We Are Faheem & Karun

"We Are Faheem & Karun" is yet another remarkable creation by Onir; this movie, like others before this, deal with the relatable realities of the queer community and also an insight of the lives's experiences here in India. The protagonists Faheem and Karun, depicted the love, strife and conflict with absolute brilliance; Mir Tawseef and Akash Mennon remarkable work you two, loved it.

This movie also helped me gain perspective of the acceptability affecting the queer persons in Kashmir; to a most welcome surprise this movie showed Faheem's family to be accepting of their son's "queerness" - the brother with his care and concern, the mother (played by Sana Javeid) filled with sorrow for her son's broken heart and the father who never spoke about it, but the expressions spoke silently in volumes.

Mir Salman playing the role of Zaid, Faheem's brother, was amazing with his rather angry albeit loving character. Hats off to him. The duality of his character portrayed in this movie was such a reality check of the complexities of human emotions: his own internal conflicts, his anger, his demons while simultaenously showing worry and concern for his brother and family.

I want to take a moment to especially mention the appreciation of Deep Pradhan with the beautiful background music.

And I can't get the location out of my thoughts - simply surreal; Gurez is beautiful! Nostalgia struck me often while I sat there watching the movie.

Onir, Thank You! Thank you for sharing this story; eagerly awaiting the next chapter.

All Of You, Cast & Crew, You Are Awesome! Stay Awesome!

The story is really unique and beautiful and the way it is portrayed is excellent. The characters are limited but everyone has an internal story and are real, funny and their relationships with their family are completely pure. The border place and village is like a painting (included with mountains, river, trees and beautiful houses).

Which will take you easily to the different world.

Thank you so much Sir making this kind of cinema where Life is not a race and flows at a natural pace.

I have written some lines for the story.

I hope you like it !

Kadam sarhad ka pehra kiye, Nazaron me mohabbat ki chamak liye, Dil me armaanon ka ghoont piye, Ek hath hathiyar, doosre me Seb diye,

Intzaar me ho sukoon ki aas, barsa hai badal boondon ke sath,

Mehkane lagi mitti, khilne lage fool, Watch it ! Kyunki ye Rishta bhi hai cool.

Lots of Love !!!

Onir's surprisingly hopeful film WE ARE FAHEEM AND KARUN was spellbinding from the get go - the timeless landscape of Kashmir, the uncertainty etched on the faces of the young and old, the excited visitors... and in the middle of everyday life in Gurez are Faheem and Karun. Wide-eyed Karun is new to Kashmir and falls deeply in love with radiant Faheem. Their tragic love story unfolds slowly but surely without ever feeling balanced on the tropes of a queer romance set in an occupied land. Faheem smiles and shares his dreams with his dad, Faheem's mum laments but for a second about her dreams, and Faheem's brother dreams of release from his sense of desperation and enslavement. Stellar performances by Kashmiri actors Sana Javed (Faheem's mum), Mir Salman (Faheem's brother Zaid), and Tawsif Mir (Faheem) power this Kashmiri/Urdu film as it hurtles towards its inevitable ending. I'm left wondering what next as I stare at Faheem's stoic face, which is about to crumble under the weight of a love lost.

Onir is masterful storyteller and skilled filmmaker, but rarely do we find inspiring humans at the helm of films - he is someone who is able to carve a human story, a story of longing, of pain, and of hope in the face of insurmountable odds. This was not just a queer love story, it was a love story. I was proud to see Kashmiri talent shine on the silver screen. Thank you. Thank you, Onir.

I, Ms. Nitika Vohra, had the pleasure of watching "Faheem and Karun" at the Jagran Film Festival in Dehradun, Uttarakhand Region City, on 22nd February 2025, screening at SilverCity Screens.

"Faheem and Karun" is a poignant and thought-provoking short film that explores the complexities of human relationships with remarkable depth and sensitivity. Shot on location in the breathtakingly beautiful city of Kashmir, the film's stunning backdrop adds to its emotional impact.

With a runtime of just 1 hour and 21 minutes, the film packs a powerful emotional punch that will resonate with viewers long after the credits roll. The storytelling is nuanced and masterful, with well-developed characters that draw you in and invite empathy.

The dialogue is natural and authentic, revealing the intricacies of the characters' inner worlds. The cinematography is stunning, capturing the essence of the characters' emotional journeys through a thoughtful balance of light, color, and composition.

Each frame is carefully crafted to evoke a specific mood or atmosphere, fully immersing the viewer in the world of the film. The performances are outstanding, with the cast delivering authentic and heartfelt portrayals that bring depth and complexity to the narrative.

Overall, "Faheem and Karun" is a must-watch for fans of character-driven drama. It's a beautifully crafted film that explores themes of love, loss, and human connection with remarkable sensitivity and nuance.

The film's thoughtful pacing allows viewers to absorb the emotional depth of the story, making it a truly unforgettable experience. If you're looking for a film that will touch your heart and linger in your thoughts, "Faheem and Karun" is an absolute must-see.

I highly recommend this film to anyone who appreciates meaningful storytelling, outstanding performances, and stunning cinematography. "Faheem and Karun" is a true masterpiece that will leave you spellbound and inspired.

Romance is in the nuances - giving a small chocolate to your lover, keeping an apple for him, sitting with him at the doorstep, gazing at him without saying anything.

Onir sets the movie in a background of a conflict zone - how it affects love, especially a queer one. How it manifests in real life - through the mundane and ordinary. At check posts, at small eateries. It's not in grand gestures, it is in small conversations and waiting. While a sense of dread and strain always persists because of the background, the butterflies don't go away.

The last scene of the movie with no dialogues, says so much, I wish more people watched it and talked about it.