Samba
- 2014
- Tous publics
- 1h 58m
IMDb RATING
6.7/10
18K
YOUR RATING
Senegalese Samba has worked 10 years in France. He's arrested and befriends the woman helping him with legal matters as volunteer after a burnout at work. He's released after being told to l... Read allSenegalese Samba has worked 10 years in France. He's arrested and befriends the woman helping him with legal matters as volunteer after a burnout at work. He's released after being told to leave France. Chemistry?Senegalese Samba has worked 10 years in France. He's arrested and befriends the woman helping him with legal matters as volunteer after a burnout at work. He's released after being told to leave France. Chemistry?
- Awards
- 4 nominations total
Featured reviews
Greetings again from the darkness. Co-directors Olivier Narache and Eric Toledano delivered one of the best movies of 2012 with The Intouchables, and reunite to adapt a novel from Delphine Coulin. It's another "odd couple" story, this time focusing on Samba (Omar Sy) and Alice (Charlotte Gainsbourg). The familiar blend of drama and comedy is present, and the French immigration process takes a few shots.
Omar Sy exploded on the scene in The Intouchables and again proves what a tremendous screen presence he has. However this time his turn is mostly dramatic, while the bulk of the comedy arrives courtesy of his friend Wilson (played by Tahar Rahim from A Prophet). Ten years ago, Samba immigrated to France from Senegal, and has been sending money home ever since. A police incident leaves Samba in danger of being deported, and he receives help from Alice, an inexperienced immigration worker who is dealing with her own issues she's a hard core corporate burn out (hide your cell phone fellas!).
Given the subject matter, the film is much funnier and pleasant to watch than one might expect. The actors listed above, along with Izia Higelin as another immigration worker, are all wonderful and interesting to watch as their characters struggle through the hand they've been dealt. Samba and Wilson steal moments of joy while living in constant fear of being discovered, while Alice is borderline depressive and insomniac. She and Samba spend much of the movie in clumsy flirtations while their stressful situations swirl around. It's awkward to watch, but we do find ourselves hoping things work out for each of them.
A very promising opening sequence contrasts the attendees of a high-dollar wedding with the working class of those in the kitchen- of which Samba is one. Unfortunately, this contrast is mostly hinted at for the rest of the film, except for one terrific "back and forth/ him and her" segment. The best guess is that there is an outstanding dramatic story hidden by the overuse of comedy. While the laughs are legitimate and appreciated, the film leaves us feeling a bit empty, given the lack of information and insight we take away in regards to French immigration.
Omar Sy exploded on the scene in The Intouchables and again proves what a tremendous screen presence he has. However this time his turn is mostly dramatic, while the bulk of the comedy arrives courtesy of his friend Wilson (played by Tahar Rahim from A Prophet). Ten years ago, Samba immigrated to France from Senegal, and has been sending money home ever since. A police incident leaves Samba in danger of being deported, and he receives help from Alice, an inexperienced immigration worker who is dealing with her own issues she's a hard core corporate burn out (hide your cell phone fellas!).
Given the subject matter, the film is much funnier and pleasant to watch than one might expect. The actors listed above, along with Izia Higelin as another immigration worker, are all wonderful and interesting to watch as their characters struggle through the hand they've been dealt. Samba and Wilson steal moments of joy while living in constant fear of being discovered, while Alice is borderline depressive and insomniac. She and Samba spend much of the movie in clumsy flirtations while their stressful situations swirl around. It's awkward to watch, but we do find ourselves hoping things work out for each of them.
A very promising opening sequence contrasts the attendees of a high-dollar wedding with the working class of those in the kitchen- of which Samba is one. Unfortunately, this contrast is mostly hinted at for the rest of the film, except for one terrific "back and forth/ him and her" segment. The best guess is that there is an outstanding dramatic story hidden by the overuse of comedy. While the laughs are legitimate and appreciated, the film leaves us feeling a bit empty, given the lack of information and insight we take away in regards to French immigration.
