Wichita

Surprising twists. The ending alone is worth the price of admission. Despite it being fictional I felt like the plot and cinematography sure seemed like the 1880's might have felt. I want to watch it again. This type of film-making is a refreshing acknowledgment that people with passion, a good script, and talent both in front and behind the camera can put together an enjoyable movie experience. In the grand scheme of what counts as movie making, this filmmakers use of resources and location choices show us indie film lovers that scenes are always around us waiting to be released into art. Go see the film, or get it on DVD and open your mind to a growing genre - movies that artists make on their own terms.

Many of people that have written reviews for this film have already talked about the plot, which as so many have already stated, is as intriguing as it is entertaining. So instead, I'd like to take moment to comment on some of the other aspects of this film.

All of the actors in this film do a fantastic job. The sisters, Samantha (Karina Wolfe) and Mary (Reylynn Caster) are definite standouts. Karina Wolfe is quite convincing in her role and really delivers an excellent performance. Her ability to play tough and tender at the same time is quite remarkable. For such a young actress, Reylynn Catser already has amazing range. The performances from these actresses alone are worth watching the movie for. But for me, it was Kenneth Mitchell as Deacon Miller that stole the show. His performance shows the maturity and the precision of a dedicated master of his craft. It was also a rare treat to see musician Uche as The Blacksmith and spotting director Nicholas Barton's cameo appearance was great moment.

The sound and soundtrack for this film was excellent and there were some nice visual moments throughout the film. For a period piece, the set design, wardrobe, and props are wonderful. Several of the scenes were actually filmed at the Historic Cowtown in Wichita, Kansas, lending an authenticity that has been preserved there for generations.

With fantastic locations and the amount of people involved in this production, "Wichita" has a great sense of scale for an indie film. Nicholas Barton and his team have put together a film that maintains the authenticity of the period while telling a story that is hip enough for modern audiences.

I usually screen movies privately but was lucky enough to be able attend "Wichita" at the premiere in Wichita, Kansas and witness the audience's engagement first hand. You know somebody is doing something right when a crowd of 1,000 people gasp, laugh, or stand up and applaud all at once.

First off, I am not a huge fan of the American cinema 'western'. It takes an extraordinary story to hold my interest. However, with several recent entries such as the HBO series 'Deadwood' I realized my perceptions were changing as new, bold filmmakers returned to themes etched in dirt, boots and blood.

'Wichita' really isn't so much about a growing town in the West as it is a collision point, a crossroads of circumstances that, once the cast is assembled, unfolds with a growing paranoia towards it's unexpected and violent conclusion.

A talented group of relative unknowns deepen the story with believable performances and filmed with such well composed shots that it's like gazing into a history book. The direction is sure-footed, calculated and intelligent.

So, I emerged not only amazed that a low budget feature could be of such high production quality and literary grit but also hopeful that this little gem gets a wide following.

I even might enjoy watching a few more westerns again.

So let me say that WICHITA is not a western for the casual genre fan raised on GUNSMOKE and BONANZA reruns. Nevertheless WICHITA delivers for film fans as well as Western Fans.

While many of the traditional elements of "the western" exist, WICHITA was obviously inspired more by the darker, somewhat cruel film-noirish category of film. The black hat-white hat, play along at home game doesn't exist. Each character has his own demons. The story unfolds violently and deliberately. Much like the work of Sam Peckinpah and, Budd Boetticher the film adopts an unpretentious style, taking a relaxed approach to the story unfolding and letting the actors and screenplay drive the film.

It's not perfect by any means, yet it show promise for the film maker and the cast. It's a film that inspires discussion afterwards and probably has more sociological elements explored than the average western. Enjoy and then be prepared to discuss.

'Wichita' is an engaging film, full of character and intrigue. While I am not typically a fan of Westerns, this movie feels more like a dramatic piece set in the Old West, rather than a genre film. It is a gritty tale of life on the frontier, where the greatest threat to mortality is not one's health, but the actions of others. To say that I couldn't predict where the story would go is an understatement! There were several surprising moments where the whole theatre gasped, and the ending was met with resounding cheers and applause.

'Wichita' is visually striking, and beautifully shot. It certainly depicts the time period, leaving the audience to focus on the story itself rather than the practicality of the production. There is a great sense of movement, fluidity, and life throughout the movie. Various lines of dialogue set up payoffs later on, with no indication at the time that the audience is being given clues. Watching the movie is an engaging experience, rather than idle viewing.

I would definitely recommend this independent feature, whether or not you are a fan of typical Westerns. It's a dramatic piece, and unlike anything Hollywood is putting out there!