Badge of Honor
- 2015
- 1h 34m
IMDb RATING
5.0/10
1.4K
YOUR RATING
Two narcotics detectives find themselves in an intense investigation lead by a determined Internal Affairs detective after an unarmed teenager is wrongfully shot dead in a violent drug bust.Two narcotics detectives find themselves in an intense investigation lead by a determined Internal Affairs detective after an unarmed teenager is wrongfully shot dead in a violent drug bust.Two narcotics detectives find themselves in an intense investigation lead by a determined Internal Affairs detective after an unarmed teenager is wrongfully shot dead in a violent drug bust.
Cinthya Carmona
- Angela Flores
- (as Cinthya Bornacelli)
Timothy Marlowe
- Cop #1
- (as Tim Marlowe)
Ben Immanuel
- Coroner
- (as Ben Ratner)
Featured reviews
It is a great movie, but needs to have a parental review.
I haven't even gotten 30 minutes into the movie before 2 full blown sex scene hit.
The scenes are full nudity and breast are fully out there.
I really don't care for movies like this.
I am interested in the movie not the sex scene.
If I wanted to see a sex scene I would get a porno.
I just want to let everyone know what is in the movie.
So, not recommended for anyone who doesn't want to see this kind of movie with nudity in it.
I haven't even gotten 30 minutes into the movie before 2 full blown sex scene hit.
The scenes are full nudity and breast are fully out there.
I really don't care for movies like this.
I am interested in the movie not the sex scene.
If I wanted to see a sex scene I would get a porno.
I just want to let everyone know what is in the movie.
So, not recommended for anyone who doesn't want to see this kind of movie with nudity in it.
This procedural cop drama shines a light on the vulnerability of serving officers who make fatal mistakes in the line of duty. Director Agustín Fernández shares screenwriting credit on this with Anthony Thorne, Kevin Barrett, and Nick Montalvo. The 93 minutes run-time passes quickly, with the taught script emphasising the tension between the characters rather than the action. The scenes are edited to make for efficient storytelling, with no unnecessary time wasted on the necessary but peripheral, plot-lines. That being said, whenever a scene build-up seems slow, this is done to create atmosphere and build tension. Casting is fairly spot on and all of the actors pull their weight here. The overall mood being pretty dark and intense, is only saved from being grindingly humourless, by the fast pace and plot twists. Overall, an intelligent and solid piece of work, that is well worth a view.
All the scenes in the movie and the story,u would have seen it all before, most of the time done better than how it's done in this movie. But still this movie is very watchable and had some interesting parts. The acting in this movie is solid too. Not award material but for what they are given,i think the actors have done a very good job. Lochyln Munro ,especially,was really good in his role. He seemed so involved and committed to his role and it shows in his performance. The director could have directed his scenes better though and maybe build a little more character arc for him. And they could have also used Martin Sheen more. I didn't like the climax much as it seemed rushed but other than that i think it's a good enough movie that u can rent and watch or if u happen to catch this movie on TV,it's worth spending some free time on.
... but only if you are a casting director looking to find a formerly A-list actor who has the chops but has not been getting the roles needed to show off her skills.
The rest of the film is basically a clinic in how to make a sub-B indie product:
1. Pull together some actors who are slightly past their BEST BY date and will work cheap.
2. Lay down the heaviest sound track you can, because everyone knows that deficiencies in the production (direction, lighting, acting, scripting) can be "hidden" if the viewer is distracted by a heavy sound track.
3. Shoot the entire film in as much natural light as you can. If anyone complains, call it "authentic". Others of course might just call it "dark." This saves a lot of money.
4. Speed up all the action scenes just a little, maybe by dropping a few frames here and there. This makes the action look faster and cooler than it actually is.
5. (Optional) If you are the director and writer, give yourself a one-word name -- like Madonna -- so that viewers will remember your work and avoid it in the future
Finally, for the record, Martin Sheen is one of my all time faves but PA-LEEZE to imagine he can still play a professional, active-duty, cop at 75 years of age almost qualifies this film as Science Fiction.
The rest of the film is basically a clinic in how to make a sub-B indie product:
1. Pull together some actors who are slightly past their BEST BY date and will work cheap.
2. Lay down the heaviest sound track you can, because everyone knows that deficiencies in the production (direction, lighting, acting, scripting) can be "hidden" if the viewer is distracted by a heavy sound track.
3. Shoot the entire film in as much natural light as you can. If anyone complains, call it "authentic". Others of course might just call it "dark." This saves a lot of money.
4. Speed up all the action scenes just a little, maybe by dropping a few frames here and there. This makes the action look faster and cooler than it actually is.
5. (Optional) If you are the director and writer, give yourself a one-word name -- like Madonna -- so that viewers will remember your work and avoid it in the future
Finally, for the record, Martin Sheen is one of my all time faves but PA-LEEZE to imagine he can still play a professional, active-duty, cop at 75 years of age almost qualifies this film as Science Fiction.
As a low-budget DTV production, "Badge of Honor" is a credible effort. It's not in the same league as "We Own the Night," "Street Kings" or "Serpico;" however, it maintains the audience's attention and interest. Its greatest strength lies in credible performances by the entire cast. It's greatest weakness is undoubtedly the incessant camera movement. I can't remember a single shot that looked as if the camera were locked down. The amount of camera motion, particularly in inappropriate shots, was frequently distracting. It also seemed a little thin on forensics and police procedures. For that matter, a large drug deal in an early scene didn't seem very realistic. The POV was also a little muddled, as at least two characters had memory flashes. Compared to top-notch police procedural films, it ranks somewhere in the middle of the herd, well back from the must-see films. However, compared to DTV productions shot in Eastern Europe starring faded action stars from the 1970s and 1980s, it's a much more rewarding cinematic experience.
Did you know
- TriviaJennifer Love Hewitt was attached to play the role of Jessica Dawson, but had to drop out after learning she was pregnant. The role went to Mena Suvari.
- GoofsWhile "framing" the dead kid at the start of the movie, the officer first puts the boys finger prints onto the gun, going as far as to fire 2 shots using the boys hand and impregnating it with gunpowder residue, then proceeds to wipe those prints from the gun again, applying his own prints by throwing it onto the floor with his own uncovered hand. So in the end the gun has only the officers prints on it.
- Quotes
Mike Gallo: How deep does this rabbit hole go?
David Miles: As deep as it has to...
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Disengaged
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Color
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