House on Eden

I'm generally not a found-footage girlie, but viewed through the lens of a low-budget indie project, I think it's a pretty fun film. I enjoyed the references to demonology, even though it was pretty surface-level, and some of the less in-your-face scares put a big "oh that's creepy" grin on my face.

Now for my critiques. Kris's character feels the most fleshed out with clear desires and flaws, but the other characters, especially Celina, don't feel quite as realized.

For a House film, I would have liked more time in the house and less time messing around in the woods, especially since basically nothing happens during the first half of the film. I also would have liked a lot more lore and backstory on the house and its past. The convenience store scene especially could have been used at the beginning to add some foreshadowing.

Overall, I'm pretty impressed with the film as an indie project, and would be interested to see more.

I hate writing this because I love these two women, but I could not get into this movie. The writing wasn't bad, it was just a bit juvenile and cheesy in many places, especially the beginning. I see what they were going for here, but it wasn't executed well. The hide-and-seek part was really weird.

And then it just goes downhill further. No memorable jump scares or spooky moments, and the ending has been done so many times already. It felt very Paranormal Activity.

Honestly, I could see them nailing a comedy/horror. Something like Dale and Tucker VS Evil or Army of Darkness. I want Kris to keep at it. Very creative person. Just needs to focus on what she's good at, which is comedy, and then fuse that with your interest in horror.

Don't give up!

House on Eden isn't the worst found footage film I've seen, but it's nowhere near the best. Ambitious but hollow.

House on Eden is the latest entry into the increasingly crowded found footage subgenre and another notable step in the growing trend of YouTubers crossing into feature filmmaking. This time it's Kris Collins (better known as KallMeKris), teaming up with fellow digital star Celina Myers (CelinaSpookyBoo) in a haunted house setup that blends The Blair Witch Project, Paranormal Activity, and the kind of chaotic energy you might expect from content creators who built their names on short-form, personality-driven videos.

To her credit, Kris Collins doesn't just appear in the film-she wrote and directed it as well. Unlike other creators who leave their YouTube personas behind (like Chris Stuckmann or the Philippou brothers), Collins tries to fuse her online presence with the cinematic experience. It's a bold move, but unfortunately, the final result is more of a jumbled collision than a successful fusion.

The core premise, paranormal investigators documenting a malevolent presence inside an abandoned house using a mix of Super 8mm, Hi-8, and modern digital cameras has its appeal. The use of varying formats is visually interesting at times, and when it works, it evokes an eerie, fragmented sense of dread.

But Then There's the Execution. The first act spends far too long in the woods with jittery, poorly framed shots and confusing direction. Sure, the characters are supposed to be content creators, but shaky cam does not equal immersive. Instead of drawing us into their world, it just makes it hard to follow what's happening. Bad angles, awkward cuts, and aimless dialogue slow the pacing to a crawl.

The biggest problem House on Eden faces-by far-is its lack of likeable or compelling characters. For a film so focused on "real" personalities, it's bizarre how hollow the leads feel. I didn't care if they made it out. I didn't care if they didn't. There's no investment and there for there is no tension built.

As a fellow YouTuber prepping to make the leap into filmmaking myself, I'll say this, my hat's off to Kris and Celina. This kind of project is hard. Most people just talk about making a movie... they did it. And that deserves respect. There's ambition here. There's effort. There's even the seed of a great idea. But in the end, House on Eden feels like a first draft of something that needed a clearer vision, better character work, and more time in the editing room.

I don't understand why people feel the need to repeat the work of others 25 years later and call themselves a writer and a director? It's 2025, it's clearly obvious Kris Collins stumbled upon the Blair Witch Project and decided to put together some lame trash of her own. There's is nothing original here. It's a complete rip off from other found footage style movies, think also, REC or the American version Quarantine. Everything is overacted and unbelievable. The movie shots are abysmal. This isn't 90s and shooting everything with 480i resolution cameras is a cheap way out for a lack of vision in horror story telling. Trying to create tension with out of focus cameras and cheap thudding sounds and a obscure backstory into religion is overplayed. How did this even get greenlit for the big screen is beyond me. I was so happy the movie was short.

On vacation in the US and I made the mistake of going in to see this film because fantastic 4 was busy.

This film is terrible, the writer seems to have a pooping and peeing fetish and the sounds from the ghost box had me wanting to rip my ears off.

Nausea inducing camera work and stupendously unimaginative story means this film had me wishing ICE agents would storm the mostly empty theatre and send me back home early.

1/10 is too high a score.