And I'm not talking hot as in physically (though some may argue Omar is hot, which I reckon is not completely wrong), but as in right now, news worthy topic hot. Immigrants are one of the main "issues" in quite a few countries at the moment and it's almost comical to what degree some are arguing on this.
This movie on the other hand is intentionally funny and it has good actors to back that story up. Even if you don't buy everything the characters are doing, you can easily empathize with them, if you're willing and open enough, to let those emotions in. The movie has a message in all the entertainment, which can be taken or read or completely ignored. That's up to the viewer. It is a very well made movie though and you can watch it, even without the current events being an obstacle to that form of "entertainment"
This movie on the other hand is intentionally funny and it has good actors to back that story up. Even if you don't buy everything the characters are doing, you can easily empathize with them, if you're willing and open enough, to let those emotions in. The movie has a message in all the entertainment, which can be taken or read or completely ignored. That's up to the viewer. It is a very well made movie though and you can watch it, even without the current events being an obstacle to that form of "entertainment"
As some have noted before, it is a light-hearted movie on a serious topic (undocumented immigrants) but always respectful at that.
I cannot quite agree with the reviewers that did not see the humor in this movie (I laughed about every three minutes throughout - expect towards the end - and sometimes even cried at the same time). Neither can I understand how people can say that the characters are flat or even "boring". Imho, the film succeeds in portraying them in not just black and white; each of them (and there are many!) evolves within the 120 minutes so much so that, in fact, it is not about the immigrants being the "angels" and the immigrant officers being the "devils" at all. On the contrary, lines are blurred very early on and especially in the end.
I find that this is a worth successor of "Untouchables"; I probably even prefer it. It is a very moving film (similar to the documentary "l'Escale") but without trying to be so. Also, the actors are brilliant! (Omar Sy, I think, even manages to mimic a Senegalese accent.)
I cannot quite agree with the reviewers that did not see the humor in this movie (I laughed about every three minutes throughout - expect towards the end - and sometimes even cried at the same time). Neither can I understand how people can say that the characters are flat or even "boring". Imho, the film succeeds in portraying them in not just black and white; each of them (and there are many!) evolves within the 120 minutes so much so that, in fact, it is not about the immigrants being the "angels" and the immigrant officers being the "devils" at all. On the contrary, lines are blurred very early on and especially in the end.
I find that this is a worth successor of "Untouchables"; I probably even prefer it. It is a very moving film (similar to the documentary "l'Escale") but without trying to be so. Also, the actors are brilliant! (Omar Sy, I think, even manages to mimic a Senegalese accent.)
The emotion part of the movie is magnificent. You really get to understand what the uncertain life of an asylant feels like. But the ending was missing details and I felt like they tried to keep the ending short. What a pity.
"Samba" is a french comedy with a great history about the immigrants. I like this film. I've seen this film recently and I've been surprised because at first i thought it was just a stereotype movie about immigrants. Actually, I don't like french films but this one was a good one, there are really good characters. Obviously my favorite actor was the leading actor, Samba ( Omar Sy ), he plays very well. What i found as a great idea is that we can laugh even if it's a sad story with a happy ending. The only problem I had is that I already knew what was going to happen at the end of the film. I really recommend this film if you like laughing and watching touching film.
Did you know
- TriviaOmar Sy's fifth project with directors Olivier Nakache and Éric Toledano, following the short movie Ces jours heureux (2002) and the feature films Nos jours heureux (2006), Tellement proches (2009) and Intouchables (2011).
- Crazy creditsA continuation of the last scene showing Samba walking through Paris is seen behind the initial credits (till around one-third of the way through the credits).
- ConnectionsReferences Cendrillon (1950)
- How long is Samba?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Самба
- Filming locations
- Caserne des Célestins, 18 boulevard Henri IV, Paris 4, Paris, France(Samba has become a cook)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $151,530
- Opening weekend US & Canada
- $24,588
- Jul 26, 2015
- Gross worldwide
- $39,178,695
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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