer. I can't recall even one line of script I didn't follow and it's usually something that bugs me. I'm so glad I've watched this series, it's got to be one of (if not the) best TV dramas of 2014.
I cannot praise this series enough. It has an air of realism about it from its location to the main actors. The lead sergeant Catherine Cawood and her sister are so ordinary, preoccupied with ordinary things, (no trendy,smarmy,clever middle class media interpretations of what ordinary people speak like dialog). Without exception every character is believable. With master classes in acting from the lead, her sister, her grandson and Tommy the maniac. The criminals are believably cruel and stupid in measure. The damaged and unfortunate are portrayed realistically but with compassion. No left wing idealism or right wing coldness that usually invades these type of program. The setting is the bleakest place I've ever seen, a beautiful English valley shrouded in mist, dampness and high rises. The streets and buildings are claustrophobic. Most of all the story is credible, consistent and finely paced. raw emotions are not avoided and dysfunction is everywhere. And yet there's something noble in sergeant Catherine Cawood.
10rven3
I thought 'Scott & Bailey" to be extraordinary - and it is - but "Happy Valley" is gut wrenching, heart stopping, uncomfortable, and totally, totally brilliant. Firstly, nothing of quality can be created without a very good script, and Sally Wainwright's script is her best yet, and rivals her Scott & Bailey scripts. The dialogue crackles with its own rhythm, and sharp observations of modern life, while the emerging story is all at once shocking as it is at times ordinary.
Happy Valley is the name the police use to describe this neck of the woods, around Hebden Bridge in West Yorkshire. Drugs, unemployment, and the resultant crime are part of everyday life. Within this mix, we meet Catherine Cawood, a policewoman (formerly a detective) played by Sarah Lancashire. At the risk of throwing too many superlatives into this review, I believe Ms Lancashire should win a BAFTA in 2015 for her portrayal of a dedicated, often jaded, but loyal and determined copper. I *believed* her character, through her heroics, as well as her anti-heroism. Her ambivalence towards her young grandson is uncomfortable to watch, but completely understandable. It would be too easy to say that Sarah Lancashire *is* the show, but that would be unfair to some of the other fine performers, such as James Norton, George Costigan, Siobhan Finneran, and a stellar performance from Steve Pemberton, whose character, Kevin, sets off the whole mess of events which kept me breathless for the 6 episodes.
The environment - around Hebden Bridge and Halifax, in West Yorkshire - is beautiful, and the buildings appear to have grown directly out of the landscape, and while this may be an ancient environment, the problems which occupy the police all belong in the modern world. I am really hoping there will be a Series 2.
Happy Valley is the name the police use to describe this neck of the woods, around Hebden Bridge in West Yorkshire. Drugs, unemployment, and the resultant crime are part of everyday life. Within this mix, we meet Catherine Cawood, a policewoman (formerly a detective) played by Sarah Lancashire. At the risk of throwing too many superlatives into this review, I believe Ms Lancashire should win a BAFTA in 2015 for her portrayal of a dedicated, often jaded, but loyal and determined copper. I *believed* her character, through her heroics, as well as her anti-heroism. Her ambivalence towards her young grandson is uncomfortable to watch, but completely understandable. It would be too easy to say that Sarah Lancashire *is* the show, but that would be unfair to some of the other fine performers, such as James Norton, George Costigan, Siobhan Finneran, and a stellar performance from Steve Pemberton, whose character, Kevin, sets off the whole mess of events which kept me breathless for the 6 episodes.
The environment - around Hebden Bridge and Halifax, in West Yorkshire - is beautiful, and the buildings appear to have grown directly out of the landscape, and while this may be an ancient environment, the problems which occupy the police all belong in the modern world. I am really hoping there will be a Series 2.
Did you know
- TriviaThe show was written specifically for Sarah Lancashire, who had previously had a starring role in Sally Wainwright's Last Tango in Halifax (2012). Wainwright was so impressed by Lancashire's performance, she devised Happy Valley (2014) as a solo vehicle for Lancashire.
- ConnectionsFeatured in The Wright Stuff: Episode #19.99 (2014)
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