Firestorm

They did what I'd thought impossible. So many bullets fired and stuff blowed up with an array of grenades and bombs that I actually grew bored when I should have been excited. The producers used up enough of an f/x budget for three of these movies, reducing the story to rubble as severely as to the buildings, streets and vehicles on the receiving end of the demolition crew's excesses. I expect more classiness and coherence from any film starring Andy Lau, making this even more disappointing. It devolved into the sort of direct-to-video fodder cranked out in low-overhead countries with a cast of deservedly unknown players.

Firestorm, the latest action thriller starring Andy Lau, is a character study trying to burst out of its commercial contraptions. The commercial aspects is a cops and robbers film with the volume turned up to eleven. Every moment is crucial. One can almost take the last frame of every shot, matte it and make a comic book out of the whole movie. The hidden art-house aspects are the character study of its two leads and the morality play of right and wrong, which emanates later in the story. Director Alan Yuen keeps things moving along, artfully combining these two components in such a way that there's never time for the audience to stop and think. For most of it, Firestorm is a fun ride.

Andy Lau leads the film sufficiently as the film's righteous hero, but the heavy lifting comes with a cost. Senior Inspector Lui is mostly an action-oriented role. And he only gets interesting till the later portion when the Infernal Affairs-like morality play begins. It's only then Lau holsters his gun and gets to chew some scenery.

It is great to see Gordon Lam, Hong Kong's most versatile working character actor, finally play a lead role in a feature film. Out of the two leads, Lam has the more complex character. Andy Lau is billed as the lead on the poster, but the story is arguably more about Gordon Lam. He's never given a bad performance and here he is the heart of the story. Yao Chen, who I thought would be a love interest for Andy Lau's character (as it usually would), is the romantic love interest for Gordon Lam. I doubt a modern working woman in this day and age will tolerate a convict boyfriend to the level that she does, but Yao Chen brings a much-needed believability to the situation by reacting.

For what the film does for Gordon Lam, it falls short with veteran actors Hu Jun and Ray Lui, who are oddly undeveloped villains. This is not the way to use actors of their caliber; they deserve better. Michael Wong also has a cameo as Andy Lau's boss. Does Wong treat every Chinese film producer to dinner every week or has comprising photos of them? He tries to be subtle, which for him means trying to whisper his lines in a high-pitched voice as if he breathed vials of helium before each take. He is god awful as usual, but fortunately there is very little of him.

The action sequences are all entertaining and it is impressive how they are all set in in busy Hong Kong locales. There's a sufficient amount of design going into the 3D for its action scenes; everybody uses tracer ammunition (which highlights the bullet trajectory) and there's a noteworthy portion with birds. One particular high wire action set piece got too ridiculous. Let's just say if I was dangling at a high altitude, I wouldn't purposely slam the scaffolding that's hoisting me. The finale shootout in Central's Queen Street is the price of admission. Suffice to say, mayhem ensues. For any Airsoft fans out there, with all the Hong Kong police uniforms, SWAT gear, guns and muzzle flash that appears on screen, this will be Disneyland for you.

To match its drama with an epic operatic grandeur, Firestorm's story is built around the metaphor of an oncoming typhoon blowing towards Hong Kong. As my creative writing teacher once said about one of my short stories, "Your pathetic fallacy is pathetic." Sorry, it is too over- the-top at times. For example, Peter Kam's bombastic operatic score is akin to a Final Fantasy game. It sounded like a choir of angels were chanting for Andy Lau's survival through the gunfire. The work Peter Kam done on Isabella and Throwdown has shown subtlety and used music as a way to bring the audience into its world. I noticed that the quiet contemplative score sounded one octave away from the Infernal Affairs score. This is not Kam's fault. I imagine this is the product of financiers citing references based on past box office success. Let's face it, current Chinese and Hong Kong cinema is becoming a producer's medium.

I was aware of how much commercial box ticking was going on throughout the film, but they were never overtly blatant enough to bother my enjoyment. Whenever Firestorm was being too loud and bashing my head, it was the hidden artsy choices, like Gordon Lam in a lead role, the undercover story arc with its morality play, that lifted it back up for me. It's a fun time at the movies and if you're going to see it, the 3D version will not disappoint.

For more reviews, please visit my film blog @ http://hkauteur.wordpress.com

I saw this last fall, 2014, when it was first released on DVD and I revisited it again, now, in the fall of 2015. I rarely do that. Basically a classical crime action flick with really smart bad guys against somewhat smart cops. Yes, it's just another armored car heist (well, a couple of them) with lots of firepower. Normally I would say it was all a bit excessive, over-the-top firepower, destruction and killing, but the pace, cinematography, exceptional CGI scenes of downtown Hong Kong with unexpected and creative twists made me stay involved and, always a good sign, not much dead time (ha) so it went quickly.

What makes it a little more special than other films in this genre is that the good people may not make it in the end. But, then too, neither do the not-so-good people.

the prior reviewer wrote " a noteworthy lead role performance from andy lau ", or something of the sort. ...uhhhh, i'm sorry but, nottt! there was actually a very noteworthy performance but it didn't come from andy, i think he tried( he also produced ) but just wasn't up for a above average performance. unfortunately, he was just average and that was one of two things that kill a potentially great action genre movie.

my other gripe with the movie is that even though every action scene was performed in top-notch form, a couple of them were just way way over the top to the point that it make me snicker. on top of that there were another couple of action scenes that were very very hard to believe. the tracer bullets i think were more for the viewers of the movie.

...now, for the good. lam ka tung in a break-out leading man role finally. if lam wasn't in this movie, it would've been a disaster. he was a joy to watch and hes been a little better in other movies but never in the leading role.

even though i mentioned before that some of the action was too unbelievable, there were two that were very very memorable. there were a lot of action scenes and every one was well done, as campy as some of them were.

there was a very pretty leading lady who didn't get much screen time, a couple of big time actors in the leading villain roles ( ray lui and hu jun ), plus a whole slew of solid character actors. the cinematography was decent and if andy lau had turned in a grittier performance it still would've been a great action movie, even with some campy action scenes.

even with all its faults " firestorm ", is still a good action movie and there was some tension and gripping scenes in the movie. still too bad though..., it could've been a special one.

First of all, don't get fooled by the title or the description of the press release. There is no storm in this movie. I was expecting action sequences in the key of Korean movies like the drama-thriller ''Tidal Wave'' which takes place during a mega tsunami or the spy thriller ''Typhoon'' but ''Firestorm'' turns out to be a more conventional thriller. This movie may not be very unique but it's a quite entertaining two hours for fans of the action-thriller genre.

The story where a veteran police officer and his assistants face a notorious thief and his cruel gang is nothing new either but the movie includes a couple of side stories. Some people may say that these side stories are only hiding the weak main plot and rather distracting but I thought they were what made this movie a little bit better than just average. The relationship between a naive criminal who wants to leave his past behind and start all over again with his proud but sad girlfriend is really touching. This side story adds some emotional depth to the movie. The story of an undercover agent and his autistic daughter is also quite intense as it turns from a passionate story to the grisliest element of the entire movie which I found hard to digest but absolutely intriguing. The acting from the secondary actors is very good while the main actors Andy Lau and Hu Jun are not as outstanding.

An important element of this movie is obviously the fast-paced action sequences. Some of them are well filmed and really breathtaking. One can really see that these scenes were filmed by experts and that there is a solid budget behind the movie. I'm not a fan of CGI effects but the special and visual effects are bearable to well done in this movie. On the other side, some of these sequences are overused, repetitive and feel artificially stretched towards the end of the movie. Some of them are simply over the top even though these scenes are at least never becoming ridiculous slapstick elements as it's the case in several contemporary Hollywood blockbusters like ''A Good Day To Die Hard'' or ''Fast & Furious 6''. One really gets the impression that the action sequences and side stories try to hide the ordinary main plot which fails to come around with true surprises.

If you are feeling for a fast-paced and professionally shot action- thriller, you can't go wrong with this movie. Anybody who's expecting something more like a great plot, outstanding acting or revolutionary effects should watch another movie.